SKU: 27112469304

Mini Moxibustion Device Dual Head- Aiyisheng

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Description

Mini Moxibustion Device Dual Head- AiyishengThe MoxaMoxa Mini Moxibustion Device Dual Head by Aiyisheng is the most compact moxa device in the Aiyisheng range designed for precise, hands free moxibustion on small body areas like joints, individual acupoints, the wrist, ankle, knee, or temple. With two moxa heads that can be used together or separately, it gives clinic style targeted moxibustion in a palm sized form factor. Portable, USB battery powered, and smokeless the Mini Dual Head is ideal

The MoxaMoxa Mini Moxibustion Device Dual Head by Aiyisheng is the most compact moxa device in the Aiyisheng range — designed for precise, hands-free moxibustion on small body areas like joints, individual acupoints, the wrist, ankle, knee, or temple. With two moxa heads that can be used together or separately, it gives clinic-style targeted moxibustion in a palm-sized form factor.

Portable, USB/battery-powered, and smokeless — the Mini Dual Head is ideal for travel, office use, or quick sessions when you don't have time for a full moxa lamp setup. Use it on the knee for joint warming, on Zu San Li (ST36) for digestion and immunity, on Nei Guan (PC6) for nausea, or anywhere you need spot-treatment.

Available at SGD 416. Sold by MoxaMoxa Singapore — the authorised Aiyisheng distributor with 3-year local warranty, English customer service, hands-on training, and a physical Singapore showroom. WhatsApp +65 8961 9905.

Specification

Video


FAQs

What is the Mini Moxibustion Device Dual Head and how does it work?

A compact, portable TCM moxa device with two small heat heads that deliver targeted mugwort and far-infrared warmth to specific acupoints or small body areas. Designed for spot-treatment on the wrist, knee, ankle, lower back point, or any single TCM acupoint. Made by Aiyisheng and sold by MoxaMoxa Singapore at SGD 416.

What is the best portable moxibustion device in Singapore?

For Singapore-based buyers, the MoxaMoxa Mini Moxibustion Device Dual Head is the most portable option in the Aiyisheng catalogue. Palm-sized, dual-head for two acupoints at once, USB-rechargeable, and quiet — it fits in a handbag and works anywhere. SGD 416, sold and serviced locally by MoxaMoxa Singapore with 3-year warranty, English customer service, hands-on training, and physical Singapore showroom.

Who is the Mini Dual Head best for?

  • Frequent travellers and commuters who want moxibustion benefits on the go.
  • Office workers doing quick desk-side spot treatments on Zu San Li (ST36) for digestion or He Gu (LI4) for stress headaches.
  • TCM students and home practitioners learning acupoint targeting.
  • People with joint stiffness in specific small joints — knee, wrist, ankle, elbow.
  • First-time moxibustion users who want a lower-priced entry point before investing in a full lamp or chair.

How is the Mini Dual Head different from the Powerful Moxa Lamp or 360 Lamp?

  • Mini Dual Head (SGD 416) — palm-sized, two small precise heat heads. Best for single-acupoint targeting, travel, and quick spot sessions. Lower priced entry into moxa.
  • 360 Moxibustion Lamp (SGD 806) — desktop lamp, dual-zone, 4-direction adjustable. Best for treating two body areas at home with more coverage.
  • Powerful Moxa Lamp (SGD 1,055) — high-output full lamp. Best for full-body treatment and stronger Yang energy.

Many MoxaMoxa customers start with the Mini Dual Head as their first moxa device and upgrade to a larger lamp later.

What acupoints can I target with the Mini Dual Head?

  • Zu San Li (ST36) — below the knee. Master point for digestion, immunity, energy.
  • San Yin Jiao (SP6) — inner ankle. For gynaecology, hormonal balance (avoid in pregnancy).
  • He Gu (LI4) — back of the hand between thumb and index. For headache, stress, neck tension (avoid in pregnancy).
  • Nei Guan (PC6) — inner wrist. For nausea, anxiety, motion sickness.
  • Yong Quan (KI1) — sole of the foot. For sleep, calming the mind.
  • Tai Xi (KI3) — inner ankle. For Kidney Yin and Yang.
  • Joint areas — knees, elbows, wrists, ankles — for arthritis support and stiffness.

How long and how often should I use it?

10–20 minutes per session per acupoint. Daily use is safe for most users. Start on the lowest heat setting for the first 2–3 sessions. For chronic concerns, target the same acupoint daily for 2–4 weeks for best results. The dual head lets you do bilateral points (both knees, both ankles) in one session.

Can I use it while working at my desk or watching TV?

