SKU: 16629614236

DC Comics Gotham City Sirens: Catwoman

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DC Comics Gotham City Sirens: CatwomanWho is Catwoman? Debuting in the first issue of Batman, she is one of the oldest and most important characters in the universe of the Caped Crusader. Catwoman (Selina Kyle) is an orphan since childhood, spent some time in a girls' orphanage, from which she eventually escaped. Her inspiration to become Catwoman is said to have originated from observing Batman himself. Seductive, brave, adventurous, and cunning, she has always had a turbulent romantic

Who is Catwoman? Debuting in the first issue of Batman, she is one of the oldest and most important characters in the universe of the Caped Crusader. 

Catwoman (Selina Kyle) is an orphan since childhood, spent some time in a girls' orphanage, from which she eventually escaped. Her inspiration to become Catwoman is said to have originated from observing Batman himself. Seductive, brave, adventurous, and cunning, she has always had a turbulent romantic relationship with the Dark Knight, and more recently, has transitioned from being just a thief to becoming a kind of vigilante anti-hero and bounty hunter in the DC canon, and sometimes an ally of Batman. Selina is a talented athlete, with greater acrobatic ability due to her training, possesses strength, endurance, speed, reflexes, agility, and stamina above an ordinary human. A dangerous, intelligent, and resourceful fighter, she was trained in Martial Arts, Boxing, and Street Fighting by the hero known as Wildcat. Selina has a strong affinity for feline species, which tend to flock to her, accepting her almost immediately, allowing her to calm injured cats, train them, create friendships with them, forming strong bonds. Created in 1940 by Bill Finger and Bob Kane, Selina Kyle steals the spotlight, and the cunning and stealthy femme fatale is always looking for her next heist, or a kiss from a certain caped crusader, but one thing is for sure, there will be bad luck for anyone who crosses her path.
 
Exploring the Catwoman statue: With a cheeky smile on her face, in her characteristic serene feline countenance, Gotham City’s legendary cat villain and anti-hero pets one of her kittens while sitting comfortably on an old safe about to be opened, on the base of a rustic old wooden floor. Thus arrives the "Catwoman - Gotham City Sirens DC Comics - Art Scale 1/10” statue, completing the trio of protagonists reimagined by the Iron Studios team, inspired by the Gotham City Sirens comic books. 
 
Figure details: Created for the Gotham City Sirens DC Comics line by Iron Studios, the statue Catwoman - Gotham City Sirens DC Comics - Art Scale 1/10 is part of the diorama set composed by the trio of protagonists reimagined by Iron Studios’ team. The statue measurements are 8 in (H) x 5.3 in (W) x 5.4 in (D) – 1.9 lb., which ensures an impressive display of the figure in any environment.
 
Special features: The statue Catwoman - Gotham City Sirens DC Comics - Art Scale 1/10 from Iron Studios will be produced in limited edition. The diorama base present rich details inspired by the original references.
 
Materials and finishing of the piece: Just like all the other statues manufactured by Iron Studios, the statue Catwoman - Gotham City Sirens DC Comics - Art Scale 1/10 is made with high-quality materials such as Polystone, and may contain parts in resin, PVC, metal, and fabric. In the finishing, the hand painting ensures a unique and exclusive artistic touch to satisfy any collector.
 
In the comic books, the Gotham City Sirens series was published between 2009 and 2011, written by Paul Dini, co-creator of Harleen, in the series Catwoman, Poison Ivy, and Harley Quinn are forced to unite to protect themselves. Now, Iron Studios presents a new original series reimagining the characters. 

Product Specifications
License: DC Comics
Product Type: 1:10 Scale Statue
Manufactured by: Iron Studios
Product Size: 8.1" H (205.74mm) x 5.3" W (134.62mm) x 5.5" L (139.7mm)

