SKU: 49126771305

Silberkette Ankerkette rund Halskette Breite 2,8 mm massiv 925 Silber

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Silberkette Ankerkette rund Halskette Breite 2,8 mm massiv 925 SilberEdle massive Silberkette Ankerkette rund Breite 2,8 mm Halskette aus 925 Sterlingsilber von hchster Qualitt Made in Germany. Unsere Ketten werden vom grten Ketten Hersteller in Deutschland hergestellt. Es handelt sich um sehr hochwertige przise hergestellte Ketten mit einzigartigem Charakter und berzeugenden Qualittsmerkmalen. Der Hersteller verbindet traditionelle Handwerkskunst mit modernem Design zu einem einzigartigen Produkt, denn die Ketten sind

Edle massive Silberkette Ankerkette rund Breite 2,8 mm Halskette aus 925 Sterlingsilber von höchster Qualität – Made in Germany.

Unsere Ketten werden vom größten Ketten Hersteller in Deutschland hergestellt. Es handelt sich um sehr hochwertige präzise hergestellte Ketten mit einzigartigem Charakter und überzeugenden Qualitätsmerkmalen. Der Hersteller verbindet traditionelle Handwerkskunst mit modernem Design zu einem einzigartigen Produkt, denn die Ketten sind nicht nur „Made in Germany“, sondern auch „einzigartig in Germany“, denn alle wichtigen Teile der Kette werden selbst hergestellt. Als Ergebnis liefert der Hersteller sehr hochwertige edle Produkte die jeden Schmuckfan überzeugen.
Durch seine langjährige Erfahrung und Kompetenz setzt der Hersteller weltweite Maßstäbe im Bereich Schmuckketten, die kaum zu überbieten sind. Die Ketten zeichnen sich durch präzise Verarbeitung, Langlebigkeit, edler Formgebung und makellosen Oberflächen aus. Lassen auch Sie sich von diesem edlen Produkt verführen.

Die Ankerkette gehört zu den beliebtesten Ketten hierzulande. Bei der runden Ankerkette sind die Ringe oval wie bei einer echten Ankerkette. Sie wird sowohl von Männern als auch von Frauen getragen. Die einzelnen Ankerketten unterscheiden sich durch ihre unterschiedlichen Schliffe, durch die Höhe der Kette, und durch den Abstand und die Größe der Ringe. Die Ankerkette rund liegt besonders angenehm auf der Haut. Es gibt keine unebenen Stellen, keine harte Kanten welche an der Haut reiben könnten. Bei unseren Ketten handelt es sich um eine solide, edle, massive und sehr hochwertige Ausführung in Juwelierqualität. Natürlich sind die Ketten gestempelt. Die Ankerkette rund ist absolut präzise gearbeitet und sehr bequem zu tragen. Alle die Ketten sind durch eine Oberflächenbehandlung anlaufgeschützt und danach hochglanzpoliert für ein noch edleres Erscheinungsbild.

Wir scheuen uns nicht, das jeweilige ca. Gewicht in Gramm anzugeben. Warum manche Anbieter darauf verzichten? Da Silber ein wertvolles Material ist, hängt der Herstellerpreis erheblich von der Materialstärke und vom Gewicht ab. Wenn eine Kette bei gleichen Außenmaßen leichter ist, wurde am Material gespart. Dies kann Auswirkung auf die Haltbarkeit haben. Unsere Gewichtsangaben können herstellungsbedingt + - 5% schwanken.

Ihre Vorteile beim Kauf dieser Silberkette:

  •  Ketten von höchster Qualität mit einzigartigem Charakter – Made in Germany
  •  Komplett massives 925 Sterlingsilber
  •  Gute Materialstärken - lange Haltbarkeit.
  •  Die Ketten sind diamantgeschliffen, anlaufgeschützt  und hochglanzpoliert
  •  Sehr hochwertige Ausführung in Juwelier Qualität
  •  Unsere Ketten sind sehr präzise gearbeitet und liegen daher besonders angenehm auf der Haut. Es gibt keine unebenen Stellen, keine harte Kanten welche an der Haut reiben könnten.

Panzerketten Angaben:


Ankerkette - 2,8 mm 42 cm - 925 Sterlingsilber - 7,0 g - Karabiner Verschluss
Ankerkette - 2,8 mm 45 cm - 925 Sterlingsilber - 7,5 g - Karabiner Verschluss
Ankerkette - 2,8 mm 50 cm - 925 Sterlingsilber - 8,3 g - Karabiner Verschluss
Ankerkette - 2,8 mm 55 cm - 925 Sterlingsilber - 9,2 g - Karabiner Verschluss
Ankerkette - 2,8 mm 60 cm - 925 Sterlingsilber - 10,1 g - Karabiner Verschluss
Ankerkette - 2,8 mm 70 cm - 925 Sterlingsilber - 11,7 g - Karabiner Verschluss
Ankerkette - 2,8 mm 80 cm - 925 Sterlingsilber - 13,3 g - Karabiner Verschluss
Ankerkette - 2,8 mm 90 cm - 925 Sterlingsilber - 15,0 g - Karabiner Verschluss

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SKU: 49126771305

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4.6 ★★★★★
Based on 28 reviews
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D
Verified Purchase
David R. Papke
Belleville, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Chelsea, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Dallas, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
New York, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
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Verified Purchase
Classics professor
Natrona Heights, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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