SKU: 67206891060

Infrarotkabine Kiruna 160

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Description

Infrarotkabine Kiruna 160Platzsparende Infrarotkabine Kiruna160 mit Dual Technologie Du wnscht dir eine eigene kleine Wellness Oase fr dein Zuhause? Dann erflle dir diesen Traum mit der Infrarotkabine Kiruna160 mit Dual Technologie. Diese Infrarotkabine ist die ideale Alternative zur klassischen Sauna. Dank der speziellen Kombination aus intensiven Vollspektrumstrahlern und milden Flchenstrahlern wird ein optimales Wohlfhlerlebnis erzielt. Mit vielen zustzlichen Extras wie

Platzsparende Infrarotkabine Kiruna160 mit Dual Technologie

Du wünscht dir eine eigene kleine Wellness-Oase für dein Zuhause? Dann erfülle dir diesen Traum mit der Infrarotkabine Kiruna160 mit Dual-Technologie. Diese Infrarotkabine ist die ideale Alternative zur klassischen Sauna. Dank der speziellen Kombination aus intensiven Vollspektrumstrahlern und milden Flächenstrahlern wird ein optimales Wohlfühlerlebnis erzielt. Mit vielen zusätzlichen Extras wie HiFi-Anlage, Farblicht und einem umfangreichen Bedienpanel ist für umfangreichen Komfort gesorgt.

Hochwertiges Hemlockholz

Für die Herstellung unserer Infrarotkabinen verwenden wir das Holz der Hemlocktanne. Diese Holzart ist in der Lage, die warme Infrarotstrahlung zu reflektieren und so im Inneren der Kabine zu halten. In Verbindung mit der wasserabweisenden Eigenschaft des Tannenholzes wird ein angenehmes Raumklima geschaffen.

Infrarot Dual-Technologie

Mit den vier Vollspektrumstrahlern wird eine intensive Tiefenwärme erzeugt, die tief in den Körper eindringt und so Verspannungen im Rücken- und Wadenbereich lösen kann. Gleichzeitig sorgen die drei milden Flächenstrahler für eine angenehme Wärme in der gesamten Kabine.

Bequeme Sitzmöglichkeiten

Auf der großen Sitzbank aus Holz finden 3 Personen bequem Platz. Dank einer Stellfläche von nur 160 x 105 cm ist die Infrarotkabine eine sehr platzsparende Angelegenheit. Schaffe dir deine eigene kleine Wellness-Oase zuhause.

Ambientebeleuchtung

Ein besonderes Highlight ist das LED-Licht, mit dem die Kabinendecke ausgeleuchtet wird. Diese stimmungsvolle Ambientebeleuchtung wirft indirektes farbiges Licht in die Wärmekabine und sorgt für eine perfekte Wohlfühlatmosphäre. Die einzelnen Farben können nach Belieben gesteuert werden. Ein zusätzlicher LED-Strahler sorgt für die notwendige Helligkeit.

Frische auf Knopfdruck

Der Ionisator verteilt einen leichten, angenehmen Duft, der die Kabine in eine ideale Umgebung für entspannte Momente verwandelt.

Modernes Sound-System

Die Infrarotsauna ist mit einem modernen HIFI-System ausgestattet. Lehnen Sie sich zurück und lauschen den Klängen Ihrer Lieblingsmusik. Das Radio verfügt über ein USB- sowie Bluetooth-Anschluss und 2 Lautsprecher.

Praktisches Bedienpanel

Die Bedienung der Infrarotkabine ist dank des Soft-Touch-Bedienpanels kinderleicht. Temperatur, Zeit, Radio und Ambientebeleuchtung lassen sich mit wenigen Handgriffen individuell einstellen.

Unkomplizierter Aufbau

Die Lieferung erfolgt in vormontierten Grundelementen, die nur noch mit dem bewährten Klicksystem zu verbinden sind. Auf diese Weise ist der Aufbau der Kabine in 30 Minuten möglich. Nach dem Anschluss an eine normale Steckdose mit 230 Volt ist die Wärmekabine auch schon betriebsbereit.

