SKU: 97329446576

blick auf paris vom pont royal mit der grossen galerie des louvre der pont neuf und dem turm von nesle abraham de verwer

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blick auf paris vom pont royal mit der grossen galerie des louvre der pont neuf und dem turm von nesle abraham de verwerVue de Paris depuis le Pont Royal avec la Grande Galerie du Louvre, le Pont Neuf et la tour de Nesle : un panorama emblmatique de la capitale franaise Diese kunstdruck der berhmten Arbeit von Abraham de Verwer taucht uns ein in das Herz von Paris und bietet einen atemberaubenden Blick auf ikonische Denkmler. Die Komposition ist sorgfltig ausbalanciert, mit dem Pont Royal im Vordergrund, whrend die Grande Galerie des Louvre und die Pont Neuf

Vue de Paris depuis le Pont Royal avec la Grande Galerie du Louvre, le Pont Neuf et la tour de Nesle : un panorama emblématique de la capitale française Diese kunstdruck der berühmten Arbeit von Abraham de Verwer taucht uns ein in das Herz von Paris und bietet einen atemberaubenden Blick auf ikonische Denkmäler. Die Komposition ist sorgfältig ausbalanciert, mit dem Pont Royal im Vordergrund, während die Grande Galerie des Louvre und die Pont Neuf majestätisch im Hintergrund verlaufen. Die Farben, die von den sanften Nuancen der Pariser Himmel bis zu den warmen Tönen der Gebäude reichen, schaffen eine Atmosphäre, die sowohl lebendig als auch nostalgisch ist. Die Technik des Künstlers, die Realismus und impressionistische Akzente verbindet, erweckt diese urbane Szene zum Leben und lädt den Betrachter ein, in das Treiben der Stadt des Lichts einzutauchen. Abraham de Verwer: ein Zeuge der künstlerischen Entwicklung des 17. Jahrhunderts Abraham de Verwer, aktiv im 17. Jahrhundert, ist ein niederländischer Künstler, dessen Werke oft mit der Darstellung städtischer Landschaften verbunden sind. Beeinflusst von flämischen Meistern, konnte Verwer das Wesen des Stadtlebens in seinen Gemälden einfangen. Sein Stil, der Präzision und Sensibilität vereint, spiegelt eine Epoche wider, in der sich die Kunst mehr auf zeitgenössische Themen konzentrierte, weg von religiösen Traditionen. Diese kunstdruck von "Vue de Paris" zeugt von der Bedeutung der Stadt als künstlerisches Motiv und hebt gleichzeitig Verwers Fähigkeit hervor, Momente des täglichen Lebens zu verewigen. Eine dekorative Anschaffung mit vielfältigen Vorzügen Der kunstdruck von "Vue de Paris depuis le Pont Royal" ist ein ideales Dekorationsstück, um Ihr Interieur zu bereichern, sei es im Wohnzimmer, Büro oder Schlafzimmer. Seine Druckqualität und seine Treue zum Originalwerk machen ihn zu einer attraktiven Wahl für Kunstliebhaber und Paris-Enthusiasten. Mit seinen detaillierten Feinheiten und seiner atmosphärischen Ausstrahlung wird dieses Gemälde einen Hauch von Eleganz und Kultur in Ihren Raum bringen. Die ästhetische Anziehungskraft dieses Leinwandbildes wird Ihre Gäste begeistern und Ihnen gleichzeitig eine tägliche Erinnerung an die zeitlose Schönheit der französischen Hauptstadt bieten.
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SKU: 97329446576

