SKU: 52771334260

PSB CS 500W – Digital Subwoofer Amplifier

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Description

PSB CS 500W – Digital Subwoofer AmplifierPSB CS 500W Digital Subwoofer Amplifier at Vinyl Sound Toronto Canada The CS 500W is a 500 watt digital subwoofer amplifier from PSB Speakers (Pickering, Ontario, Canada), available at Vinyl Sound in Toronto, Canada. Designed specifically for PSB's CustomSound passive subwoofer range, the CS 500W delivers 500 watts of Class D amplification to drive up to two PSB passive subwoofers simultaneously from a single 1U rack chassis. An integrated DSP

PSB CS 500W Digital Subwoofer Amplifier at Vinyl Sound Toronto Canada

The CS 500W is a 500-watt digital subwoofer amplifier from PSB Speakers (Pickering, Ontario, Canada), available at Vinyl Sound in Toronto, Canada. Designed specifically for PSB's CustomSound passive subwoofer range, the CS 500W delivers 500 watts of Class D amplification to drive up to two PSB passive subwoofers simultaneously from a single 1U rack chassis. An integrated DSP provides both pre-configured EQ profiles tailored to specific PSB subwoofer models and adjustable sound mode presets for movies, music, and flat response. A front-panel LCD and rotary encoder allow in-situ configuration, while IR input with up to four selectable channels, 12V trigger, auto signal-sensing standby, and daisy-chainable RCA outputs give CI installers full control system integration. Compatible PSB passive subwoofers include the CSIR SUB In-Room Subwoofer, CSIW SUB10, and CSIW SUB28.

500W Class D Amplification and DSP Speaker Profiles

The CS 500W's Class D amplifier topology delivers 500 watts at 4 ohms, providing the headroom required to drive demanding passive subwoofer designs at full output without compression or thermal throttling. The integrated DSP performs two distinct functions: it allows the installer to build and store custom EQ calibration profiles matched to the specific subwoofer model and room conditions, and it provides pre-configured speaker profiles that are factory-tuned for individual PSB passive subwoofers including the CSIR SUB and CSIW SUB28. These factory profiles eliminate the need for manual EQ optimisation on PSB-to-PSB system builds, significantly reducing commissioning time. Three DSP sound mode presets — movies, music, and flat — allow the system to be switched between content-optimised playback curves without re-entering the configuration menu. A front-panel LCD display and rotary encoder provide direct access to all DSP parameters, and the DSP controls can be locked to prevent accidental changes after commissioning.

Built-In Limiter, Multi-Mode Power Control, and Rack Integration

The CS 500W includes a built-in limiter circuit that monitors the incoming signal continuously and prevents the amplifier from driving connected subwoofers beyond their safe operating parameters, protecting both the amplifier output stage and the driver voice coils during prolonged high-output use. The amplifier can be powered up through auto signal sensing, which activates the amp from standby when an audio signal is detected, or via a 12V trigger input for integration with AV processors, control systems, and receivers that support trigger-based power sequencing. The stereo RCA output allows the CS 500W to daisy-chain to additional subwoofer amplifiers in the system, triggering all downstream units simultaneously via the 12V trigger chain. The CS 500W ships with a removable rack ear kit for 1U rack installation and removable feet for shelf placement, giving the installer flexibility in how the unit is integrated into the equipment rack or AV furniture.