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SKU: 67206891060

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4.4 ★★★★★
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Product Reviews
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Verified Purchase
William
Lake Worth, US
★★★★★ 5
This is a must read for ALL writers, not just fiction writers!
Format: Paperback
This is a must read for ALL writers, not just fiction writers! Although, in places, a bit technical, for any writer, not just new writers, for anyone who wants to master their craft, this is a must read book. What can be said about Gardner that hasn't been said yet? One of the best books on writing about writing that I have read. Comparable to Stephen King's, On Writing. Yes, it is that good. In Part I Gardner lays out a compelling treatise about the genre of fiction, what it is and why it is important. In Part II he discusses the how-to of writing good fiction, where he talks about common errors, technique and plotting at length. One of the benefits from reading The Art of Fiction is that it gives the reader a crash course in literature, who many of us that come from a Science, Technical, Engineering and Math (STEM) background are sorely lacking in. This said a writer who has grown up in the sciences, or engineering, or business worlds will find this book very useful in "catching up" a bit to our friends who have read all of classics and can retell significant scenes as though they were there. Again, this is a must (must) read for ALL writers, not just fiction writers.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 6, 2017
G
Verified Purchase
G. Fisher
Alexandria, US
★★★★★ 4
Helpful
Format: Hardcover
The book itself is excellent, very helpful with lots of specific information. I was disappointed (one star) that the used hardcover edition I ordered arrived as the paperback edition, though in very good condition.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 11, 2025
A
Verified Purchase
Artie Anzaldua
Natrona Heights, US
★★★★★ 5
Good!
Format: Paperback
Needed this for a class but still keep it around as its useful to my field of study.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 19, 2026
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Verified Purchase
Here
Battle Creek, US
★★★★★ 5
Simply what any serious would-be writer must know.
Format: Kindle
I am a writer only in the sense that I write daily and believe that I do have that ineffable "it"; I do not, however, have any formal writing training. I say all of this to make clear that anyone, literally, can read and understand this book, gaining invaluable knowledge about the craft of writing. Some of the less effulgent reviews of this title have pointed to the "pompousness" of Prof. Gardner and his supposed sesquipedalian loquaciousness as reasons for hopeful writers to search-out more simplistic guides. I disagree emphatically. I truly believe that this book holds the keys to unlocking the divide between the good and great writer, particularly for those of us who have not had access to the best educational opportunities. Personally, I want to be a great writer. Not a good writer, not a successful, or published, or wealthy writer: a great writer. I want to move people to think about things in ways that they never would have, maybe without even knowing that their ideals are changing; I want to move people! To write like that one needs, me thinks, the guidance of one with an intimate knowledge of how this is properly -and not so properly- done, and the "arrogance" to believe he can convey this understanding, even to we ignoramuses. This is what I have found in Prof. Gardner and this wonderful tome. Distracters may feel free to criticize my review as they wish. I stand by my opinion of this book and its Author.
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Reviewed in the United States on January 5, 2013
J
Verified Purchase
Joel K. Williams
Louisville, US
★★★★★ 3
I Recommend It, But Not Much
Format: Paperback
This book is recommended in SELF-EDITING FOR THE FICTION WRITER, a book I have read twice and enjoyed a great deal. I had to give Gardner a try. This is a tough review to write because I can't say this is a fantastic book to help one write fiction. At the same time, there is little or nothing said that I disagree with. So, what's the problem? My confusion starts with my expectations when reading a book about writing. It's a situation where I want to gain information and hints on how to write better, without being bombarded by direction on how to write. This criteria has served me well and I've found a number of writing books that made me write or want to write better; SELF-EDITION FOR THE FICTION WRITER is one, THE FICTION WRITER'S WORKSHOP is another. Judging by that, this book didn't pass muster. Rather than coming away with a new awareness of what I want to include or exclude from my own work, I'm left feeling like I've been having coffee with an experienced author full of sweeping opinions on craft. He's crafty in one way, his ability to pull me in with the sense of being an insider, watching other fiction writers through thick glass. He uses a lot of lines like "The writer who can't distinguish truth from a peanut-butter sandwich can never write good fiction. What he affirms, we deny, throwing away his book in indignation..." The implication isn't about writers of bad fiction so much as it is about 'us', him and I, being partnered in our unique ability to indignantly recognize a lousy writer. In fact, we're pretty decent to only discard the book when we're entitled to exact creative justice on its sloppy author. Still, and here's the rub, it isn't a bad read. Don't skip an hour of writing to sit down with this book but if you're between projects and have the time, I'd recommend it.
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Reviewed in the United States on July 11, 2010

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