SKU: 13501018679

Supergrass - In It For the Money (Ltd. Ed. 180G 3XLP)

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Description

Supergrass - In It For the Money (Ltd. Ed. 180G 3XLP)Limited Edition 180 Gram Audiophile Pressing Turquoise Vinyl Remastered Bonus 140G White 12" Single Release Date: 8 27 2021 Supergrass' hugely successful second album, which reached #2 in UK Album Charts in 1997, amassed 300k sales in the UK and over a million worldwide since release. Voted 10th Best Album of 1997 (NME) and included in '1001 Albums You Must Hear Before You Die', it featured the hit singles: 'Going Out' (UK #5), 'Richard III' (UK #2),

  • Limited Edition 180 Gram Audiophile Pressing
  • Turquoise Vinyl
  • Remastered
  • Bonus 140G White 12" Single
  • Release Date: 8/27/2021

Supergrass' hugely successful second album, which reached #2 in UK Album Charts in 1997, amassed 300k sales in the UK and over a million worldwide since release. Voted 10th Best Album of 1997 (NME) and included in '1001 Albums You Must Hear Before You Die', it featured the hit singles: 'Going Out' (UK #5), 'Richard III' (UK #2), 'Sun Hits the Sky' (UK #10) and 'Late In The Day' (UK #18).

TRACKS:

- Disc 1 -

1. In It for the Money (2021 - Remaster)

2. Richard III (2021 - Remaster)

3. Tonight (2021 - Remaster)

4. Late in the Day (2021 - Remaster)

5. G-Song (2021 - Remaster)

6. Sun Hits the Sky (2021 - Remaster)

7. Going Out (2021 - Remaster)

8. It's Not Me (2021 - Remaster)

9. Cheapskate (2021 - Remaster)

10. You Can See Me (2021 - Remaster)

11. Hollow Little Reign (2021 - Remaster)

12. Sometimes I Make You Sad (2021 - Remaster)

- Disc 2 -

1. Susan (Going Out)

2. Melanie Davis

3. Can't Dig It (G-Song)

4. Late in the Day (Demo)

5. Get Away (Richard III)

6. Charles II

7. Sun Hits the Sky (Monitor Mix)

8. It's Not Me (Early Version)

9. Silver Lining

10. Cheapskate (Monitor Mix)

11. In It for the Money (Monitor Mix)

12. Hollow Little Reign (Güiro Mix)

13. Tonight (Monitor Mix)

14. You Can See Me (Demo)

15. Sometimes We're Very Sad (Edit)

16. Sometimes I Make You Sad (Guide Vox)

17. Nothing More's Gonna Get in My Way

18. We Still Need More (Than Anyone Can Give)

19. Don't Be Cruel

20. 20 Foot Halo

21. The Animal

- Disc 3 -

1. Going Out (Live at Opera House, Toronto, 11/9/1995)

2. Melanie Davis (Live at Lowlands Festival, Netherlands, 25/8/1996)

3. G-Song (Live at Glastonbury, Rehearsal Tape, 18/6/1995)

4. In It for the Money (Live at Rock City, Nottingham, 18/1/1998)

5. Cheapskate (Live at Rock City, Nottingham, 18/1/1998)

6. Mansize Rooster (Live at Rock City, Nottingham, 18/1/1998)

7. Richard III (Live at Rock City, Nottingham, 18/1/1998)

8. You Can See Me (Live at Rock City, Nottingham, 18/1/1998)

9. Late in the Day (Live at Rock City, Nottingham, 18/1/1998)

10. Alright (Live at Rock City, Nottingham, 18/1/1998)

11. Just Dropped in (To See What Condition My Condition Was in) [Live at Rock City, Nottingham, 18/1/199

12. Lose It (Live at Rock City, Nottingham, 18/1/1998)

13. Sun Hits the Sky (Live at Rock City, Nottingham, 18/1/1998)

14. Going Out (Technical Breakdown) [Live at Rock City, Nottingham, 18/1/1998]

15. Caught By the Fuzz (Live at Rock City, Nottingham, 18/1/1998)

16. It's Not Me (Live at Rock City, Nottingham, 18/1/1998)

17. Going Out (Live at Rock City, Nottingham, 18/1/1998)

18. Strange Ones (Live at Rock City, Nottingham, 18/1/1998)

19. Lenny (Live at Rock City, Nottingham, 18/1/1998)

20. Sometimes I Make You Sad (Live at Paradiso, Amsterdam, 8/10/1997)

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SKU: 13501018679

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grumpy lesbian meets optimistic bisexual
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Reviewed in the United States on August 24, 2024
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lololovesfilms
New York, US
★★★★★ 4
There are some issues, but overall, this is a good book!
Format: Paperback
3.5 stars. I have always enjoyed Jennifer Dugan's writing, so I was excited to read "The Ride of Her Life." This is a sapphic fish-out-of-water, angst-ridden romance between two polar opposite protagonists thrust together after tragedy strikes. Molly has just inherited a commercial horse barn from her estranged aunt (her mom's sister). It is the best thing that has happened to her in a while, and while she's sad about her aunt's passing, she sees this inheritance as a huge life change and a way to make her dreams a reality. Shani is the farrier who lives on the compound. She also helped take care of Molly's aunt in the last days of her life. Shani thought *she* was going to inherit the barn from Molly's aunt, especially since she worked there for years and is full of experience when it comes to running the place. The longer Molly stays at the property, the more she connects to the area, the animals, and the people her aunt loved, cared for, employed, and valued. At constant odds with one another, Molly and Shani are essentially rivals and enemies. Shani doesn't want Molly to sell the property, but Molly needs to pay off her student loans and get her business off the ground. Will they eventually see eye to eye? What you will find in this book is a relatively quick, fun read that is offset by its heavier themes. Unlike "Love at First Set," the balance between seriousness and levity didn't quite mesh as well for me. I liked the enemies-to-lovers vibes in this book, that aspect is handled really well! This leads to a lot of pining and tension between Molly and Shani early on, which sets the stage for some epic steaminess in the latter portion of the book. Unfortunately, what you will *also* find here is a *metric ton* of miscommunication, so if you're not into that trope, stay away from this book. I also wish I had known more about Shani. Her exposition and backstory feel very scant compared to Molly's. We know she has a lot of trauma from when she was younger, but that's about it. Nothing is expounded upon too tremendously. Another thing that stood out to me is how it is repeatedly mentioned that Molly has made it a habit of getting lost in her past relationships. Molly falls fast and jumps in head-first. There's no real indication that her dalliance/tryst/potential relationship with Shani is any different just because they shared some deep confessional moments. Molly's still just turning herself into a horse girl to satisfy Shani's career even though she loves everything antithetical to that lifestyle because..... love? S3x? Both? Finally, while I am satisfied with the ending where the two protagonists are concerned, it feels like there is little resolution between Molly and her best friend Nat, and between Molly and her mother. Still, there is a lot to like about this novel!
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