SKU: 38973633909

Witches

Sale price$117.42 Regular price$130.47
Save 10%

Pay in installments of $32.62 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Aug 15 - Aug 20

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

WitchesSelf Possession Reclamation Wild Power Handcrafted in England Triple bonded shower proof twill incredibly strong Vegan Witches celebrates the channelling of a fundamental power and poise that shatters the constraints of those who fear you. In this bag the subversive genius whose art set Victorian era London on fire combines with the poetess whose witch words re cast poetry. Comes in a stunning reusable 'Bags Of Ethics' cotton dust bag incorporating

Self-Possession  Reclamation ⸰ Wild Power

Handcrafted in England

⦁ Triple bonded shower proof twill - incredibly strong

⦁ Vegan

Witches celebrates the channelling of a fundamental power and poise that shatters the constraints of those who fear you.

In this bag the subversive genius whose art set Victorian-era London on fire combines with the poetess whose witch-words re-cast poetry.

Comes in a stunning reusable 'Bags Of Ethics' cotton dust bag incorporating the ART WRD Welcome Poem. 

[#accordion1]

Aubrey Beardsley illustration for Le Morte Darthur 1893

This arresting, unflinching artwork is from Beardsley’s first major commission. Already we see his revolutionary graphic style; the simplicity and purity of line, areas of detail and untouched paper contrasting with bold masses of flat black. All entirely novel for his time. Despite this simplicity, he achieves incredibly deep and powerful characterization. His witches aren’t crones. They are upright, proud. One gazes with powerful defiance, challenging us, the viewer. Their down-turned, arch, disdainful mouths and androgynous figures, aggressively critique Victorian concepts of sexuality, beauty and gender. Their faces are haloed by hair that's like a compelling mass of wild, flowing energy.

Inside Witches is a link to its Exploration Page where you can find out more and sign up to its creative world.

[/accordion1]

[#accordion2]

Emily Dickinson 1830 - 1886

"Witchcraft was hung, in History,
But History and I
Find all the Witchcraft that we need
Around us, every Day—"

Beardsley challenged, subverted and innovated in the most public of forum. He skillfully exploited his fame and the cultural milieu in which he and his work existed. Dickinson turned inwards, shutting out much of society - but through this, she was able to achieve a similar outcome. 

Four years after her death her poetry became a stunning success, she now stands as one of the most important American poets - read widely across people of multiple ages and interests. 

Dickinson's independence of mind is expressed through powerful honesty and inhibition in her work. She challenged the existing definitions of poetic form, the poet's work and womanhood. Her poems at once witty, satirical, ironic and wry, display a strong sense of self as a poet and a woman. Their overarching moral vision breaks or transcends oughts, shoulds and cultural constraints.

Dickinson lived just a few miles from where the Salem witch trial hangings would have taken place. In this poem she challenges these events and their influence, asserting the persistence of witchcraft - a recurring resurrection and also a living thing - not simply hung on a wall, as an example, to look at.

Dickinson refers to the writing of Elizabeth Browning as ‘tomes of solid Witchcraft’. Elsewhere she re-writes enchantment and hysteria as a ‘divine insanity’. She sees nature, God and witchcraft as one, and creates a symbolic bond between women writers and witches, standing in opposition to a traditional Christian patriarchal narrative.

Inside Witches is a link to its Exploration Page where you can find out more and sign up to its creative world.

[/accordion2]

[#accordion3]

Details

Perfect for city days and country aways our Everywhere Tote bag is made for many lives.

 Double handle poppers for security
 
⦁ Large, easy-access internal drop-pocket
 
⦁ Exploration label shows art and words info
 
⦁ Comes in a reusable cotton bag, pictured
 
⦁ Vegan 
 

Dimensions: 34 x 43 x 9cm 

Handle drop: 30cm

People & planet positive

We will only ever make products that are positive for people and our planet.

⦁ We use recycled nylon for stitch and bond strength. The rest is plastic-free.

⦁ Everyone involved in making an ART WRD is paid properly for their skill and expertise.

⦁ Our fabric comes through the leading ethical purchasing policy of Manchester's oldest textile supplier.
 

Our pioneering printing lasts a lifetime

In Nottingham, England we work with printing pioneers. Utilizing their specialist procedures, they are able to recreate artworks on novel materials with unparalleled colour vibrancy, image quality and colour durability.

Our bags are crafted by highly skilled, passionate people

Just across the Nottinghamshire Wolds in Melton Mowbray, our tote bags are handcrafted in small batches using traditional methods. This, along with the natural variation in these artisan products, means each one is unique. 

Each bag is triple-stitched at pressure points. Combine this with our triple-bonded shower proof twill and high-quality webbing handles and the result is a bag that, as well as looking remarkable, is immensely strong and durable.

In short, ART WRD bags are made to inspire you and be loved for a lifetime. 

