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Description
OperAria Baritone - Volume 3Composers: Camille Saint Sans (1835 1921), Heinrich Marschner (1795 1861), Ruggero Leoncavallo (1857 1919), Giuseppe Verdi (1813 1901), Alexander Borodin (1833 1887), Anton Rubinstein (1829 1894), Paul Hindemith (1895 1963), Ludwig van Beethoven (1770 1827), Richard Wagner (1813 1883), Gioachino Rossini (1792 1862), Pietro Mascagni (1863 1945), Francesco Cilea (1866 1950), Carl Maria von Weber (1786 1826), Giacomo Puccini (1858 1924), Alban Berg (1885
- Composers: Camille Saint-Saëns (1835-1921), Heinrich Marschner (1795-1861), Ruggero Leoncavallo (1857-1919), Giuseppe Verdi (1813-1901), Alexander Borodin (1833-1887), Anton Rubinstein (1829-1894), Paul Hindemith (1895-1963), Ludwig van Beethoven (1770-1827), Richard Wagner (1813-1883), Gioachino Rossini (1792-1862), Pietro Mascagni (1863-1945), Francesco Cilea (1866-1950), Carl Maria von Weber (1786-1826), Giacomo Puccini (1858-1924), Alban Berg (1885-1935), Nikolai Rimsky-Korsakov (1844-1908)
- Editor: Peter Anton Ling
- Format: Vocal Score / CD
- Instrumentation (this edition): Piano Reduction, Baritone
- Originally for: Opera
- Work Languages: French, German, Italian, Russian
- ISMN:
- Size: 9.1 x 12.0 inches
- Pages: 160
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Description
"OperAria is a stroke of luck, the most up-to-date and complete material you need to be able to follow your dream profession as singer!" (Roman Trekel, Patron Baritone)
"It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre." (Peter Anton Ling)
OperAria is the ideal "vocal coach" for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. in addition, through their careful selection, they offer valuable inspiration for opera recitals.
Repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias
Works:
- Beethoven: Ha, welch ein Augenblick from Fidelio, Op. 72
- Weber: Schweig, damit dich niemand warnt! from Der Freischütz, J. 277, Op. 77
- Weber: Wo berg’ ich mich? / Schweigt, glüh’nden Sehnens w from Euryanthe, J. 291, Op. 81
- Marschner: An jenem Tag from Hans Heiling, Op. 80
- Wagner: Die Frist ist um from Der fliegende Holländer (The Flying Dutchman), WWV 63
- Wagner: Abendlich strahlt der Sonne Auge from Das Rheingold, WWV 86a
- Wagner: Leb’ wohl, du kühnes, herrliches Kind from Die Walküre, WWV 86B
- Wagner: Der Augen leuchtendes Paar from Die Walküre, WWV 86B
- Wagner: Wie duftet doch der Flieder from Die Meistersinger von Nürnberg, WWV 96
- Wagner: Wahn! Wahn! Überall Wahn! from Die Meistersinger von Nürnberg, WWV 96
- Wagner: Wehvolles Erbe from Parsifal, WWV 111
- Wagner: Mein Vater! Hochgesegneter der Helden! from Parsifal, WWV 111
- Verdi: Perfidi! / Pietà, rispetto, amore from Macbeth
- Verdi: Pari siamo! from Rigoletto
- Verdi: Ah, ella è qui dunque! / Cortigiani, vil razza dan from Rigoletto
- Rossini: Vanne; la tua meta già vedo / Credo in un Dio crud from Otello
- Rubinstein: Ne plač’ ditja from Der Dämon
- Borodin: Ni sna, ni otdycha from Prince Igor
- Saint-Saëns: Maudite à jamais soit la race from Samson and Delilah, Op. 47
- Rimsky-Korsakov: Gluchaja noč’ from Kashchey the Deathless
- Puccini: Tre sbirri ... una carrozza from Tosca
- Leoncavallo: Si può? Signore! Signori! from Pagliacci
- Mascagni: Il cavallo scalpita from Cavalleria Rusticana
- Cilea: Ecco il monologo from Adriana Lecouvreur
- Berg: Wir arme Leut! from Wozzeck, Op. 7
- Hindemith: Wagen wollen from Mathis der Maler (1935)
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