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Description
CyberArts 2006Der 1987 ins Leben gerufene Prix Ars Electronica stellt als der weltweit hchst dotierte Preis fr Cyberarts ein jhrliches Trendbarometer der digitalen Knste dar. Seine an Themen unserer Zeit ausgerichteten Ergebnisse dokumentieren den durch die Informations und Kommunikationsmedien hervorgerufenen Wandel gesellschaftlicher wie auch knstlerischer Annherungen, Sichtweisen und Gestaltungsformen. Knstlerische Domnen erfahren in der aktuellen Medienkunst
Der 1987 ins Leben gerufene Prix Ars Electronica stellt als der weltweit höchst dotierte Preis für Cyberarts ein jährliches Trendbarometer der digitalen Künste dar. Seine an Themen unserer Zeit ausgerichteten Ergebnisse dokumentieren den durch die Informations- und Kommunikationsmedien hervorgerufenen Wandel gesellschaftlicher wie auch künstlerischer Annäherungen, Sichtweisen und Gestaltungsformen.Künstlerische Domänen erfahren in der aktuellen Medienkunst durch den Einsatz von Informationstechnologien nicht nur einen grundlegenden Wandel, sondern erweitern und überschreiten traditionelle Grenzen. Kunst im sozialen Kontext ist in den aktuellen Cyberarts ebenso Thema wie kunsttheoretische Positionen und Erörterungen. Digitale Klangräume verändern individuelle Wahrnehmungsprozesse, Programmiersprachen im Open-Source-Modus bewirken neue Möglichkeiten bildnerischer Arbeit, visuelles Storytelling öffnet Traum- und Albtraumwelten, digitale Bilder und Sounds werden zum beliebig remixbaren Material. Der Prix Ars Electronica nimmt einmal mehr eine Standortbestimmung im kulturellen Mediendiskurs der Gegenwart vor.
Festival Ars Electronica, Linz 31.8.–5.9.2006
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4.5 ★★★★★
Based on 25 reviews
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Product Reviews
★★★★★ 3
Partly still thought-provoking, partly dated
Format: Paperback
Dr. Wittig had so much anger, and had such a fight to fight. She seems excessive at times, or as though she is painting with such a broad brush, but writing such as this did win some important battles. No, things are not as dark as her wrath would suggest, or at least not anymore.
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Reviewed in the United States on October 4, 2013
★★★★★ 5
You will laugh and cry
Format: Kindle
Luckily, I stumbled into a link to this book on Transfeminine Review. One warning: take your eye makeup off before reading. You will laugh till you cry and that is not a good look with mascara.
The plot resembles the movie American Fiction. Pearl is an aspiring trans woman writer. Her first novel has sunk without a trace so now she is going to try something more commercial: a gay male romance with James Bond action marketed to straight women who love that kind of thing. She's even adopting a pen name as Paul Sisters, s gay man.
For a time it works. She has a publisher, Muzzle And Escutcheon is selling well and "Paul" has a fan following. Still, it's getting harder and harder to maintain her fake identity and she's having to make ever more compromises with her own identity and relationships.
One other caution. Pearl does have to deal with casual transphobia. One sequence of her doing an online chat as Paul with transphobic fans and trying not to let it get to her I foundto be particularly triggering
Good, funny, recommended
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Reviewed in the United States on April 19, 2025
★★★★★ 5
Brilliantly written
Format: Kindle
I read this in a single sitting, mesmerized. I cared about the protagonist even as she made increasingly bad and soul damaging decisions. I love love love her girlfriend and her roommate is also fun. One could argue that the humorous elements convey the dangers of being a trans woman in both publishing and life especially well. I also enjoyed the publishing scene aspects like in Yellowface. A great read. I’m now a fan!
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Reviewed in the United States on January 6, 2025
★★★★★ 5
got it
Format: Hardcover
got it when i was supposed to but can't review it anymore as it was a gift. it would be nice to just be able to star something & not HAVE TO write 20 words.
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Reviewed in the United States on May 30, 2013
★★★★★ 5
Great gift!
Format: Hardcover
Really nice quality, good illustrations. My boyfriend loved it.
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Reviewed in the United States on January 29, 2016
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