SKU: 166212037

poltrona alzapersona elettrica 1 motore 71x76x116 cmin similpelle nero 217029

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Description

poltrona alzapersona elettrica 1 motore 71x76x116 cmin similpelle nero 217029Stuhl heben Elektrischer Liftsessel 1 Motor 71x76x116 cm in schwarzem Kunstleder Ein bequemer und praktisch zu bedienender Relaxsessel wie Elizabeth II ist ideal, um auch alleine zu Hause mhelos aufzustehen und somit fiese und gefhrliche Strze zu vermeiden. Der elektrische Sessel Elizabeth II ist ein Modell, das von Le Roi du Relax speziell entwickelt wurde, um maximale Entspannung zu bieten und dem Endbenutzer eine Entspannung aller Muskeln zu

Stuhl heben

Elektrischer Liftsessel 1 Motor 71x76x116 cm in schwarzem Kunstleder

Ein bequemer und praktisch zu bedienender Relaxsessel wie Elizabeth II ist ideal, um auch alleine zu Hause mühelos aufzustehen und somit fiese und gefährliche Stürze zu vermeiden. Der elektrische Sessel Elizabeth II ist ein Modell, das von Le Roi du Relax speziell entwickelt wurde, um maximale Entspannung zu bieten und dem Endbenutzer eine Entspannung aller Muskeln zu garantieren, vor allem aber um Gelenkschmerzen durch langes Sitzen vorzubeugen.
Elizabeth II ist ein Relaxsessel von außergewöhnlicher Qualität und Ausstattung, ausgestattet mit einem innovativen Lift-up-System, das, aktiviert über die mitgelieferte praktische Fernbedienung, das Aufstehen vom Sitz erheblich erleichtert. Diese Art von elektrischen Sesseln wird besonders für ältere Menschen und Personen mit ernsthaften Gehbehinderungen empfohlen, gerade weil sie dank des integrierten Elektromotors eine vollkommen aufrechte Position erreichen, ohne die Person nutzlosen körperlichen Anstrengungen auszusetzen.
Neben dem Komfort, den der Hebemechanismus bietet, ist dieses Modell des Entspannungssessels mit 2 bequemen Rädern unter der Struktur ausgestattet, mit denen Sie ihn einfach und ohne großen Aufwand von einem Raum zum anderen im Haus bewegen können. Dank seiner Aufstellmöglichkeit und Bewegungsfreiheit kann der Sessel Elizabeth II auch als Stuhl für den Esstisch verwendet werden, da er beim Essen eine bequeme Sitzgelegenheit bietet.
Der Entspannungssessel Elizabeth II wurde entwickelt, um den Komfort jedes Benutzers zu maximieren, und erfüllt alle Bedürfnisse: Sobald Sie sich hingesetzt haben, finden Sie dank der neigbaren Rückenlehne und dem Anheben der Fußstütze immer die richtige Position, alles durch einfaches Drücken einer Taste auf der Fernbedienung .
Seit über 20 Jahren kümmert sich Le Roi du Relax um die Gesundheit seiner Kunden und Elizabeth II ist der elektrische Entspannungsstuhl, der das beste Preis-Leistungs-Verhältnis auf dem Markt bietet. Das moderne und elegante Design, der Sitzkomfort durch die sehr weiche Polsterung und die Kunstlederpolsterung mit hochwertigen Oberflächen machen diesen elektrischen Aufstehsessel zum perfekten Entspannungsbegleiter für jeden Benutzer!

Technische Eigenschaften

  • Maße: 71 x 76 x 116 cm
  • Hochwertiger Kunstlederstoff
  • Zusätzliche Polsterung für maximalen Komfort
  • Relaxsessel mit Liftsystem LIFT, bedienbar per Fernbedienung
  • Innovativer Elektromotor der neuesten Generation
  • 2 bequeme Räder, um die Bewegung des Sessels zu erleichtern
  • Große Seitentasche zur praktischen Aufbewahrung von Alltagsgegenständen
  • Ausführung: 100 % Made in Italy
  • Alle verwendeten Rohstoffe sind von hoher Qualität und entsprechen den geltenden Vorschriften
  • Die Positionen des Sessels werden über die spezielle Fernbedienung gesteuert, die Rückenlehne und die Fußstütze arbeiten synergetisch zusammen, um Entspannung und Komfort zu maximieren
  • Es erfolgt keine Bodenlieferung, da das Paket problemlos von 2 Personen transportiert werden kann
  • Es gibt keinen Abholservice für Gebrauchtwaren
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SKU: 166212037

