SKU: 61735681415

Isfahan | 189 cm x 119 cm | Nr. Z-2805

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Description

Isfahan | 189 cm x 119 cm | Nr. Z-2805Floraler Isfahan, blaugrau mit Bordre, Medaillon und Signatur Herkunft Persien Mae 189 cm x 119 cm (= 2,2491 qm) Herstellung handgeknpft Material Flor: Korkwolle mit reiner Seide Schuss: Baumwolle Kette: reine Seide Knoten m2 720. 000 Florhhe 6mm Herstellungsjahr 1980 Farbe Blaugrau, Dunkelblau Auflage Einzelstck Herkunft Die Stadt Isfahan gehrt zu den architektonischen Perlen der islamischen Welt. Ihre knstlerische Tradition, das historische

Floraler Isfahan, blaugrau mit Bordüre, Medaillon und Signatur

Herkunft
Persien
Maße 189 cm x 119 cm (= 2,2491 qm)
Herstellung handgeknüpft
Material Flor: Korkwolle mit reiner Seide
Schuss: Baumwolle
Kette: reine Seide
Knoten/m2 720.000
Florhöhe 6mm
Herstellungsjahr 1980
Farbe Blaugrau, Dunkelblau
Auflage Einzelstück

Herkunft

Die Stadt Isfahan gehört zu den architektonischen Perlen der islamischen Welt. Ihre künstlerische Tradition, das historische Stadtbild und die wohl einzigartige Architektur verdankt Isfahan der Safawiden-Dynastie und insbesondere Schah Abbas. Typisch für das Muster der Isfahan Teppiche sind florale Motive. Weit verbreitet sind vierer- oder längssymmetrische Designs mit einem Medaillon in der Mitte, umgeben von Arabesken, Blüten oder Vögeln. Die Grundfarbe ist meist klassisch Rot, typisch sind auch ein leuchtendes Blau und ein helles Beige. Mit meist mehr als 15 Farbtönen ist der Isfahan aber ausgesprochen farbenfroh. Die Bordüren sind häufig Grünblau und mit Blumenranken und Palmetten verziert.

Die Feinheit der Isfahan-Knüpfungen wird im Iran in Cheft angegeben. Cheft sind feine, meist blaue senkrechte Linien an den unteren Querwebkanten. Je enger die Linien, desto feiner die Knüpfung.

Noch heute tragen viele Isfahan Teppiche am unteren Rand einen meist dezent eingeknüpften Schriftzug in persischen Schriftzeichen, die sogenannte Signatur. Darauf zu lesen sind der Herstellername, die Herkunftsbezeichnung Isfahan und oftmals auch die Landeskennung, entweder als Wort Iran oder die iranische Nationalflagge in Grün, Weiß und Rot.

Besonders beliebt sind Teppiche aus der Seirafian Manufaktur. Der verstorbene Knüpfmeister Haj Agha Reza Seirafian lebte zwischen 1881 und 1975. Er ist heute als Schöpfer der berühmten Seirafian Teppiche bekannt. Haj Agha Reza war – bevor er sich der Teppichproduktion zuwendete – ein Privatbankier in Isfahan. Die Familie Seirafian prodzuziert noch heute Teppiche nach dem Vorlagen und Entwürfen von Haj Agha Reza Seirafian.

Muster

Die verzierte Umrandung (Bordüre) bildet einen hervorragenden Kontrast zum Zentrum und gestaltet den Übergang am Rand des Teppichs.

In der Mitte des zentralen Feldes dieses Isfahans liegt das symmetrische Zentrum, das auch Medaillon genannt wird. Die Gestaltung des Feldes ordnet sich dem Medaillon unter, sodass der Eindruck entsteht, das Medaillon treibe auf dem Feld.

Die üppigen Blumenmotive dieses Isfahans sind elegant und abwechslungsreich gestaltet. Die anmutigen vegetativen Symbole, die Blüten, Blätter und Äste darstellen, sind kunstvoll ineinander verschlungen.

Ein besonderes Highlight dieses Isfahan ist dessen Signatur. Die Signatur dokumentiert die Fertigung in einer der renommiertesten Knüpferein in Isfahan. Die Signatur in arabischen Schriftzeichen ist Ausdruck der Individualität und der edelen Herkunft dieses Teppichs.

Der Hintergrund dieses Isfahans ist Blaugrau. Der Rand ist in den Farben Dunkelblau, Blaugrau und Hellblau gestaltet. In dem rostroten Zentrum sind die Farben Blaugrau und Beige kombiniert.

Material

Der Flor dieses Isfahans wurde aus Korkwolle und Seide handgeknüpft. Kork- oder auch Kurkwolle ist ein besonders feinfädiges, sich fast samten anfühlendes Knüpfgarn. Die Korkwolle wird dem Nacken, dem Bauch und den Innenseiten der Beine der Schafe entnommen und ist besonders hochwertig. Das Muster dieses Isfahans ist mit glänzender reiner Seide, die in Handarbeit aus den Kokons des Seidenspinners gewonnen wird, abgesetzt. Die Seidenelemente erzeugen einen schimmernden Kontrast und lassen die Farben – je nach Lichteinfall – in verschiedenen Nuancen erstrahlen. Die Schussfäden dieses Isfahans bestehen aus Baumwolle. Für die Kettfäden wurde reine Seide verwendet.

