SKU: 24072760982

Makita DCW 180 G Akku Kühl und Wärme Box 36 V ( 2x 18 V ) 20 L + 2x Akku 6,0 Ah - ohne Ladegerät

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Description

Makita DCW 180 G Akku Kühl und Wärme Box 36 V ( 2x 18 V ) 20 L + 2x Akku 6,0 Ah - ohne LadegerätLieferumfang: 1x Makita DCW 180 Akku Khl und Wrme Box 1x Gurt 1x Netzteil fr 230 V Steckdose 1x Stecker fr 12 V 24 V KFZ Steckdose 2x Makita BL 1860 B 18 V 6,0 Ah Akku ohne Ladegert Produktbeschreibung: Die Makita DCW 180 ist eine transportable Akku Kompressor Khl und Wrmebox mit bis zu 17 Stunden Betriebszeit. Mit Ihr ist es mglich wahlweise auf 18; 10; 0; 5 und 10 C zu khlen und auf 55 oder 60 C zu heizen. Sie besitzt ein Fassungsvermgen von 20

Lieferumfang:

- 1x Makita DCW 180 Akku Kühl und Wärme Box
- 1x Gurt
- 1x Netzteil für 230 V Steckdose
- 1x Stecker für 12 V / 24 V KFZ Steckdose
- 2x Makita BL 1860 B 18 V 6,0 Ah Akku
- ohne Ladegerät

Produktbeschreibung:

Die Makita DCW 180 ist eine transportable Akku Kompressor Kühl- und Wärmebox mit bis zu 17 Stunden Betriebszeit. Mit Ihr ist es möglich wahlweise auf -18; -10; 0; 5 und 10° C zu kühlen und auf 55 oder 60° C zu heizen. Sie besitzt ein Fassungsvermögen von 20 Litern. Dies kann man nutzen, um bspw. zwanzig 500 ml PET Flaschen zu verstauen. Um Flaschen mit Kronkorken zu öffnen, wurde ein Flaschenöffner an die Geräteseite eingelassen. Ein großer Vorteil dieser Kühlbox ist, dass Sie Netzunabhängig betrieben werden kann. So lässt Sie sich mit zwei 18 V Makita Akkus, über eine 12 V bzw. 24 V KFZ Steckdose oder wahlweise für den Dauerbetrieb über eine 230 V Steckdose betreiben. Ein, neben dem Akku Schacht platzierter USB-Anschluss, kann zum Laden von Smartphones verwendet werden. Wichtig: Die DCW180 hat keine Akku Ladefunktion! Ein weiterer Vorteil des Akkubetriebs ist der Schutz gegen allseitiges Spritzwasser, was Sie witterungsbeständig macht. Dabei schützt ein Deckel über dem Akku Schacht vor eindringenden Schmutz und Wasser ( Schutzklasse IPX4, nur im geschlossenen Zustand! ). Ein übersichtliches LED-Display mit Anzeige der aktuellen Innenraumtemperatur und der Akku Ladestände bietet eine gute Übersicht über den Zustand der Kühlbox. Besonders komfortabel ist der ausklappbare Handgriff, wodurch die DCW 180 kräfteschonend über zwei Rollen gezogen werden kann. Makita ist ein führender Hersteller von Elektrowerkzeugen, eine lange Tradition und eine hohe Verarbeitungsqualität zeichnen das Unternehmen aus.

Technische Daten:

Hersteller: Makita
Herstellerbezeichnung: DCW180
Akkuspannung: 18 V
Akkusystem: LXT
Temperaturbereich: -18 - +60 º
Wechselstromspannung: 100 - 240 V
Spannung Zigarettenanzünder: 12 / 24 V
Kapazität: 20 L
Produktgewicht: 13,0 kg
Produktabmessung ( L x B x H ): 623 x 341 x 371,5 mm
Kältemittel: R-134a
Menge: 28 g


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SKU: 24072760982

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4.3 ★★★★★
Based on 24 reviews
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D
Verified Purchase
David R. Papke
West Palm Beach, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
New York, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Whiting, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Whiting, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Omaha, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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