SKU: 31328337811

ein hafen in italien artus del monte

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ein hafen in italien artus del monteUn port l'italienne: das mediterrane Licht, veredelt durch Artus del Monte Die komposition von Un port l'italienne fngt eine Hafen Szene ein, die von warmem, goldenem Licht durchflutet ist, wobei die Reflexionen auf dem Wasser auf die zarten Pinselstriche reagieren. Die ocker und blautne harmonieren, um Tiefe und Bewegung in die Perspektive zu bringen, whrend die Pinseltechnik, sowohl przise als auch luftig, die Meeresbrise und die Lebendigkeit der

Un port à l'italienne: das mediterrane Licht, veredelt durch Artus del Monte
Die komposition von Un port à l'italienne fängt eine Hafen Szene ein, die von warmem, goldenem Licht durchflutet ist, wobei die Reflexionen auf dem Wasser auf die zarten Pinselstriche reagieren. Die ocker- und blautöne harmonieren, um Tiefe und Bewegung in die Perspektive zu bringen, während die Pinseltechnik, sowohl präzise als auch luftig, die Meeresbrise und die Lebendigkeit der Kai-Szene wiedergibt. Die Atmosphäre erinnert an die Ruhe eines sonnigen Nachmittags und die sanfte Melancholie der Reisen, lädt den Blick ein, den Booten bis zum Horizont zu folgen. Dieser kunstdruck von Un port à l'italienne gibt die originale Farbpalette und das Design treu wieder, für eine sofortige visuelle Präsenz.

von Artus del Monte, Meister einer malerischen Eleganz
Artus del Monte gehört zu einer malerischen Tradition, die Licht und die Darstellung von Küstenlandschaften schätzt, beeinflusst durch italienische Reisen und die direkte Beobachtung des Motivs. Sein Werk zeichnet sich durch eine feine Ausführung und eine farbige Sensibilität aus, die sowohl die Veduten als auch die Freilichtmalerei des 19. Jahrhunderts erinnern. Unter seinen Arbeiten zeigt der kunstdruck von Un port à l'italienne seine Fähigkeit, topografische Präzision mit poetischer Atmosphäre zu verbinden, was ihn zu einem anerkannten Künstler für die erzählerische Qualität seiner Ansichten macht. Sein Beitrag klingt in der regionalen Geschichte der Landschaftsmalerei wider und bringt eine persönliche Sicht auf die mediterranen Küsten.

Eine dekorative Anschaffung mit vielfältigen Vorteilen
Die kunstdruck von Un port à l'italienne ist eine elegante dekorative Wahl für ein Wohnzimmer, ein Büro oder ein Schlafzimmer und verleiht jedem Interieur Wärme und Charakter. Dieses Gemälde Un port à l'italienne integriert sich sowohl in zeitgenössische als auch in klassische Umgebungen dank seiner ausgewogenen Farbpalette und seiner beruhigenden Komposition. Präsentiert als Leinwanddruck bleibt jedes Detail der Komposition erhalten: die Feinheit der Lichtstunden, die Textur der Materialien, die Tiefe der Ebenen. Dieses Leinwandbild zu verschenken oder aufzuhängen bedeutet, ein Fenster zum Mittelmeer bei sich zu Hause zu öffnen, mit einer treuen und langlebigen kunstdruck, die den Wohnraum aufwertet.

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SKU: 31328337811

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4.6 ★★★★★
Based on 28 reviews
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David R. Papke
Massapequa, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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DoubtfulReader
Cuba, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Massapequa, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
West Palm Beach, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
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Classics professor
New York, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017

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