![Ned Collette - Our Other History LP [Sophomore Lounge]](https://cdn.shopify.com/s/files/1/0299/7534/7333/files/a3071993321_16.jpg?v=1727204452)
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Ned Collette - Our Other History LP [Sophomore Lounge]"'Our Other History' is a wonderful new LP by this wandering Berlin based Melbourne expat. Ned's last album, 'AfternoonDusk' was an avant instrumental trio outing with James Rushford and Joe Talia, but 'Our Other History' is a return to delicate, sophisticated song craft of his 2018 masterpiece, 'Old Chestnut.' Ned's approach to lyrics, vocals and music shares a melancholic beauty that is both haunted and haunting. His words are often more
"'Our Other History' is a wonderful new LP by this wandering Berlin-based Melbourne expat. Ned's last album, 'Afternoon—Dusk' was an avant instrumental trio outing with James Rushford and Joe Talia, but 'Our Other History' is a return to delicate, sophisticated song craft of his 2018 masterpiece, 'Old Chestnut.'
Ned's approach to lyrics, vocals and music shares a melancholic beauty that is both haunted and haunting. His words are often more impressionistic than overt in their storytelling, but his vocals carry hints that recall those of the legendary Roy Harper. But where Harper's attack was often Dionysian, Collette's approach is Apollonian, and the tracks often have a compositional feel with a distinct taste of Canterbury.
The players this time include old hands, like drummer Steve Heather and pianist Chris Abrahams (of The Necks), but there are a bunch of new players on hand, including Melbourne mates, Jim White and Mick Turner (of Dirty 3 fame) and the folksinger, Leah Senior.
Ned's approach to lyrics, vocals and music shares a melancholic beauty that is both haunted and haunting. His words are often more impressionistic than overt in their storytelling, but his vocals carry hints that recall those of the legendary Roy Harper. But where Harper's attack was often Dionysian, Collette's approach is Apollonian, and the tracks often have a compositional feel with a distinct taste of Canterbury.
The players this time include old hands, like drummer Steve Heather and pianist Chris Abrahams (of The Necks), but there are a bunch of new players on hand, including Melbourne mates, Jim White and Mick Turner (of Dirty 3 fame) and the folksinger, Leah Senior.
All these elements (and more) are fitted together with elegance and allowed space to breathe.
Collette's music is hard to classify. It exists inside a dynamic flux made up of equal parts post-rock, folk, jazz and avant prog, but it manages to remain plain-spoken and uncluttered regardless of how complex its structure can be when you start parsing it. But why bother? With a record as throughly lovely as 'Our Other History', the best idea is to just relax and let the music flow. Beautifully."
– Byron Coley 2024
* * * * * * * * * * * * * * *
"I don’t really know Ned Collette. That’s about to change, and I am energized with anticipation. Last summer, I saw Ned in performance here in my hometown of Louisville, KY, accompanied by Elisabeth Fuchsia who had recently become a hero-friend. And it was ‘magical’, ‘alchemical’, engaging and illuminating and inspiring; I witnessed Ned’s and Fuchsia’s almost overpowering fluency with music and with music’s ability to act simultaneously as the medium for communication between performers and with audience.
I’m bouncing back and forth with how I refer to Ned Collette in this writing. If I always called him “Collette” it might disguise the fact that, should I wish to, I could reach him now, easily, on the telephone or over email, and that our acquaintance continues to grow and just about resembles something I’ve learned can be called friendship. If I only referred to him as “Ned”, though, it would belie the fact that I am humbled by his ability.
These are songs. They are also sound-pieces, artful constructions of dynamic arrangement. 'Our Other History' is a dreamworld unto itself and, where each song stands on its own, this is one of those increasingly rare beasts: a full-length record to to experience and behold and live in for a while as a whole thing. The contributors’ voices (including the human voice in the cases of Leah Senior and Judith Hamann) bring such significant impact that it is beyond what we think of as musical parameters, getting deeper into the drama and tone of each piece. I would call it “Lyric Music” because the lyric carries much of the weight (not to say burden) of what is communicated. The word dominates, and here the word rewards. When Mick Turner’s guitar enters the scene, I am overwhelmed with joy; and Jim White’s drum playing has never felt more natural and powerful and appropriately modifying than it does here. And then I begin to notice Steve Heather’s drumming everywhere else and am floored by its dusty elegance. But isn’t fair to single out players; I’m being fully subjective, and my perspective changes with each listen. The record as a whole is directed in ways that we understand a movie director oversees the identity of her or his film.