[/accordion3]

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 38973633909

Discover Niche Categories That Outsell

Top-Converting Item to Boost Your Average Order

4.7 ★★★★★
Based on 21 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
C
Verified Purchase
C. Rohner
Pawtucket, US
★★★★★ 5
As Close As You Will Get To Objectivity
Format: Paperback
If you have read "No Man Knows My History," you have to read "Rough Stone Rolling." The former biography was written by Fawn Brodie, a scholar who grew up LDS but left the church disenchanted and not believing that Joseph Smith was what he claimed to be--a prophet. The latter written by Bushman, a practicing LDS scholar who believes that Joseph Smith was a prophet. In the preface of "Rough Stone Rolling," Bushman makes the legitimate point that there will never be consensus on Joseph Smith's character or achievements. Furthermore, he confesses that as a believing historian, pure objectivity is impossible. Nonetheless, I think he comes closer to pure objectivity in this history than any other I have read on Joseph Smith. This has to be one of the best biographies I have ever read. The book is well written, loaded with historical fact, and any assumptions that are made are within detailed, historical contexts. Unlike Brodie's biography, it is very difficult to ascertain Bushman's own opinion. If he had not confessed his belief in the preface, you would wonder. Nowhere does Bushman try to convince you that Smith was a prophet and he is not afraid to explore Joseph Smith's weaknesses and shortcomings as a man. I am a believer so I admit that I may just relate to Bushman better than Brodie. Still, I know many practicing Mormons that would not like this book simply because they have to have Joseph Smith on a pedestal, untouchable, and locked in a glass case. I also know many faithful non-Mormons who believe that a prophet is certainly not a god but is definitely something more than human. Such readers will probably not care for this book either. I believe Joseph Smith was a prophet but I also know he was a man with weaknesses, like every other prophet that came before him. In Bushman's own words, "flawless characters are neither attractive or useful." This is a history of a man; it is not scripture. After boldly claiming heavenly visions, Joseph Smith penned a few great books of scripture that are well worth reading if you really want to explore the faith. Fawn Brodie takes the title for her biography from Joseph Smith's own admission in 1844 that "No Man Knows My History" and paints, in her opinion, the delusion and deceit behind Smith's confession. Bushman takes the title for his biography from Joseph Smith's own admission in 1843 that he is a "Rough Stone Rolling" and gives you the most real, honest, and fair assessment of his life that I have ever read. He gives you the man Joseph Smith, with his strengths and weaknesses, and leaves the opinions to the reader.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 15, 2013
J
Verified Purchase
J. A. White
Lowell, US
★★★★★ 3
Comprehensive, but not convincing to this non-believer
Format: Paperback
Having previously read Fawn Brodie's , I read this one to get the believer's view. Bushman is at his best describing the evolution of Smith's thinking and revelations. Although the book is long, it is well written and authoritative. It gives a deeper understanding of Smith's religious philosophy than does Brodie's book. To his credit, Bushman confronts many of the crucial controversies surrounding Smith. From my non-believer's perspective, however, the defenses of Smith are not remotely convincing. Some examples: 1. DNA analysis shows without question that the American Indians came from east Asia. This fact is in direct contradiction of the traditional LDS view that Native Americans are lost Israelites. Bushman argues that Smith may have been writing about a small tribe somewhere in New York, or about people outside North America altogether. Within a few pages, Bushman has forgotten about this controversy altogether, and happily describes the Book of Mormon as a history of the American Indians. 2. Smith made the huge mistake of reproducing parts of the hieroglyphics he claims to have interpreted as the "Book of Abraham." These documents have been translated by scholars and have nothing to do with Abraham. Bushman (pp. 291-2) puts forth the argument that Smith's translation may not have been a true translation, but instead may have been a divine revelation simply inspired by the presence of the scrolls. Bushman suggests the same for the Book of Mormon. This is a truly shocking stance for an LDS believer to take: if Smith's "translations" weren't translations, why should anyone believe that his revelations were divinely inspired? Ironically, Bushman's view here sounds much like Brodie's: Not anticipating that scholars would use the Rosetta stone to translate hieroglyphics, Smith imagined that bogus translations would not be found out. 3. Smith repeatedly lied about whether he and the Saints were practicing polygamy. Bushman's defense of Smith in this context reminds me of Bill Clinton's statements regarding Monica Lewinsky: Smith held a secret definition of the term "polygamy," and thus felt free to mislead (or lie) with impunity. The facts, as reported by both Brodie and Bushman, support the conclusion that Smith coerced women into his bed by arguing that their eternal salvation was at stake. The stain of Smith's lustful "revelation" regarding polygamy continues to haunt the LDS, which claims to recoil from earthly polygamy but argues that men (not women) get to have harems in heaven. Despite these complaints, I recommend this book to non-believers who are patient enough to get through it. I feel that I have much greater insight into the LDS mindset than I did before.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 21, 2008
I
Verified Purchase
Ian
San Leandro, US
★★★★★ 5
The definitive paperback edition
Format: Paperback
I purchased the Oxford World's Classics edition of "Le Morte d'Arthur: The Winchester Manuscript" for a school reading assignment, and I can say with confidence that this is the version you want. The original Old English is present (it was virtually a new language), complete with very useful footnotes to assist with antiquated words and phrases. The story was intriguing, colorful, and poignant (it's a downer, but a well-written one), filled with memorable characters such as Sir Gareth and Sir Launcelot. If you have a taste for classic literature and are looking for a challenge, definitely give "Le Morte d'Arthur" a read, especially with this version.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 1, 2023
J
Verified Purchase
Josephine DiNovo
Belleville, US
★★★★★ 5
This copy is an excellent modernization of Malory's text with helpful footnotes and endnotes
Format: Paperback
I got this book for class, so I've only read large segements of it. This copy is an excellent modernization of Malory's text with helpful footnotes and endnotes. The footnotes were always available to explain unfamiliar words without interrupting the flow of the story.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 18, 2016
N
Verified Purchase
Nico Agostinelli
Belleville, US
★★★★★ 5
Fast Shipping
Format: Paperback
I received this book one week ahead of the expected shipping date. It was new and in good quality as described. Highly recommend this seller.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 9, 2024

recommand products