SKU: 49477423356

Remedios Varo : Science Fictions

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Remedios Varo : Science FictionsAn exploration of the captivating work and mystical outlook of the modern artist Remedios Varo, focusing on her years in Mexico City This publication offers a definitive look at the artistic practice of Remedios Varo (1908 1963) following her emigration from Spain to Mexico City in 1941. Her work from 1955 to 1963 made a lasting contribution to modern art and the legacy of Surrealism. In Remedios Varo: Science Fictions, fresh historical and material

An exploration of the captivating work and mystical outlook of the modern artist Remedios Varo, focusing on her years in Mexico City � This publication offers a definitive look at the artistic practice of Remedios Varo (1908-1963) following her emigration from Spain to Mexico City in 1941. Her work from 1955 to 1963 made a lasting contribution to modern art and the legacy of Surrealism. In Remedios Varo: Science Fictions, fresh historical and material findings establish the integral relationship between Varo's layered interests-in alchemy, architecture, magic, mysticism, philosophy, and science-and her beguiling technical approach to art making. Essays detail specific works' complex stories and spectacular surfaces. An illustrated taxonomy of Varo's artistic techniques, including automatic mark making as well as careful manipulation of materials and media, offers new insights into the artist's craft. An illustrated inventory of a major portion of Varo's library-published here for the first time-reveals the artist's engagement with a wide range of subjects. Stunning new photography of many of her artworks are presented within a dynamic geometric design inspired by the artist's work. Situating Varo as a woman working in midcentury Mexico City and living among a tight-knit community of local and �migr� artists, poets, and thinkers, the catalogue illuminates the complex worldview that shaped her search for individual and collective transcendence. � Distributed for the Art Institute of Chicago, in partnership with the Museo de Arte Moderno, Mexico City �Exhibition Schedule: �Art Institute of Chicago (July 29, 2023-November 27, 2023) �

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SKU: 49477423356

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Verified Purchase
Amazon Customer
Houston, US
★★★★★ 5
Five Stars
Format: Paperback
Why read Butler when we have Wittig?
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Reviewed in the United States on November 27, 2017
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CK
Grantham, US
★★★★★ 5
Five Stars
Format: Paperback
Great and thought-provoking!
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Reviewed in the United States on April 16, 2017
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Chris Eldredge
Fort Morgan, US
★★★★★ 5
Five Stars
Format: Paperback
excellent sevice
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Reviewed in the United States on June 23, 2015
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Lee Hall
Dallas, US
★★★★★ 5
Gem from a brilliant thinker.
Format: Paperback
This book will forever redefine feminism for its readers. There are two threads: one political, the other literary commentary. Fortunately, Witting pulls the former into the latter. The astute and radical political critique in Wittig's book is uniquely powerful. Wittig addresses the question of how a movement is comprised of both group energy and individual experience. The theory, legacy, and limits of Marx and Engels are discussed. Then, drawing on de Beauvoir and other iconoclasts, Wittig addresses our dominator culture in a way that goes directly to its core. Wittig deals efficiently yet persuasively with the argument over whether nature or culture is responsible for inequality, declaring that "there is no sex." This statement becomes the book's alpha and omega, and the lens through which Wittig shows us history, literature, and the future of activism. Like whiteness, maleness is a social category that can be renounced. Man (Homo) once meant everybody in the human community -- it was indeed generic, in the unifying sense. Unfortunately, the word has so frequently been used to describe a socially constructed group that expels half of itself in order to oppress it, "man" is now identified with those identified as male. In the essay "The Category of Sex" Wittig writes: "The perenniality of the sexes and the perenniality of slaves and masters proceed from the same belief, and, as there are no slaves without masters, there are no women without men. The ideology of sexual difference functions as censorship in our culture by masking, on the grounds of nature, the social opposition between man and women. Masculine/feminine, male/female are the categories which serve to conceal the fact that social differences always belong to an economic, political, ideological order. ...The masters explain and justify the established divisions as a result of natural differences." I understand that Wittig has recently passed away. If only I had discovered this book a little earlier, so that I could have met the author. That feeling, I suppose, is the sign of a truly good read. "A text by a minority author is only successful if it succeeds in making the minority point of view unviersal" writes Wittig --and to read this book from beginning to end is to find that the author has done just that.
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Reviewed in the United States on July 11, 2004
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monsieurw1
Waukegan, US
★★★★★ 3
Partly still thought-provoking, partly dated
Format: Paperback
Dr. Wittig had so much anger, and had such a fight to fight. She seems excessive at times, or as though she is painting with such a broad brush, but writing such as this did win some important battles. No, things are not as dark as her wrath would suggest, or at least not anymore.
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Reviewed in the United States on October 4, 2013

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