SKU: 39837595456

Anycubic Photon Mono 4

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Description

Anycubic Photon Mono 4Der Anycubic Photon Mono 4 ist ein zuverlssiger Resin 3D Drucker fr Einsteiger, der durch hohe Detailgenauigkeit und gleichbleibend przise Druckergebnisse berzeugt. Dank seiner 10K Auflsung, dem 7 Zoll Monochrom Display und einer Druckgeschwindigkeit von bis zu 70 mm h eignet er sich sowohl fr alltgliche Druckaufgaben als auch fr anspruchsvollere Projekte. Ob Hobbyanwender oder ambitionierter Profi dieser Drucker kombiniert Przision und einfache

Der Anycubic Photon Mono 4 ist ein zuverlässiger Resin-3D-Drucker für Einsteiger, der durch hohe Detailgenauigkeit und gleichbleibend präzise Druckergebnisse überzeugt. Dank seiner 10K-Auflösung, dem 7-Zoll-Monochrom-Display und einer Druckgeschwindigkeit von bis zu 70 mm/h eignet er sich sowohl für alltägliche Druckaufgaben als auch für anspruchsvollere Projekte. Ob Hobbyanwender oder ambitionierter Profi – dieser Drucker kombiniert Präzision und einfache Bedienung in einem durchdachten, unkomplizierten Design.

Highlights

  • 10K-Auflösung für außergewöhnlich scharfe und feine Details

  • 7-Zoll-Monochrom-LCD für hochpräzise Druckergebnisse

  • Druckgeschwindigkeit von bis zu 70 mm/h für effiziente Arbeitsabläufe

  • Robuste Bauplattform mit lasergravierter Oberfläche für optimale Haftung

  • LighTurbo-Lichtsystem für gleichmäßige und zuverlässige Aushärtung

  • Kompatibel mit den meisten Harztypen, einschließlich Bioharzen

Der Photon Mono 4 überzeugt mit einer 10K-Auflösung (9024 × 5120) und einer extrem feinen Pixelgröße von nur 17 Mikrometern, wodurch die Druckgenauigkeit gegenüber früheren Modellen deutlich gesteigert wird. Ob filigrane Strukturen oder großformatige Drucke – diese hohe Detailauflösung stellt sicher, dass jedes Modell gestochen scharf, sauber und professionell umgesetzt wird.

 

Intelligentes Lichtsystem

Das verbesserte LightTurbo-Lichtsystem gewährleistet eine gleichmäßige Ausleuchtung der gesamten Bauplattform. Dadurch werden sichtbare Schichtlinien minimiert und extrem kurze Belichtungszeiten von nur 1,5 Sekunden pro Schicht ermöglicht. Das Ergebnis sind gleichmäßigere Drucke, höhere Detailqualität und deutlich schnellere Druckprozesse.

Durchdachtes Design

Die überarbeitete Bauplattform ist mit lasergravierten Mustern versehen, die eine verbesserte Haftung während des Druckvorgangs gewährleisten und das Risiko von Ablösungen oder Verformungen deutlich reduzieren. Gleichzeitig lassen sich fertige Drucke leichter entfernen, was die Nachbearbeitung schneller, sauberer und insgesamt komfortabler macht.

 

 

Einfache Einrichtung und Bedienung

Der Photon Mono 4 wird vollständig vormontiert und geprüft ausgeliefert, sodass Sie nach dem Nivellieren der Bauplattform sofort mit dem Drucken starten können. Das manuelle 4-Punkt-Nivelliersystem ist intuitiv und effizient gestaltet und sorgt für eine besonders kurze Einrichtungszeit.

Umweltfreundliche Optionen

Der Drucker ist mit einer breiten Auswahl an Harzen kompatibel, darunter auch Bioharze, die geruchsarm, hautfreundlicher und umweltschonender sind. Dadurch eignet sich der Photon Mono 4 für vielfältige Anwendungen – von funktionalen Prototypen bis hin zu tragbaren oder dekorativen Objekten.

Zuverlässig und robust

Dank der Power-Resume-Funktion setzt der Photon Mono 4 den Druckvorgang nach einem unerwarteten Stromausfall automatisch an der zuletzt gespeicherten Stelle fort. Das reduziert Materialverluste und spart wertvolle Zeit.

Der Anycubic Photon Mono 4 vereint Präzision, Geschwindigkeit und eine benutzerfreundliche Konstruktion in einem ausgewogenen Gesamtpaket und ist damit eine hervorragende Wahl für alle, die in den Resin-3D-Druck einsteigen möchten.

 

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SKU: 39837595456

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4.3 ★★★★★
Based on 9 reviews
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Product Reviews
D
Verified Purchase
David R. Papke
Carnegie, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Los Angeles, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Omaha, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
Massapequa, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
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Verified Purchase
Classics professor
Houston, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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