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SKU: 16629614236

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Kristen
Los Angeles, US
★★★★★ 5
Amazing Book Every Church Leader Should Read
Format: Paperback
Great Book and worth reading
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 6, 2024
L
LGB
Grantham, US
★★★★★ 5
Provocative Read!
Format: Audiobook
I found this book to be profound, provocative, and very different than any other books I have read on racism and ableism. I never understood how ableism is the catalyst for racism, and how disability compounds racism. Highly recommend especially for those who are well versed in social justice.
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Reviewed in the United States on September 25, 2025
R
Richard P.
New York, US
★★★★★ 5
Destined to Be One of My Favorite Books of the Year
Format: Paperback
I will openly acknowledge that Lamar Hardwick, the lead pastor of Atlanta's Tri-Cities Church and a pastor with autism, wasn't on my disability theology radar and I wasn't sure what to expect from his upcoming release "How Ableism Fuels Racism: Dismantling the Hierarchy of Bodies in the Church." I was blown away. With "How Ableism Fuels Racism," Hardwick proposes that ableism and the resulting disability discrimination are the root causes of racial bias and injustice in American culture and in the church. Weaving together a tapestry of historical records, biblical interpretation, and disability studies, Hardwick examines how ableism in America led to the creation of images, idols, and institutions that would ultimately fuel both disability and racial discrimination. After engaging in this discussion, Hardwick calls the church into action to address the deeper issues of ableism and offers practical steps to help readers dismantle ableism and racism in both attitude and practice. As an ordained minister and seminary graduate who is also a paraplegic and double amputee, I've long immersed myself in the world of disability theology and long believed that the church embraces the hierarchy of bodies about which Hardwick writes. "How Ableism Fuels Racism" served up a myriad of Aha! moments for me and times when long-held beliefs were finally communicated with clarity. Interestingly, Hardwick even clarified for me what had troubled me with another book I recently read around the issue of "deconstruction." I may have actually shouted out "Yes, that's it!" I've long believed that being accommodated by a church is the ground floor step toward full inclusion. It's far from enough, yet for an institution that fought against the ADA it's often seen as the ultimate gift for those with disabilities. Instead, Hardwick argues that the church should be passionately pursuing those with disabilities and others outside the "typical" hierarchy of bodies." I'm telling you. Brilliant stuff here. I can't stop thinking about it. Precise in its criticism yet also constructive and forward thinking, "How Ableism Fuels Racism" confronts the shameful and shame-filled underbelly of American Christianity and offers a broader and more inclusive vision of God, faith, and church life. How much did I love this book? I'm already reading it again.
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Reviewed in the United States on February 20, 2024
I
ivory6194
Lake Worth, US
★★★★★ 5
great read for those in the church who want to learn more about equality
Format: Kindle
While this book focuses on ableism and racism, I learned a significant amount about how the church has perpetuated ableism over the years and how the founding fathers of our country used religion and ableism as the initial forms of a caste system. Black bodies were seen as inferior and therefore were able in their minds able to be enslaved. This book is a great read for those in the church who want to learn more about equality and how we as a community and church can do better about falling into the trap that we may be "better than." Lamar Hardwick quoted many different authors and theologians, including one who wrote a book about how Jesus was disabled as a result of the crucifixion. This book is great food for thought and I recommend for those who want to learn more about how they and the church view those seen as different. "Racial slavery in the West began by using disability to make chattel slavery a matter of charity rather than a matter of equality. Defining Africans as mentally inferior and effectively disabled allowed for proslavery advocates to appeal to the Christian ethos of benevolence." "The challenge is that beauty is an abstract concept. Our inability to define beauty without using a deficit model stands in contrast to our fundamental beliefs about how God created us. Our origin begins outside of us. An infinitely holy and wise God who creates with intention and intimacy placed us in the world. Acknowledging God's creative genius challenges us to believe that God does not create anything that is not beautiful in its own way."
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Reviewed in the United States on June 11, 2024
L
Lindsay L. O’Connor
Los Angeles, US
★★★★★ 5
A must-read for Christians seeking a more robust & liberating theology
Format: Paperback
This is a powerful book and an important challenge to the status quo in modern U.S. American Christianity (and beyond, I suspect, but I will speak from my own context). I appreciated Hardwick’s illumination of the direct link between ableism and racism, which he explained in a way I had never heard before. I also found his interpretation and application of scripture from a disability theology lens to be insightful. He uses a framework that shows “how ableism in America led to the creation of images, idols, and institutions that perpetuate both disability and racial discrimination.” I’m fairly new to learning about disability theology and found this book to be a helpful, accessible read that challenged some of the core assumptions many of us inherited from our white western evangelical upbringing. Hardwick combines his own life experience as a Black disabled pastor with his thought-provoking engagement with scripture to call Christians to a more just and liberating theology. Disability theology is not simply a means of including disabled folks in the Christian community but is an essential lens through which we will see Jesus, others, and ourselves in a completely new light that is transformative.
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Reviewed in the United States on June 13, 2024

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