Ryan Davis and I were driving around the United States not long ago and he played this record in the van. I couldn’t believe that something so fine was also new. But it could only be new; it wears its modernity subtly and surely and is as rewarding a listening experience as I’ve come across in recent times."
– Will Oldham 2024
(an extended version of this text is included with the vinyl release)
Collette's music is hard to classify. It exists inside a dynamic flux made up of equal parts post-rock, folk, jazz and avant prog, but it manages to remain plain-spoken and uncluttered regardless of how complex its structure can be when you start parsing it. But why bother? With a record as throughly lovely as 'Our Other History', the best idea is to just relax and let the music flow. Beautifully."
– Byron Coley 2024
* * * * * * * * * * * * * * *
"I don’t really know Ned Collette. That’s about to change, and I am energized with anticipation. Last summer, I saw Ned in performance here in my hometown of Louisville, KY, accompanied by Elisabeth Fuchsia who had recently become a hero-friend. And it was ‘magical’, ‘alchemical’, engaging and illuminating and inspiring; I witnessed Ned’s and Fuchsia’s almost overpowering fluency with music and with music’s ability to act simultaneously as the medium for communication between performers and with audience.
I’m bouncing back and forth with how I refer to Ned Collette in this writing. If I always called him “Collette” it might disguise the fact that, should I wish to, I could reach him now, easily, on the telephone or over email, and that our acquaintance continues to grow and just about resembles something I’ve learned can be called friendship. If I only referred to him as “Ned”, though, it would belie the fact that I am humbled by his ability.
These are songs. They are also sound-pieces, artful constructions of dynamic arrangement. 'Our Other History' is a dreamworld unto itself and, where each song stands on its own, this is one of those increasingly rare beasts: a full-length record to to experience and behold and live in for a while as a whole thing. The contributors’ voices (including the human voice in the cases of Leah Senior and Judith Hamann) bring such significant impact that it is beyond what we think of as musical parameters, getting deeper into the drama and tone of each piece. I would call it “Lyric Music” because the lyric carries much of the weight (not to say burden) of what is communicated. The word dominates, and here the word rewards. When Mick Turner’s guitar enters the scene, I am overwhelmed with joy; and Jim White’s drum playing has never felt more natural and powerful and appropriately modifying than it does here. And then I begin to notice Steve Heather’s drumming everywhere else and am floored by its dusty elegance. But isn’t fair to single out players; I’m being fully subjective, and my perspective changes with each listen. The record as a whole is directed in ways that we understand a movie director oversees the identity of her or his film.
Ryan Davis and I were driving around the United States not long ago and he played this record in the van. I couldn’t believe that something so fine was also new. But it could only be new; it wears its modernity subtly and surely and is as rewarding a listening experience as I’ve come across in recent times."
– Will Oldham 2024
(an extended version of this text is included with the vinyl release)
released September 6, 2024
NED COLLETTE – guitar, voice, bass, drums, piano, electric guitar, synth, organ, percussion
LEAH SENIOR – voice
STEVE HEATHER – drums/percussion
ELISABETH FUCHSIA – viola
MICK TURNER – electric guitar
MIKE MAJKOWSKI – double bass
JOE TALIA – drums
EAMON MCNELIS – trumpet
JUDITH HAMANN – voice
JIM WHITE – drums
CHRIS ABRAHAMS – piano/organ
FREDRIK KINBOM – electric bass
Recorded by Ned Collette in Berlin
Additional recording on Blue Rooms by Robert Pachaly & Maximilian R. Schneider
Mixed by Ned Collette & Joe Talia
Heeded advice from Jim Marlowe
Mastered by Rashad Becker
Art and design by Dan Davis
NED COLLETTE – guitar, voice, bass, drums, piano, electric guitar, synth, organ, percussion
LEAH SENIOR – voice
STEVE HEATHER – drums/percussion
ELISABETH FUCHSIA – viola
MICK TURNER – electric guitar
MIKE MAJKOWSKI – double bass
JOE TALIA – drums
EAMON MCNELIS – trumpet
JUDITH HAMANN – voice
JIM WHITE – drums
CHRIS ABRAHAMS – piano/organ
FREDRIK KINBOM – electric bass
Recorded by Ned Collette in Berlin
Additional recording on Blue Rooms by Robert Pachaly & Maximilian R. Schneider
Mixed by Ned Collette & Joe Talia
Heeded advice from Jim Marlowe
Mastered by Rashad Becker
Art and design by Dan Davis
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4.6 ★★★★★
Based on 25 reviews
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Product Reviews
★★★★★ 5
Wow.
