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Description
Die 5 Leben der Hilma af KlintEine bewegende Biografie in eindringlichen Bildern erzhlt. Philipp Deines zeichnet in fnf Kapiteln Stationen aus dem Leben der heute weltberhmten schwedischen Malerin Hilma af Klint. Die persnliche und knstlerische Entwicklung dieser Pionierin der Abstraktion wird fesselnd geschildert. Wie die Knstlerin arbeitete, lebte und liebte, was sie beeinflusste, wird den Leserinnen und Lesern anschaulich erzhlt: von den groen naturwissenschaftlichen Umwlzungen
Eine bewegende Biografie - in eindringlichen Bildern erzählt. Philipp Deines zeichnet in fünf Kapiteln Stationen aus dem Leben der heute weltberühmten schwedischen Malerin Hilma af Klint. Die persönliche und künstlerische Entwicklung dieser Pionierin der Abstraktion wird fesselnd geschildert. Wie die Künstlerin arbeitete, lebte und liebte, was sie beeinflusste, wird den Leserinnen und Lesern anschaulich erzählt: von den großen naturwissenschaftlichen Umwälzungen über die Familiengeschichte bis hin zu Anthroposophie und spiritistischen Séancen. In der Darstellung ihrer ungewöhnlichen spirituellen Erfahrungen schöpft der Autor aus af Klints fantastischem Bilderkosmos. Julia Voss, die 2020 die erste umfangreiche Biografie der Künstlerin vorlegte, war in die Entstehung dieser Graphic Novel eng eingebunden. So verbinden und ergänzen sich in diesen herrlichen Bildwelten Biografie, Kunstgeschichte und zeitgenössischer Erzählstil. Die Wiederentdeckung von HILMA AF KLINT (1862-1944) gilt als eine der größten Sensationen in der Kunst der letzten Jahre. In internationalen Ausstellungen wurde ihr Werk gefeiert, seitdem erhält sie endlich eine gebührende Würdigung als bahnbrechende Künstlerin und Vorreiterin der Abstraktion. PHILIPP DEINES (*1980) ist Zeichner und Künstler. Er hat einen Kunst-Offspace betrieben, designt Poster für Technoclubs, entwirft Mode und stellt seine Arbeiten im Kunstkontext aus. 2021 verlegte er sein Studio temporär ins Berliner Auktionshaus Grisebach. Dies ist seine erste Graphic Novel.
| EAN: | 9783775751520 |
| Farbverschnitt: | Generell werden die Bücher ohne Farbverschnitt geliefert, auch wenn die Abbildungen einen Farbverschnitt zeigen. |
| Erscheinungsjahr: | 2022 |
| Produktform: | Leinen, Gebunden |
| Titel der Reihe: | Klassische Moderne (Hatje Cantz Verlag)## |
| Autoren: | Deines, Philipp |
| Seitenzahl/Blattzahl: | 120 |
| Themenüberschrift: | COMICS & GRAPHIC NOVELS / Contemporary Women |
| Keyword: | Philipp Deines; Julia Voss; Graphic Novel; Comic; Abstrakte Kunst; Frauen in der Kunst; Malerei aus Schweden; Okkultismus; Anthroposophie; Spiritismus |
| Fachschema: | Aquarellmalerei (Kunst)~Kunstgeschichte~Manga / Graphic Novel~Comic / History~Künstler - Künstlerin~Comic / Graphic Novel~Graphic Novel~Comic |
| Fachkategorie: | Aquarellmalerei~Kunstgeschichte~Graphic Novel / Comic: Historisches~einzelne Künstler, Künstlermonografien~Europäische Graphic Novels~Graphic Novel / Comic: Memoiren, Tatsachenberichte, Sachliteratur~Comics im europäischen Stil / Tradition~Comics und Graphic Novels im amerikanischen / britischen Stil~Graphic Novel / Comic / Manga: Moderne und zeitgenössische Belletristik / Literatur, Kunst: Graphic Novels, Mangas |
| Altersempfehlung / Lesealter: | 18 |
| ab Alter: | 12 |
| Thema: | Eintauchen |
| Text Sprache: | ger |
| Verlag: | Hatje Cantz Verlag GmbH |
| Länge: | 300 mm |
| Breite: | 221 mm |
| Höhe: | 17 mm |
| Gewicht: | 729 gr |
| Genre: | Geisteswissenschaften/Kunst/Musik |
| Herkunftsland: | LETTLAND (LV) |
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4.1 ★★★★★
Based on 15 reviews
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Product Reviews
★★★★★ 5
Music of the Spheres
Format: Paperback
For me, Like many others who have read Dan Ladinsky's unique versions of Hafiz, I find them an ever fresh fountain. These poems hold the essence of experiential spirituality, the possibility of unlimited creativity, the ocean of love, the sweet agony of longing, and the unbearable joy of ectsasy.
It is difficult to remember that these miraculous jewels sprang from a life (Hafiz's)that was not without difficulty. The images here are startling and often hilarious and irreverent. But I think that most important Hafiz expands our ability to imagine and understand God. I grew up as a fundamentalist Christian and it never occurred to me that God could be as tender as this,
"When the violin can forgive the past It starts singing. . . . You will become such a drunk laughing nuisance That God will then lean down And start combing you into His hair."
Here is Hafiz's breathtaking yet practical image of unconditional love,
"Even after all this time The sun never says to the earth "You owe me." Look what happens with a love like that, It lights the whole sky."