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SKU: 61735681415

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4.2 ★★★★★
Based on 17 reviews
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K
Kay
Louisville, US
★★★★★ 5
Five Stars
Format: Hardcover
wonderful book
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 6, 2014
J
Verified Purchase
John
West Palm Beach, US
★★★★★ 5
This book will make a difference in your presentation.
Format: Paperback
If you rely on Powerpoint-like presentation in your work, get Cliff Atkinson's Beyond Bullet Points. I had determined that improving my company's presentations had potentially very high returns so I started poking around the net and Amazon for resources to help. At first, I struck out with books that were supposed to improve presentations, but ended up being guides on technically how to use Powerpoint. That was NOT what I was looking for. Beyond Bullet Points is very different. It is a philosophy about creating presentations whose purpose is to communicate a story, not dump information. Frankly, it was not intuitive for me so I had to decide to just trust that it would work. When I was about ¾ finished, I started to really "feel" what I was doing. And, to my surprise, the most unlikely people really liked the result. In a world where most business and how-to books are nothing more that restating what you already know (or, what you know isn't true), this one is an exception. I highly recommend it!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 19, 2005
C
Verified Purchase
C. Tucker
Cuba, US
★★★★★ 5
Presentations with the audience in mind
Format: Paperback
I bought this hoping it would be a guide to creating Big-3 Consulting-style slides with fancy diagrams and eye-catching graphic design. That is not what this book is. Instead, this book is about how to tell a story with slides, using the framework of a five act drama. With this method forcing you to focus on who your audience is, what they need to know, and how much time you have to tell them (as opposed to trying to shoehorn everything you know about a subject into your pitch) you end up with a presentation that finishes on time for intelligent questions from an engaged audience. Since buying the book I have given several well-received presentations using precisely that technique. With no words on screen there is no temptation to just read the bullet points, and the audience cannot think ahead of you and must instead listen to what you're saying. You have to know your material to use this method, but when you succeed your audience will be impressed with your knowledge of the subject matter. (If you're working in a group project and want to Blue Falcon a non-contributing teammate, try giving them a few of these slides to speak to.) The recommended slide format is one picture and one headline per slide, with no bullet points at all. The book suggests creating Notes Pages with an outline of your talk as a handout, since the slides themselves don't stand alone. (And that's a good thing--visual aids are supposed to *augment* the presentation, not *be* the presentation.) In conclusion, this book might not be for everyone, but it was exactly what I needed.
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Reviewed in the United States on June 15, 2018
M
Verified Purchase
mrliteral
Phoenix, US
★★★★★ 4
An outsider's view
Format: Paperback
When it comes to Cliff Atkinson's Beyond Bullet Points, I am a bit of an outsider. I don't read many computer books and, while I have worked with PowerPoint, my presentations are very simple. Since I admittedly use my share of bullet points in these presentations, I thought learning about an alternative approach would be useful. And while there are definite benefits to reading this book, it may not be perfect for everyone. Many people use bullet points in their PowerPoint presentations; this can be a great way to organize thoughts, but Atkinson has a difference approach. Essentially, the Beyond Bullet Points method treats presentations as stories told in three "acts." Act One develops the story, Act Two develops the action and Act Three frames the resolution. Each act is broken down into scenes which provide the details. The first portion of the book explains how to work with each act; the second portion deals with the evolution from initial outline to final presentation. This book assumes a certain amount of PowerPoint knowledge; if you want to learn about the application, this is not the place to start (on the other hand, you don't need to be a PowerPoint expert). One of the nicest things about Atkinson's approach is the way he allows presentations to be pared down to fit the time frame required: his method is designed best with a 45 minute presentation, but it can be easily compressed to a 15 minute or even 5 minute presentation. Another nice thing is that he has a website that readers can access that provides some helpful materials such as template documents. On the other hand, Atkinson treats the issue of bullet points/no bullet points as something of a black-and-white issue. He doesn't really acknowledge that there may be a middle ground where bullet points should be used in certain situations, perhaps even in conjunction with his approach. I think it's more appropriate to view the Beyond Bullet Points as an alternative approach to PowerPoint presentations, not the ONLY approach. Atkinson's writing style is straightforward, and like many computer books, a little dry. But as stated earlier, I am reading this book with something of an outsider's view. This is a good book, but Atkinson's inability to look beyond his own approach keeps it from being a five-star work. Nonetheless, if you do a lot of PowerPoint presentations, there is enough useful material in here to merit a read.
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Reviewed in the United States on June 16, 2006
A
Verified Purchase
Arthur E. Williams
Lake Worth, US
★★★★★ 5
A Refreshing Approach to Presentations
Format: Paperback
I ran across this book while researching a college workshop on perfecting presentation, dealing with public speaking and effective use of PowerPoint. As one who has suffered through numerous electronic slides that did little or nothing to augment the speaker's efforts, I was delighted to see this fresh and innovative approach. I believe this process works best, however, when one's speech is primarily persuasive in nature. Although these ideas helped me set up a strong introduction and conclusion, in a recent lecture I resorted to bullet points for the material I felt the students had to master. Perhaps as I get more used to Atkinson's technique, I'll better about using it in lecture. However, the business applications seem quite worthwhile. My students' workshop presentations that used his techniques were highly engaging. I highly recommend this book and the supporting web site.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 24, 2006

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