Format: Kindle
Okay I’m usually not one for stand-alone’s I’m an avid series reader but my goodness am I so happy I read this! This story was brilliant & so absolutely mesmerizing. I loved reading about each character and their struggles as well as what helped them to move forward. The ending definitely brought tears to my eyes so hard. I truly wasn’t expecting some of what happened in this story. There is about to be a spoiler I am going to reveal so please stop reading if you don’t want the spoiler !!!! ⚠️ ⛔️ ‼️
I loved that the author didn’t do what most authors do with irredeemable male characters. I truly was hoping that Nate Jr. would be apart of the pack after the way he treated Astrea bc he truly didn’t deserve it. Though I must say you did a wonderful job or redeeming him as a person. I cried my eyes out when he walked into the story. I was truly terrified he was going to be a bad guy to the end. However you truly did him such a justice by having him realize his faults & having him redeem himself in the most wonderful way. I’m so sad that he didn’t get to hear how much his brother loved him & forgave him before dying. But again you wrote that ending so beautifully & I just can’t express how much I loved this story & how you took a different route than most authors I have read have. You are a remarkable author Cinder Blaze & I thank you generously for creating such a masterpiece.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 28, 2025
★★★★★ 4
Omegaverse
Format: Kindle
I was pleasantly surprised by this omega verse book. This 1 definitely had a few new twists And I really enjoyed reading it. The main female character was a badass and awesome. She had 1 best friend I wish we could have seen a little bit more of their friendship in this book. Her relationship with the male characters was good not to contrived or super instantaneous. And we had some fun plot twists that I didn't expect. I wish we had more of a follow up on the situation with her family her background and her mother who was a wench. I would definitely recommend this book.
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Reviewed in the United States on April 9, 2025
★★★★★ 5
Wow. Just wow. An amazing read
Format: Kindle
This book was eloquently written, or should I say the authors writing style is very eloquent? I loved the characters, and the story was quite compelling. I absolutely loved the FMC, she's a BA who doesn't take any crap & gives as good as she gets. A certain person certainly got his just desserts & then some, the earlier scenes of which were quite satisfying, had me punching the air & everything haha. All in all 20/10, great read
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Reviewed in the United States on November 29, 2024
★★★★★ 3
My opinion
Format: Kindle
Let me preface this by saying I really liked the story and the characters however, this book is in desperate need of some sort of editing. It's not misspelled words or formatting, but continuous run on sentences. Redundancies within the sentences. There were a couple of paragraphs that I had to go back and reread 3 or 4 times. Overall, I'd say it was worth the read.
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Reviewed in the United States on May 29, 2025
★★★★★ 5
Beautiful
Format: Kindle
I love omegaverses I had looked at this one multiple times thinking it's just another book about cocky rock star guys that let fame get to their heads and there are parts like that so I wasn't 100% off. I started reading the second book and met the fmc Astraea from the first one,after she had a run in with the aphla from the gym.😁 it gave me the push to stop and read book one first and im so glad I did this book was amazing their was so many characters I fell in love with hoping they will find their happily ever after. the guys were great, the plot was 🎯, and the ending had me 😭😭😭. I was wondering how nate could ever redeem himself, and he did. the last scene with him was sad, but I also felt it was beautiful. thank you to the author for making a beautiful omegaverse book that gave me all the feels. now I'm jumping straight into book two.
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Reviewed in the United States on March 25, 2025
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