SKU: 86754858677

Japanese Woodblock Prints. 40th Ed.

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Japanese Woodblock Prints. 40th Ed.Von Edouard Manets Portrt des Schriftstellers mile Zola, der inmitten seiner japanischen Kunstfunde hockt, bis hin zu Van Goghs akribisch gesammelten Hiroshige Drucken Pioniere der europischen Moderne machten im 19. Jahrhundert kein Geheimnis aus ihrer Liebe zur japanischen Kunst. In all seiner sprudelnden Sinnlichkeit und Freizgigkeit schreibt man den Trend des Japonismus allein dem Holzschnitt zu, der zunchst Frankreich und spter ganz Europa in

Von Edouard Manets Porträt des Schriftstellers Émile Zola, der inmitten seiner japanischen Kunstfunde hockt, bis hin zu Van Goghs akribisch gesammelten Hiroshige-Drucken - Pioniere der europäischen Moderne machten im 19. Jahrhundert kein Geheimnis aus ihrer Liebe zur japanischen Kunst. In all seiner sprudelnden Sinnlichkeit und Freizügigkeit schreibt man den Trend des Japonismus allein dem Holzschnitt zu, der zunächst Frankreich und später ganz Europa in seinen Bann zog - oft missverstandene, "exotische" Artefakte, die der westlichen Kreativität als Inspiration dienten. Tatsache ist, dass der japanische Holzschnitt ein Phänomen darstellt, zu dem es kein westliches Äquivalent gibt. Einige wegweisende Ideen der Moderne - darunter Karl Marx' Diktum, dass "alles, was fest ist, sich in der Luft auflöst" - wurden im Japan des 17. Jahrhunderts entwickelt und im frühen 19. Jahrhundert erstmals in den Werken von Meistern wie Hokusai, Utamaro und Hiroshige zum Ausdruck gebracht. Dieses Buch, basierend auf der ursprünglichen XXL-Monografie, lüftet den Schleier dieser beliebten, aber wenig verstandenen Kunstform und präsentiert die außergewöhnlichsten japanischen Holzschnitte in ihrem historischen Kontext. Die hier versammelten Werke reichen von den Anfängen über den Höhepunkt der Entwicklung im Ukiyo-e, den "Bildern der schwebenden Welt", im 17. Jahrhundert bis zum Niedergang und späteren Wiederaufleben der Drucke im frühen 20. Jahrhundert. Dokumentiert wird nicht nur ein einzigartiges Genre der Kunstgeschichte, sondern auch die sich wandelnden Sitten und die kulturelle Entwicklung Japans. Von mystischen Bergen bis hin zu schneebedeckten Pässen, von Samurai-Schwertkämpfern bis hin zu Sexarbeitern in Schaufenstern - dieser Band erkundet jedes Blatt als eigenständiges Kunstwerk und enthüllt die Geschichten und Menschen hinter den Motiven. Wir entdecken die vier Säulen des Holzschnitts - Schönheiten, Schauspieler, Landschaften sowie Vogel- und Blumenkompositionen - neben Darstellungen von Sumo-Ringern, Kabuki-Schauspielern oder Edelkurtisanen - Popstars, welche die "schwebende Welt" bevölkerten und deren wachsende Anhängerschaft die explosive Produktion der Holzschnitte beflügelte. Wir tauchen ein in bedrohlich-obskure Szenen, in denen Dämonen, Geister und Menschenfresser Angst und Schrecken verbreiten und die japanische Mangas, Filme und Videospiele bis heute beeinflussen. Wir erleben, wie technische Meisterschaft und das unfehlbare Auge ihrer Schöpfer diese Werke in ihrer unglaublichen Breite - von Alltagsszenen über Erotik, Kampfkunst bis hin zur Mythologie - vereint und wie Verleger und Künstler mit enormem Einfallsreichtum und Augenzwinkern gleichermaßen darum gekämpft haben, die staatliche Zensur zu umgehen. Diese Ausgabe stellt die besten erhaltenen Drucke aus Museen und Privatsammlungen weltweit in einem handlichen Format zusammen und bietet ausführliche Beschreibungen, die uns durch diese rasante Periode der japanischen Kunstgeschichte führen.