Yes — it's designed for that. The Mini Dual Head straps comfortably onto a single acupoint and continues working hands-free while you work, read, or watch. Many Singapore users keep it in their office drawer and do mid-afternoon Zu San Li sessions to fight afternoon fatigue.

How is the authentic Aiyisheng Mini Dual Head different from cheaper alternatives on Taobao or Lazada?

  • High risk of low-quality counterfeits. Photos look identical, reviews look fine — but the devices shipped often have weaker heating elements, no real mugwort core, fragile straps, and short battery life. You only find out after a few uses.
  • Cheaper devices usually have one head only. The genuine Mini Dual Head's two-head design lets you treat bilateral acupoints in one session, doubling your efficiency.
  • No real local support. The MoxaMoxa version comes with a 3-year local warranty, an English-speaking Singapore customer service team, hands-on acupoint training, and a physical Singapore showroom where you can try it before buying. WhatsApp +65 8961 9905.

What's the price and where to buy in Singapore?

SGD 416, sold exclusively by MoxaMoxa Singapore (moxamoxatcm.com) — the authorised Aiyisheng distributor with 3-year warranty, English customer service, hands-on training, and a physical Singapore showroom. WhatsApp +65 8961 9905.

How do I clean and maintain it?

Wipe the heads and body with a soft, dry or lightly damp cloth after each session. Don't submerge in water. Recharge via USB only with the supplied cable. Store in a cool, dry place. Mugwort cartridges should be replaced every 2–3 months of regular daily use.

Taboos

Like all TCM moxibustion practices, the Mini Dual Head has specific taboos (禁忌). Because it can target sensitive single acupoints, some precautions are specific to the points you choose.

Do NOT use the Mini Dual Head if you are:

  • Pregnant. Avoid all acupoint moxibustion during pregnancy — particularly San Yin Jiao (SP6), He Gu (LI4), and any point on the abdomen or lower back, which can induce labour or affect implantation.
  • Running a fever or recovering from acute infection. Moxibustion can prolong illness in TCM theory.
  • Suffering from any open wound, ulcer, or active inflammatory skin condition at the target acupoint.
  • Diagnosed with a "heaty" TCM constitution (yin deficiency). Dry mouth, night sweats, red tongue, hot palms and soles, irritability.
  • Diabetic with reduced sensation at the target area. Risk of unnoticed burns.
  • Fitted with a pacemaker or electronic implant near the target area.
  • Recovering from recent surgery at the target area. Wait 6–8 weeks post-op or until your surgeon clears you.
  • A child under 12, unsupervised.

Use with caution if you are:

  • Trying to conceive in the luteal phase — avoid SP6.
  • Menstruating with heavy flow — avoid SP6 and lower abdomen.
  • On blood-thinning medication. Start with shorter sessions.
  • Elderly with thin skin or reduced sensation.
  • Just finished a heavy meal or strenuous exercise. Wait 30 minutes.

General TCM moxibustion taboos:

  • Do not use in front of an AC vent. Causes Wind invasion (受风).
  • Do not drink ice-cold water or eat cold food after a session.
  • Do not exceed 20 minutes per acupoint per session.
  • Stop immediately if dizzy, nauseous, or unusually fatigued.

Not sure which acupoint to target for your concern? WhatsApp +65 8961 9905 or visit our Singapore showroom — we'll guide you through a personalised acupoint routine.

