SKU: 27830907778

Rachel Jones | Red, Forged (2023) Ref 4

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Description

Rachel Jones | Red, Forged (2023) Ref 4[[specs start]] From a series of five works, each in an edition of 10 21 x 29cm Digital pigment print with silkscreen acrylic varnish overlay, on Hahnemuehle Cezanne Canvas, 430gsm, mounted onto aluminium Edition of 10, accompanied by a signed and numbered certificate. Please note this edition is strictly limited to one per customer and subject to resale restrictions as per our Terms and Conditions. [[work start]] About the work Rachel Jones has

[[specs start]]

From a series of five works, each in an edition of 10
21 x 29cm
Digital pigment print with silkscreen acrylic varnish overlay, on Hahnemuehle Cezanne Canvas, 430gsm, mounted onto aluminium
Edition of 10, accompanied by a signed and numbered certificate.

Please note this edition is strictly limited to one per customer and subject to resale restrictions as per our Terms and Conditions.

[[work start]] 

About the work

Rachel Jones has created a series of 5 new works, each an edition of 10, especially for Whitechapel Gallery to accompany  Action, Gesture, Paint Women Artists and Global Abstraction 1940-1970, 9 Feb  - 7 May 2023.

Red, Forged, 2023 share the same title as Jones’ recent group of paintings, and her current exhibition at Thaddaeus Ropac gallery. These small shaped canvasses reproduce five individual fragments of a larger painting, chosen by Jones for their compositional richness and variety. Printed onto canvas and bearing Jones’ distinctive raw edges and irregular shapes, these wall based works concentrate and re sample an aspect of the artist’s complex internal landscapes.

[[work end]]

[[artist start]]

About the artist

Rachel Jones (born 1991) lives and works in London, UK. Working in painting, installation, sound and performance, Jones explores a sense of self as a visual, visceral experience. In her paintings, she grapples with the challenges of finding visual means to convey abstract, existential concepts. In depicting the psychological truths of being and the emotions these engender, abstraction becomes a way of expressing the intangible. The artist repeats motifs and symbols across her series to create associative, even familial, relationships between them, underscoring their kinship as part of her ongoing investigation of identity.

[[artist end]]

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Selected Exhibitions

Recent solo exhibitions include the Chisenhale Gallery, London (2022) and the Long Museum, Shanghai, China (2023). She was included in Mixing It Up: Painting Today at the Hayward Gallery, London (2021), followed by other institutional group exhibitions at the Hirshhorn Museum, Washington, D.C., and Scottsdale Museum of Contemporary Art, Arizona (2022). She was an artist in residence at The Chinati Foundation, Marfa, Texas in 2019 and the Masterworks Museum of Bermuda Art in 2016. Jones’s work is housed in prominent institutional collections, including those of the Long Museum, Shanghai; Stedelijk Museum Amsterdam; Baltimore Museum of Art, Maryland; Museum of Contemporary Art (MOCA), Los Angeles; Hammer Museum, Los Angeles; The Museum of Fine Arts, Houston; The Studio Museum in Harlem, New York; and Tate, London, where her work is currently on display.

[[exhibitions end]]

 

Whitechapel Gallery editions are generously donated by the artists. All proceeds from the sale of these works directly support our exhibition and education programmes. As is traditional in editions publishing, prices will rise as an edition starts to sell out. 

For UK Customers, VAT is included in the price shown. 

The purchase of this edition is subject to resale restrictions. See Terms and Conditions at point of sale.

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This is one of the best guides to what healing ministry is all about. Clark covers a plethora of biblical, theological, and practical aspects of healing: objections, testimonies, questions, various schools of thought, and the mystery of some being healed and others not. Clark writes well and both those with theological degrees (like myself) and those relatively new to Christianity should be able to get something out of this book. I especially appreciate his irenic tone and his stalwart rejection of the dreadful notion that God wills suffering. I can’t think of a better introduction to healing ministry than this. Equal to, yes, but not better.
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Good solid teaching. He is a great expert on this kind of thing. It does get academic as he refers and quotes papers he had to do in his research. I got a lot of good teaching and insights from a man who is doing the Jesus stuff.
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I really enjoy everything from Randy Clark. I love that it’s taught coming from love, not super aggressive or “weird”. The book is great for people getting into healing ministry and those fully involved.
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An excellent guide to healing
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I am a pastor of a local church that is pursuing divine healing as a primary way of seeing the gospel of Jesus advance in the earth today. This book is an excellent guide and a "how to" manual to see increased healing in a congregational setting. I am asking several of my church leaders to read it so we can apply the principles in our local church and mission trip settings. (Btw, I have personally received two significant healings through Randy Clark's ministry as he was practicing the methods described in this book in a conference setting.) For those wanting to see more of the miraculous as part of their gospel ministry, this is an excellent "read, study, and think" book that will help you move from point A to B in your journey to see and experience more.
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I have received healing from God for some things, and I'm also still waiting to receive healing from God on other things. God is good. And HIS WORD NEVER FAILS.
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