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Description
OperAria Bass - Volume 1 - LyricComposers: Wolfgang Amadeus Mozart (1756 1791), Bedich Smetana (1824 1884), Hector Berlioz (1803 1869), Giuseppe Verdi (1813 1901), Ambroise Thomas (1811 1896), Albert Lortzing (1801 1851), Richard Wagner (1813 1883), Gioachino Rossini (1792 1862), Georges Bizet (1838 1875), Gaetano Donizetti (1797 1848), Charles Gounod (1818 1893), Lo Delibes (1836 1891), Jules Massenet (1842 1912), Giacomo Puccini (1858 1924), Vincenzo Bellini (1801 1835) Editor:
- Composers: Wolfgang Amadeus Mozart (1756-1791), Bedřich Smetana (1824-1884), Hector Berlioz (1803-1869), Giuseppe Verdi (1813-1901), Ambroise Thomas (1811-1896), Albert Lortzing (1801-1851), Richard Wagner (1813-1883), Gioachino Rossini (1792-1862), Georges Bizet (1838-1875), Gaetano Donizetti (1797-1848), Charles Gounod (1818-1893), Léo Delibes (1836-1891), Jules Massenet (1842-1912), Giacomo Puccini (1858-1924), Vincenzo Bellini (1801-1835)
- Editor: Peter Anton Ling
- Format: Vocal Score
- Instrumentation (this edition): Piano Reduction, Bass
- Originally for: Opera
- Work Languages: Czech, French, German, Italian
- ISMN:
- Size: 9.1 x 12.0 inches
- Pages: 156
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Description
The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause.
"It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre." (Peter Anton Ling)
OperAria is the ideal "vocal coach" for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. in addition, through their careful selection, they offer valuable inspiration for opera recitals.
OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance). Includes comments on the arias, information on the composer, the librettist, the work, the range and of versions or casting, a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot, and an evaluation from the singer's point of view.
Works:
- Mozart: Bravo signor padrone! / Se vuol ballare from Le nozze di Figaro (The Marriage of Figaro), K. 492
- Mozart: Ehi capitano / Non più andrai from Le nozze di Figaro (The Marriage of Figaro), K. 492
- Mozart: Tutto è disposto / Aprite un po’ quegl’occhi from Le nozze di Figaro (The Marriage of Figaro), K. 492
- Mozart: Eh consolatevi / Madamina, il catalogo è questo from Don Giovanni, K. 527
- Lortzing: O sancta justitia! from Zar and Zimmermann
- Lortzing: Fünftausend Taler! from Der Wildschütz
- Lortzing: Auch ich war ein Jüngling mit lockigem Haar from Der Waffenschmied
- Rossini: A un dottor della mia sorte from Il barbiere di Siviglia (The Barber of Seville)
- Rossini: Miei rampolli femminini from La Cenerentola (Cinderella)
- Donizetti: Udite, udite, o rustici from L'elisir d'amore, A. 36
- Donizetti: Cessi, ah cessi / Dalle stanze ove Lucia from Lucia di Lammermoor, A. 46
- Donizetti: Ah! un foco insolito from Don Pasquale, A. 64
- Bellini: Cinta di fiori from I Puritani
- Berlioz: Voici des roses from La damnation de Faust, H 111, Op. 24
- A. Thomas: De son cœur j’ai calmé la fièvre! from Mignon
- A. Thomas: Je comprends que la belle aime le militaire! from Le caïd
- Wagner: Heraus zum Kampfe mit uns allen from Tannhäuser, WWV 70
- Verdi: Toh, toh! Poffare il mondo! from La Forza del Destino
- Gounod: Au bruit des lourds marteaux from Philémon et Baucis, CG 4
- Smetana: Každý jen svou má za jedinou from The Bartered Bride (Prodaná nevěsta), JB 1:100, B. 131, T. 93
- Delibes: Lakmé, ton doux regard from Lakmé
- Bizet: Quand la flamme de l’amour from La jolie fille de Perth
- Massenet: Les grands mots que voilà ! / Épouse quelque brave from Manon
- Massenet: Les femmes, Chevalier from Don Quichotte
- Massenet: Ça, vous commettez / Riez, allez, riez from Don Quichotte
- Puccini: Vecchia zimarra, senti from La Bohème
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