SKU: 46353351442

Moderationstafel UP – einteilig und doppelseitig - standsicher

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Moderationstafel UP – einteilig und doppelseitig - standsicherModeratorentafeln fr die optimale Moderation oder Prsentation Die Moderatorentafeln aus der UP Serie geben jeder Prsentation einen ansprechenden Rahmen und sind eine wahre Bereicherung und ideal fr professionelle Prsentationen geeignet. Durch dieses Hilfsmittel wird nicht nur jeder Vortrag zu einem visuellen Highlight, sondern auch gruppen dynamische Ergebnisse, Recherchen und Arbeitsprozesse knnen bildlich und einprgsam prsentiert werden. Die

Moderatorentafeln für die optimale Moderation oder Präsentation

Die Moderatorentafeln aus der UP Serie geben jeder Präsentation einen ansprechenden Rahmen und sind eine wahre Bereicherung und ideal für professionelle Präsentationen geeignet. Durch dieses Hilfsmittel wird nicht nur jeder Vortrag zu einem visuellen Highlight, sondern auch gruppen-dynamische Ergebnisse, Recherchen und Arbeitsprozesse können bildlich und einprägsam präsentiert werden. Die Wandfläche der Moderatorentafeln bieten mit einer Fläche von 150 cm x 120 cm eine ausreichend große Oberfläche zum Anbringen von Notizen, Vermerken oder Bildern und ist zudem doppelseitig verwendbar.

Die Moderatorentafeln überzeugen besonders durch ihre Qualität und sind schnell und unkompliziert aufzubauen und somit nach kurzer Zeit direkt einsatzbereit. Der hochwertige Rahmen aus eloxiertem und pulverbeschichtetem Aluminium und die robusten Füße der insgesamt 195 cm hohen Moderatorentafeln machen diese sehr stabil und standsicher.

Die Farbe und Oberfläche der Moderatorentafeln können Sie frei wählen und damit individuell anpassen und je nach Bedarf bestellen. Entscheiden können Sie sich zwischen einer grauen oder blauen Moderatorentafel mit einer Oberfläche aus Filz oder aus weißem Karton.

Die Eigenschaften der Moderationstafel von MEMOVEO:

 ✓ sehr standsicher
 ✓ hoch qualitativ 
 ✓ 150x120 cm 
 ✓ für Präsentationen nutzbar
 ✓ als Raum-Trenner und Informationssammlung nutzbar

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SKU: 46353351442

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4.7 ★★★★★
Based on 13 reviews
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T
Verified Purchase
Terry L.
Whiting, US
★★★★★ 5
Recommend
Tells the other side of the story you didn't get in U.S. History class. Good read.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 15, 2015
G
Verified Purchase
George Vargas
Battle Creek, US
★★★★★ 5
Five Stars
Outstanding book on the general history of European barbarism.
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Reviewed in the United States on December 26, 2017
H
Verified Purchase
Howard
Natrona Heights, US
★★★★★ 5
By far, the best book of many I have read on this subject. Must read for anyone interested in this subject.
Format: Paperback
Best book I have yet read on the subject, and I have read many in research for the writing of my second novel. It relentlessly examines specific cases of lynching over time, but it is not a mere narrative of specific lynchings. It is an excellent analysis of the social, historical and cultural forces behind this horrendous practice. The book's discussion of the movie, Birth of a Nation, would by itself make this a valuable book, but the book's central theme is even more important. Its central theme, the public's desire for spectacle as fuel for lynchings, particularly after the abolition of legal public executions, is even more revealing. Also a good look at the social and cultural forces that over time led to the gradual demise of lynching as a phenomenon. A page turner for history readers. Warning -- man's inhumanity to man will make you simultaneously angry and sad.
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Reviewed in the United States on July 24, 2015
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Verified Purchase
AlanWarner
Dallas, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
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Reviewed in the United States on July 6, 2015
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Carole T Emberton
Lake Worth, US
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
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Reviewed in the United States on April 17, 2018

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