In GREETING GOD Hafiz exquisitely describes spiritual longing this way,
". . .Tonight there is a jeweled falcon singing In a blessed pain using the tongue of Hafiz."
I have given more than a few copies of THE SUBJECT TONIGHT IS LOVE as gifts. Now I'll give the gift of THE GIFT.
I am a singer and a songwriter and I hear songs in these poems. Thank you Dan Ladinsky! You are like the "jeweled falcon" singing with "the tongue of Hafiz."
Many blessings
David Bankston, DMA
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Reviewed in the United States on November 3, 2000
★★★★★ 5
Quick and valuable read
Format: Paperback
I love this book. It’s not a sit down and read it through (unless you want to!). It’s a sit, turn to a random page, and read. Sit with it for a bit and think. It’s great poetry and always is insightful. I often purchase this as gifts for friends and is great to have on a “coffee table” or lamp stand.
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Reviewed in the United States on August 1, 2024
★★★★★ 5
Blessed Ruin: Lessons on the Stages of Love
Format: Paperback
Having already been enchanted by Daniel Ladinsky's previous rendererings of Hafiz in _I Heard God Laughing_ and _The Subject Tonight is Love_, Ladinsky's present effort is worthy of no less acclaim. In fact, his choices this time from the _Divan_(250 poems) bring home with exquisite precision that Hafiz, the Perfect Master is in fact, a Master of Love. The reader gets the clear message in Ladinsky's portrait that Hafiz has intermalized to perfection his teacher's (Mohammad Attar)lessons on the manifold levels of love and its demands: "I saw it was Hafiz who wrote all your notes of sadness, But also etched and gave you Every ecstatic wince of joy your face, body and heart has ever known." (p.38). This is no "New Age" nonsense, which at its worst hails the light and avoids the shadow, Hafiz (though seducing the beginner lover by his promises of sweetness and tenderness, that God could actually "become an infant in your arms"[p,56]) cautions that he "hold's the Lion's Paw whenever I dance."(p.57). Western culture has not received such lessons on divine love since Jesus and Plato, and unfortunately, the fresh images of their teachings on love have all been but lost to humanity, save a small remnant of sketches. Ladinsky's Hafiz both assures and challenges the seeker because any fully-alive being with such capacity for loving as Hafiz dwarfs our puny notions of western romantic love without shaming or condemning it. Only encouraging like a true teacher with compassion would: "You ask for a few words of comfort and guidance. I quickly kneel at your side offering you this whole book . . . Here's a rope, tie it around me, Hafiz will be your companion for life."(p83). Hafiz's language of love utilized the metaphor of his time and culture as Jesus incorporated the images of parable. Ladinsky courageously steps out of line (as surely did Hafiz) and takes the risk to be mundane without being irreverent when describing the labyrinth that is the heart: "There are different wells within your heart. Some fill with each good rain. Others are far too deep for that." (p76) Ladinsky's Hafiz teaches us of a divine being who walks among and talks with and celebrates his creation; yet challenges it to stretch beyond its boundaries of self-interest: " I want both of us to start talking about this great love. As if you , I, and the sun were all married and living in a tiny room, helping each other to cook, do the wash, weave and sew, care for our beautiful animals."(p.180). Ladinsky's fine portrait of this 14th century Perfect Master gives the West the certain bugal cry that God is not dead, but it is we who are dead to God. The success of this book will measure how many of us are indeed alive here, and how many are really interested in the more mature lessons of loving.
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Reviewed in the United States on July 27, 2001
★★★★★ 5
One need not be Christian or Muslim or whatever to appreciate his poetry with its deep feelings of connectedness and love of lif
Format: Paperback
The book has a lovely, reasonably long, introduction to Hafiz, his time, and fellow poets which helps to create an open and curious mind for the poems that follow. Although I was familiar with several Hafiz poems before, most of this book was new to me. It is a fairly thick book, with the poems spread lightly on the pages. Plenty of white space surrounds and set off the poems so that although there are many, many poems in the book, they are not crowded.
Hafiz celebrates god in a way that is rich and exuberant. One need not be Christian or Muslim or whatever to appreciate his poetry with its deep feelings of connectedness and love of life. In fact, as a Buddhist, I find it is exactly that sensitivity to life, to joy, to the world around, and to other beings around us that offers the greatest illumination. This poetry is wonderful to read just before sleep, or any time, and is a fine addition to any library.
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Reviewed in the United States on April 4, 2015
★★★★★ 4
Absolutely beautiful poetic translation occasionally marred by silly attempts at contemporary relevance
Format: Paperback
Poetry is something I seldom read, but the range of philosophical and religious reflection in Hafiz' writing is amazing, delightful, and life-affirming. Not every poem is equally rewarding, but how could they be? The translations make these ancient short poems speak to the present day, but sometimes too much so--using terms that have only come into our language in the 20th or 21st centuries at times borders on "cutsie", which distracts from the true meaning. When Ladinsky sticks to standard and time-tested language and grammar, his translations have much deeper impact, for me anyway. I have not read other translations of Hafiz, but I imagine previous ones are full of "thee's" and "thou's", and less erudite perspectives. I highly recommend this book--for me is has more understanding and depth concerning daily living than Rumi, for instance. Just beware that there are some shockingly off-the-mark, if sincere, attempts to make this ancient poetry relevant to us now. Ladinsky apparently spent years working on this book, so my hat is off to his scholarship.
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Reviewed in the United States on April 16, 2017