SKU: 13877020945

Dinitrol 3125 HS Rust Proofing Cavity Wax 500ML Car Aerosol Dark Brown 1150501

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Description

Dinitrol 3125 HS Rust Proofing Cavity Wax 500ML Car Aerosol Dark Brown 1150501DINITROL 3125 HS does not crack, burst or flake and is suitable for interior and exterior surfaces for vehicles, trucks and buses. The product is particularly suitable for use in old vehicles where corrosion is visible on the undercarriage. Areas that have been badly damaged by corrosion can be treated together with DINITROL ML Benefits Dark brown High Solids Tack free Long term permanent Low temperature resistant Drip resistant Cavity wax protection

DINITROL 3125 HS does not crack, burst or flake and is suitable for interior and exterior surfaces for vehicles, trucks and buses. The product is particularly suitable for use in old vehicles where corrosion is visible on the undercarriage. Areas that have been badly damaged by corrosion can be treated together with DINITROL ML
Benefits
Dark brown
High Solids
Tack-free
Long term – permanent
Low temperature resistant
Drip resistant
Cavity wax protection
Application
DINITROL 3125 HS is a solvent borne rust preventative specially formulated, with a high dry matter content, to minimise environmental pollution and occupational exposure during on-line application.
Main Properties Are As Follows:
High dry matter content
Good film building properties
No dripping
DINITROL 3125 HS is designed for application mainly as a cavity protection and a thin underbody coating. Main objects to be treated are used vehicles with some corrosion present. For improved performance on more corroded surfaces, DINITROL ML or DINITROL ML HS can be used as a pre-treatment. The slightly thixotropic nature of the product ensures an evenly applied film to the required thickness and strength.
Method of Use
DINITROL 3125 HS may be applied by spraying with manual, semi or fully automatic equipment and is suitable for airless spraying on to a clean dry surface.

Pre-treatment Substrates

To improve performance on more corroded surfaces
DINITROL ML or DINITROL ML HS can be used as pretreatment. The slightly thixotropic nature of the product ensures a uniformly applied film of the required thickness and strength.
Over-Coating / 2-Layer-Application
DINITROL 3125 HS can be applied on DINITROL ML in a 2-layer system. DINITROL 3125 HS can be over applied with any DINITROL bitumen based Underbody Coating. Film thickness of DINITROL 3125 HS shall then not exceed 50 microns wet film thickness.
For additional information, please consult DINOL GmbH.
Storage
The product should be stored at 15 – 30°C and is then having a shelf life of 2 years in unopened original packages.
Technical Data
Colour dark brown
Type of film soft, waxy
Density at 23°C 980 kg/m³
Viscosity at 23°C, DIN 4 55 seconds
Dry matter content 68% by weight
Flash point 41°C
Aromatic content in solvent < 0,5%
Recommended film thickness wet 50 – 300 μm
Recommended film thickness 30 – 200 μm
Drying time 2 hours
Low temperature adhesion -30°C
Heat resistance -120°C at 50 μm
Salt spray test > 500 h
Removability White spirit
Effect on car paint none
Available in 1 L Can, 60 L Drum, 208 L Drum, 1000 L Container

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Exchange/Return Notes
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SKU: 13877020945

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4.9 ★★★★★
Based on 22 reviews
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Product Reviews
D
Verified Purchase
DoubtfulReader
Houston, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Matt M.
Fort Morgan, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
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J. Christian
Omaha, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
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Classics professor
Chelsea, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017
D
Verified Purchase
Danley Wolfe
Massapequa, US
★★★★★ 5
Super overview and commentary on the historiy and many iterations/amendments
Format: Hardcover
I purchased and carefully read Jeff Kosseff's "The Twenty-Six Words That Created the Internet." It is an illuminating and thorough account of all facets of the legislation including history, enactment, modifications and amendments etc. A complex subject to understand, Mr. Kosseff did an outstanding job of presenting the complicated history and details and understanding of why this is incredibly important leading up to the form that is now in use. Some reviewers complain about too much detail, but I disagree, it is very important to understand the detail. A difficult topic and a great job of presentation. I would like to have a time line e.g., something like a "herring bone" chart notating all of the critical stages of development up to the present ... from initial concepts to Section 230 rollout and the important changes / amendments in both substance and use of 230. I am now reading Koseff's latest book on a similar but different topic, "The United States of Anonymous" which deals with how the first amendment shaped the development of our online speech.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 16, 2023

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