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4.4 ★★★★★
Based on 20 reviews
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Product Reviews
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Verified Purchase
William
Dallas, US
★★★★★ 5
This is a must read for ALL writers, not just fiction writers!
Format: Paperback
This is a must read for ALL writers, not just fiction writers! Although, in places, a bit technical, for any writer, not just new writers, for anyone who wants to master their craft, this is a must read book. What can be said about Gardner that hasn't been said yet? One of the best books on writing about writing that I have read. Comparable to Stephen King's, On Writing. Yes, it is that good. In Part I Gardner lays out a compelling treatise about the genre of fiction, what it is and why it is important. In Part II he discusses the how-to of writing good fiction, where he talks about common errors, technique and plotting at length. One of the benefits from reading The Art of Fiction is that it gives the reader a crash course in literature, who many of us that come from a Science, Technical, Engineering and Math (STEM) background are sorely lacking in. This said a writer who has grown up in the sciences, or engineering, or business worlds will find this book very useful in "catching up" a bit to our friends who have read all of classics and can retell significant scenes as though they were there. Again, this is a must (must) read for ALL writers, not just fiction writers.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 6, 2017
G
Verified Purchase
G. Fisher
Fort Morgan, US
★★★★★ 4
Helpful
Format: Hardcover
The book itself is excellent, very helpful with lots of specific information. I was disappointed (one star) that the used hardcover edition I ordered arrived as the paperback edition, though in very good condition.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 11, 2025
A
Verified Purchase
Artie Anzaldua
Alexandria, US
★★★★★ 5
Good!
Format: Paperback
Needed this for a class but still keep it around as its useful to my field of study.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 19, 2026
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Here
Carnegie, US
★★★★★ 5
Simply what any serious would-be writer must know.
Format: Kindle
I am a writer only in the sense that I write daily and believe that I do have that ineffable "it"; I do not, however, have any formal writing training. I say all of this to make clear that anyone, literally, can read and understand this book, gaining invaluable knowledge about the craft of writing. Some of the less effulgent reviews of this title have pointed to the "pompousness" of Prof. Gardner and his supposed sesquipedalian loquaciousness as reasons for hopeful writers to search-out more simplistic guides. I disagree emphatically. I truly believe that this book holds the keys to unlocking the divide between the good and great writer, particularly for those of us who have not had access to the best educational opportunities. Personally, I want to be a great writer. Not a good writer, not a successful, or published, or wealthy writer: a great writer. I want to move people to think about things in ways that they never would have, maybe without even knowing that their ideals are changing; I want to move people! To write like that one needs, me thinks, the guidance of one with an intimate knowledge of how this is properly -and not so properly- done, and the "arrogance" to believe he can convey this understanding, even to we ignoramuses. This is what I have found in Prof. Gardner and this wonderful tome. Distracters may feel free to criticize my review as they wish. I stand by my opinion of this book and its Author.
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Reviewed in the United States on January 5, 2013
J
Verified Purchase
Joel K. Williams
Fort Morgan, US
★★★★★ 3
I Recommend It, But Not Much
Format: Paperback
This book is recommended in SELF-EDITING FOR THE FICTION WRITER, a book I have read twice and enjoyed a great deal. I had to give Gardner a try. This is a tough review to write because I can't say this is a fantastic book to help one write fiction. At the same time, there is little or nothing said that I disagree with. So, what's the problem? My confusion starts with my expectations when reading a book about writing. It's a situation where I want to gain information and hints on how to write better, without being bombarded by direction on how to write. This criteria has served me well and I've found a number of writing books that made me write or want to write better; SELF-EDITION FOR THE FICTION WRITER is one, THE FICTION WRITER'S WORKSHOP is another. Judging by that, this book didn't pass muster. Rather than coming away with a new awareness of what I want to include or exclude from my own work, I'm left feeling like I've been having coffee with an experienced author full of sweeping opinions on craft. He's crafty in one way, his ability to pull me in with the sense of being an insider, watching other fiction writers through thick glass. He uses a lot of lines like "The writer who can't distinguish truth from a peanut-butter sandwich can never write good fiction. What he affirms, we deny, throwing away his book in indignation..." The implication isn't about writers of bad fiction so much as it is about 'us', him and I, being partnered in our unique ability to indignantly recognize a lousy writer. In fact, we're pretty decent to only discard the book when we're entitled to exact creative justice on its sloppy author. Still, and here's the rub, it isn't a bad read. Don't skip an hour of writing to sit down with this book but if you're between projects and have the time, I'd recommend it.
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Reviewed in the United States on July 11, 2010

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