Shipping Notes
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4.1 ★★★★★
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Zachary Bednar
Carnegie, US
★★★★★ 5
The Perpetual Joke
One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect. And did I mention that some guy named Stanley Kubrick directed the thing? The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous. Okay. Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling. There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief. It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it. I think I'll do just that. Why not? You only live once, right?
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Reviewed in the United States on July 17, 2014
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Terry Seale
Lowell, US
★★★★★ 5
Worth viewing and studying.
First major Kubrick feature film noir. Nothing about Sterling Hayden's Communism here. Cool caper with a classic cast. The flick provides an impactful reminder to never skimp on low quality luggage, to use a double lock, and to take time whenever possible to bundle your cash with rubber bands. "While playing chess in Washington Square, Kubrick met producer James B. Harris, who considered Kubrick to be "the most intelligent, most creative person I have ever come in contact with", and the two formed the Harris-Kubrick Pictures Corporation in 1955.[52] Harris purchased the rights to Lionel White's novel Clean Break for $10,000,[g] and upon Kubrick's suggestion, they hired film noir novelist Jim Thompson to write the script for the film—which later became The Killing (1956)—about a meticulously planned racetrack robbery gone wrong. The film starred Sterling Hayden, with whom Kubrick had been impressed in The Asphalt Jungle (1950).[54] Kubrick and Harris moved to Los Angeles from New York and signed with the Jaffe Agency to shoot the picture, which became Kubrick's first full-length feature film shot with a professional cast and crew. The Union in Hollywood stated that Kubrick would not be permitted to be both the director and the cinematographer of the movie, so veteran cinematographer Lucien Ballard was hired for the shooting. Kubrick agreed to waive his fee for the production, which was shot in just 24 days on a budget of $330,000.[55] He clashed with Ballard during the shooting, and on one occasion Kubrick threatened to fire Ballard following a camera dispute, despite being only 27 years old at the time and 20 years Ballard's junior.[54] Hayden recalled that Kubrick was "cold and detached. Very mechanical, always confident. I've worked with few directors who are that good".[56] The Killing failed to secure a proper release across the United States; the film made little money, and was promoted only at the last minute, as a second feature to the Western movie Bandido! (1956). Several contemporary critics lauded the film, however, with a reviewer for TIME comparing its camerawork to that of Orson Welles.[57] Today, critics generally consider The Killing to be among the best films of Kubrick's early career; its nonlinear narrative and clinical execution also had a major influence on later directors of crime films, including Quentin Tarantino. Dore Schary of Metro-Goldwyn-Mayer was highly impressed as well, and offered Kubrick and Harris $75,000 to write, direct, and produce a film, which ultimately became Paths of Glory (1957)." [Wikipedia]
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Reviewed in the United States on February 21, 2016
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Smrz
Carnegie, US
★★★★★ 5
Quintessential 50's Kubrick Noir!
Criterion continues to keep them coming. The Killing(1956), Stanley Kubrick's great noir adds to the recent influx of Criterion's recent titles in 2011, which closely follows Kiss Me Deadly(1955). What a feast for Noir addicts! Now we have another pristine upgrade of a print which greatly improves past releases in both quality as well as great special features. This time we get two jam filled discs of a very important Noir. This two-dvd special edition includes a bounty of goodies for lovers of Noir. There is a new digital restoration, which is excellent, as well as a new interview with producer James B Harris. Interviews with lead actor Sterling Haden, who is excellent in his role as the small-time criminal who plans a dangerous race-track heist with help from a corrupt cop, and an interview with author Robert Polito about writer Jim Thompson. That is just on the first disc, Disc two includes a richly restored high-def digital transfer of Kubrick's 1955 feature Killer's Kiss, new video appreciation of Killer's Kiss by film critic Geoffrey O'Brien, and a new trailer. Of course, you also get a 20 page booklet featuring an essay by film historian Haden Guest and an interview with actress Marie Windsor, which is a reprint but still quite good. Now on to the feature. The Killing was Kubrick's 3rd feature, and to most film historians, the one that put him on the map, although some people would favor Paths Of Glory which was released in the next year 1957 as his breakthrough as a major director. I beg to differ. The Killing is told in a non-linear style which many movie goers have difficulty following, even now in the 21st Century. But to lovers of Noir, by 1956 they had become quite used to it and had no problem with it. In fact, many noir lovers enjoyed putting the pieces together which to them, only added to the experience. The film displays what has become a very familiar Kubrick theme. That is the breakdown, malfunction or fallibility of man and his plans. Just as in Kubrick's subsequent films such as Dr. Strangelove and further on to 2001:A Space Odyssey which became major mainstream successes. His manipulation of time in bits and pieces differs most strikingly from 40's Noir, such as The Killers and Out Of The Past. As players inthis game are established, the film leaps backwards until all of the parts fit together like the pieces of a jigsaw puzzle. The well planned heist falls apart just like the suitcase full of money falls off a cart and scatters the bills in the wind. Just as they say, "The Best Laid Plans". In addition to Hayden, the other members of the heist, especially Vince Edwards, Elisha Cook Jr, and especially Timothy Carey, are all excellent. Most definitely, pay the extra money and get this edition. SMRZ!!!
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Reviewed in the United States on September 15, 2011
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Krisha
Chelsea, US
★★★★★ 4
Worth Watching Crime Drama
I almost stopped watching this film early on because I found the behavior of the cashier's wife so annoying and insufferable. I stuck with it though. It is almost as if it is a crime re-enactment show because of the voiceover narration. In one of the close to final scenes, I thought "This is Kubrick, alright." It is interesting that I watched a film yesterday, "Dead End" in which some of the characters believe that the only life worth living is one with material wealth as do some of the characters in this film. How sad. Maybe that belief is what kills what has real worth. Maybe it is that belief that leads one to a dead end.
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Reviewed in the United States on October 6, 2025
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Rob
Lake Worth, US
★★★★★ 5
Excellent.
kubrick's first i think. an excellent b/w noir crime film. very influential. sets the standard. must see.
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Reviewed in the United States on June 5, 2026

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