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4.9 ★★★★★
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C Rasmussen MD, MS
West Palm Beach, US
★★★★★ 5
Horrifying but it is a must read
Format: Paperback
This book should be required reading for all high-school students rather than the friendly history books that treat Columbus as a hero. This man was a murderous psychopath. Strong words but after reading this powerful text you will agree. I am ashamed at what these monsters from Spain, and England and elsewhere did soon after Columbus "discovered" the Americas. And all of the sacred knowledge lost. Everything the Mayans wrote down was burned. Knowledge from prehistory--all gone. All of the knowledge from prehistory the Indians in the Amazon basin held, all of the technology on agriculture, building, medicine, sacred knowledge, and much more gone. And for what? I cannot tell you how powerful this book is. I cannot get it out of my head. If you think black lives matter well, sorry folks indigenous Indians of the New World MATTER MORE. They should be rioting for compensation from Spain and England. Oh, I forgot, nobody's left to riot. It was a complete deliberate genocide killing perhaps 80 million paleo-indians from the 15th century on. And they are still killing the rest of them in Mesoamerica and esp. the Amazon where oil and mineral companies are murdering the remainder. And nobody seems to care! Read this book and learn the truth finally.
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Reviewed in the United States on September 19, 2020
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Leric ashe
Lexington, US
★★★★★ 5
In 600yrs. , life itself, is elusive
Format: Paperback
American Holocaust or books related to the Native American should be required reading. The carnage or genocide, on the inflicted erased thousands of years of culture. We have lost so much which makes us, all less. Hispaniola, had a population of 8,000,00, in 1496. By 1535 they were extinct. Equivalent to N.Y. city today. Spanish and British. One looking for gold, the latter imposing European values, to steal land. But what was most fascinating, the religious hypocrisy. To kill, enslave, torture in the name of God. Who snatches babies from their mother, and feeds them to dogs, hanging natives from a gibber, and burned alive, brand enslaved women's faces every time they are resold ? The British and Spanish were the "Very ministers of Hell".
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Reviewed in the United States on November 19, 2023
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Tameka Hanford
Draper, US
★★★★★ 5
Academic / Thought-Provoking
Format: Paperback
They Were Her Property: White Women as Slave Owners in the American South is a powerful, eye-opening work that challenges long-held assumptions about slavery and gender in American history. Stephanie E. Jones-Rogers thoroughly dismantles the myth that white women were passive or marginal participants in the institution of slavery. Through meticulous research and extensive use of primary sources, including legal records, letters, and testimonies from formerly enslaved people—the book reveals that many white women were active, knowledgeable, and often brutal slave owners in their own right. What makes this book especially compelling is how it centers the voices and experiences of enslaved people to expose the economic, legal, and physical power white women wielded. Jones-Rogers shows that white women not only benefited from slavery but also enforced it, defended it, and used it to build wealth and social status. The writing is clear, authoritative, and accessible, making complex historical arguments understandable without oversimplifying them. This book is an essential read for anyone studying American history, slavery, race, or gender. It forces readers to confront uncomfortable truths and rethink narratives that have long softened or excused the role of white women in slavery. They Were Her Property is both academically rigorous and deeply impactful—a necessary contribution to honest historical understanding.
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Reviewed in the United States on December 16, 2025
E
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Eric Hobart
Charlottesville, US
★★★★★ 5
Remarkable analysis of slaveholding women in Antebellum America
Format: Paperback
Stephanie Jones-Rogers has provided us with a book that looks at the South's "peculiar institution" through a very different lens - the slaveholders/slaveowners, but this analysis looks at women that owned slaves, thus opening up a new avenue of study that I hadn't previously seen. Jones-Rogers offers a well written account that is rich in historical details. She demonstrates through vivid historical evidence that the women that owned enslaved people were primarily driven by economic motives, and that these women were just as demanding and could be just as harsh as the "typical" slaveowner image that has been crafted over the years. The book is organized thematically, and each chapter demonstrates the economic motivation behind slave ownership. The reader is offered views of everything from young children becoming slave owners when their parents "gifted" them an enslaved person, and how these young girls were taught that this was "property" that could be used as desired to how these female slaveholders would sell their slaves to meet their economic goals. All told, this is a fascinating book that uncovers a long ignored slice of Antebellum American history that makes the historiographical literature of pre-Civil War history much richer.
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Reviewed in the United States on June 4, 2021
B
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Becca
Chelsea, US
★★★★★ 5
Poignant, truthful look at women as powerful, business-savvy, yet brutal slave owners
Format: Paperback
Women slave owners were the norm in the South, not the exception. They increased in numbers, stature, and power while the men were off fighting the Civil War. Women often owned the slaves, not the men and knew how to sign prenuptial agreements back then to insure they kept all their property (including slaves) upon divorce or death of their spouse. They traded and bought and sold slaves with business savvy that most men envied. And they could be just as brutal towards their slaves. Ironically, it was the ownership of other people that empowered these women to not be bound to their husbands.
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Reviewed in the United States on January 26, 2025

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