EAN: 9783836587518
Farbverschnitt: Generell werden die Bücher ohne Farbverschnitt geliefert, auch wenn die Abbildungen einen Farbverschnitt zeigen.
Erscheinungsjahr: 30.11.2021
Produktform: Leinen, Gebunden
Beilage: GER, Hardcover
Autoren: Marks, Andreas
Seitenzahl/Blattzahl: 512
Themenüberschrift: ART / Techniques / Printmaking
Keyword: Hokusai; Hiroshige; Utamaro; Kuniyoshi; Kunisada; Yoshitoshi; Katsukawa-Schule; Die Große Welle; Japan; Holzschnitt; Farbdruck; Tenpo-Reformen; Meiji-Periode; Tokugawa-Regierung; Triptychon; Oban-Format; Hosoban; Samurai; Krieger; Kabuki; Schauspieler; Sumo; Shogun; Ukiyo-e; Shin Hanga; Shunga; Surimono; Tokio; Edo; Kyoto; Kisokaido; Tokaido; Fuji; Distrikt Shiba; Distrikt Yoshiwara; fließende Welt; Landschaft; 40th anniversary edition; 40th edition; 40 Jahre TASCHEN
Fachschema: Architektur - Baukunst~Bau / Baukunst~Entwurf / Architektur~Japan / Kunst, Architektur, Museen, Design~Druckgrafik~Grafik / Druckgrafik
Fachkategorie: Architektur~Kunst: allgemeine Themen~Kunst: Grundlagen und Techniken, Druck
Region: Japan
Imprint-Titels: 40th Edition
Thema: Entdecken
Text Sprache: ger
Verlag: Taschen GmbH, TASCHEN
Länge: 163 mm
Breite: 225 mm
Höhe: 37 mm
Gewicht: 1290 gr
Genre: Geisteswissenschaften/Kunst/Musik
Herkunftsland: ÖSTERREICH (AT)
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SKU: 86754858677

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4.0 ★★★★★
Based on 6 reviews
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mikeythereader
Waukegan, US
★★★★★ 5
Shocking
Format: Paperback
An informative read that will make you sick as the hanging death of people becomes a spectator sport. I knew going in I was going to be really angry about this and I was so right. It has been more than a month since I finished it and the horrific cruelty and lawlesness still makes my blood boil.And many times the "supposed law" were guilty of opening the jail or were complicit in letting this happen. It will make you think.
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Reviewed in the United States on November 13, 2013
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R. B. Daytona
West Palm Beach, US
★★★★★ 5
Great book
Format: Paperback
Interesting approach to the study of lynching. Thought- provoking and well reasoned thesis. The author adds a new dimension to the lynching literature
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Reviewed in the United States on September 7, 2013
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Jerry Saperstein
Chelsea, US
★★★★★ 5
A valuable book for non-lawyers and lawyers
Why would non-lawyers want to read a book on persuading judges? For several reasons actually. First, many of us are involved in work that requires persuading others to adopt our views. While legal argument is substantially more formal and rule-driven than what most of us do, learning how to construct a logical argument as if it were to be delivered to the court, that Is governed by deadlines, restrictions on length, the need to adhere to established fact (or to establish those facts) and to be neither groveling nor inflammatory can be applied to selling your widgets. Perhaps more important is the fact that most people don't understand the impact of the court's decisions on our daily lives, our pocketbooks and our freedoms. Nine people sit on the Supreme Court. They cannot be removed except for the most grievous crimes and then only if Congress were to agree. More than one Justice has demonstrated that you can be senile and sit on the nation's highest court. Going down the food chain, the same applies to the federal appellate and trial courts. It is unlikely that one person in a hundred can even name a local federal district court judge and probably not one in a thousand could name the nine Supreme Court justices. Yet these men and women have tremendous impact on our lives, as do the thousands of state court justices. I am not a lawyer, but I consult to them and am not a stranger to the courtroom, writing drafts for legal briefs, doing legal research and the like. I have seen a lot of judges in action and have learned, in general, to fear them. They can - and do - cause tremendous harm through ill-considered decisions, making decisions with insufficient facts, assuming they know more than they do and myriad other reasons. They are gods in their courtrooms and if your lawyer fails to persuade them of the justness of your cause, you lose. Just how do these people reach their decisions? While justice is supposed to be blind (fat chance!), the justices are human and thus persuadable. Bryan Garner is a noted writer on legal writing. He is actually quite witty as he explains the use of the English language to lawyers who have had their understanding of words driven out of them in law school. Antonin Scalia is a hero to many for the courageousness of his decisions and dissents, his belief that the Constitution is to be strictly interpreted and his generally brilliant writing style. In 115, frequently witty, short chapters the two authors (who occasionally openly disagree) lay down their thoughts on how judges can be persuaded. It is not all about legal writing; e.g, advice to not chew your fingernails and dressing appropriately for court. They advise on giving your oral argument, which a lot of sales and marketing people would do well to read, especially the guidance to "never speak over a judge". In a sales situation, I am surprised at how often the sales person displays his or her contempt for me by not only not listening to me, but presuming they understand the point I was going to make before they spoke over me. I don't know about you, but a lot of salespeople have lost business with me for doing that. Some of the points the authors make are points of contention themselves: i.e., "swear off substantive footnotes - or not". None of the material in this book is truly new. Law students get elements of it in their first year as do some college students. A lot can be found in books on to be a better salesperson: i.e., don't chew your fingernails, etc. And a lot of it is plain commonsense. But that doesn't mean this book is unhelpful. First, it reveals in tiny part how Scalia evaluates the briefs he reads and arguments he hears, which in itself is a fascinating peek. The authors also put things many people may have forgotten through lack of use into perspective. Finally, they remind lawyers and non-lawyers alike that you often have only one shot at winning your argument so you had best put your best foot forward. Scalia and Garner show you how to do it. Overall, this is a fun, informative and helpful read. Jerry
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Reviewed in the United States on February 8, 2010
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Rod Sullivan
Lake Worth, US
★★★★★ 5
Like Having an Expert Looking over Your Shoulder
I am a law professor who spent 25 years as a Plaintiff's lawyer before deciding to teach. I've been before the U.S. Circuit Courts of Appeal many times and state appellate courts a few times. One caveat to consider: I expect to be arguing before the United States Supreme Court in the future. I hesitate to be too ebullient, lest you think that I'm trying to curry favor. However, I think that this book is great. Why do I recommend it? First, it is short. This book will accomplish much of what other books try to teach about advocacy, but in many fewer pages. Secondly, it is practical. It teaches writing skills, speaking skills, and how to be persuasive with limited time. Finally, it is not just for lawyers. Anyone trying to be persuasive can apply the same skills to other situations. For those of you who are politically opposed to Justice Scalia (which, believe it or not, includes some law professors)this is a joint effort by Garner and Scalia, and they frequently disagree. Hearing both sides of the argument on how to write or speak persuasively will help you decide how you want to present your arguments. How do my political opinions and Justice Scalia's opinions mesh? Can I be fair? I think so. He's a Federalist, I consider myself an Anti-Federalist. He as supporter of administrative delegation, I think delegation of congressional responsibilities to administrative agencies is congressional abdication. In short, I'm not recommending this book because Justice Scalia and I agree on policy, because on many policy matters we don't. I'm recommending it because I think it will help you. You wont be disappointed with the book.
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Reviewed in the United States on January 29, 2009
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xiwaeo
Natrona Heights, US
★★★★★ 5
Great Read
Great book, I enjoyed reading it. I am non-lawyer so I spent time having to read and re-read sentences and paragraphs but darn good book. Highly recommend it. Sometimes a person can be in discussion with an official, doctor, lawyer, cop ..whatever--it helps to remember arguments made in this book. Most folks just try to explain a situation, heaven forbid standing in front of a court or judge in a legal matter. But, this type of reading builds confidence, a strong vocabulary and so forth. It matters most trying to persuade a person or an institution..just winning, making your point in a clear coherent and cognizant way. This book can teach you these things.
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Reviewed in the United States on June 20, 2025

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