Key Features

  • 500W Class D Digital Amplifier: Delivers 500 watts at 4 ohms to power up to two PSB passive subwoofers simultaneously from a single chassis, with the headroom needed for demanding home theatre and music content.
  • Integrated DSP with PSB Subwoofer Speaker Profiles: Pre-configured EQ profiles for specific PSB passive subwoofer models simplify commissioning on PSB system builds; custom EQ calibration profiles can also be created and stored for non-standard installations.
  • DSP Sound Mode Presets (Movies, Music, Flat): Three selectable playback profiles allow the system to switch between content-optimised bass curves without re-entering the DSP configuration menu.
  • Low Pass Crossover (40 Hz to 250 Hz / LFE): A continuously adjustable DSP-controlled low pass crossover filter allows precise blending between the subwoofer and the main speaker system across a wide range of crossover frequencies.
  • Variable Phase Adjustment: DSP-implemented phase control enables time alignment between the subwoofer and the main speakers at the listening position for optimal bass integration.
  • Built-In Limiter Circuit: Continuously monitors incoming signal levels and prevents the amplifier from driving connected subwoofers outside their safe operating range, protecting both amplifier and drivers.
  • Auto Signal-Sensing Standby: Automatically activates from standby when an audio signal is detected and returns to standby during inactivity, drawing less than 0.5 watts in standby mode.
  • 12V Trigger Input: Enables power-on synchronisation with AV receivers, processors, and control systems that support trigger-based power sequencing.
  • IR Input with Up to Four Selectable IR Channels: Supports integration with IR-based control systems, with up to four selectable IR channel assignments for multi-zone or multi-system custom installation environments.
  • Low Level (LFE and Stereo) RCA Inputs and Outputs: Accepts LFE input from AV receivers and processors via the left RCA input; stereo RCA inputs allow connection from preamplifier outputs without a dedicated subwoofer output. Stereo RCA outputs enable daisy-chaining to additional subwoofer amplifiers.
  • Terminal Block Speaker Connectors: Accepts up to 10 AWG speaker cable for low-resistance connection to passive subwoofers, appropriate for long in-wall cable runs in custom installation environments.
  • Front-Panel LCD Display and Rotary Encoder: Provides direct visual feedback and one-knob access to all DSP parameters, volume, crossover, and phase settings during installation and commissioning.
  • DSP Control Lock: DSP settings can be locked after commissioning to prevent accidental adjustment during routine system use.
  • 1U Rack Mount Profile: A compact 1U chassis with removable rack ears and removable feet allows installation in a standard 19-inch equipment rack or on a shelf in AV furniture.
  • Switchable Power Supply with Detachable Power Cord: Universal switchable power supply supports international voltage standards; detachable IEC power cord simplifies rack installation and cable management.
  • Under 0.5W Standby Power Consumption: Qualifies as one of the most energy-efficient standby figures in its class.

Technical Specifications

Amplifier Type Class D digital
Output Power 500 W at 4 ohms
Subwoofer Outputs Drives up to two passive subwoofers simultaneously
DSP Integrated; PSB speaker profiles, custom EQ calibration, sound mode presets (movies, music, flat)
Low Pass Crossover Variable 40 Hz to 250 Hz (DSP-controlled); LFE pass-through mode
Phase Adjustment Variable (DSP-controlled)
Low Level Inputs Stereo RCA (left channel doubles as LFE input)
Low Level Outputs Stereo RCA (for daisy-chaining additional amplifiers)
Speaker Terminals Terminal block; accepts up to 10 AWG speaker cable
IR Input IR in with up to 4 selectable IR channels
Trigger 12V trigger input
Power On Modes Auto signal sensing, 12V trigger
Limiter Circuit Built-in; protects connected subwoofers from overdriving
Front Panel LCD display, rotary encoder; DSP control lock
Standby Power Less than 0.5 W
Power Supply Switchable (universal voltage); detachable IEC power cord
Form Factor 1U rack height; removable rack ears and feet included
Dimensions (W x H x D) 16-7/8 x 1-3/4 x 8-1/8 inches
Compatible PSB Subwoofers CSIR SUB, CSIW SUB10, CSIW SUB28 (and other PSB passive subwoofers)
Origin PSB Speakers, Pickering, Ontario, Canada

Signal Path and Integration at a Glance

  • LFE input: single RCA from AV receiver or processor subwoofer output (set crossover to LFE mode)
  • Stereo line input: two RCA from preamplifier or receiver line outputs (use variable crossover 40 to 250 Hz)
  • Stereo RCA output: daisy-chain signal to additional subwoofer amplifiers in the system
  • Terminal block speaker output: up to 10 AWG cable to one or two PSB passive subwoofers
  • 12V trigger input: links power-on to AV receiver or control processor trigger output
  • IR input: integrates with IR-based control systems; up to four selectable IR channel assignments
  • Rack installation: 1U in standard 19-inch rack using supplied ears; alternatively shelf-mount using supplied feet
  • DSP configuration: front-panel LCD and rotary encoder; lock settings after commissioning

Frequently Asked Questions

What is the PSB CS 500W?

The PSB CS 500W is a 500-watt Class D digital subwoofer amplifier from PSB Speakers, designed to drive up to two PSB passive subwoofers simultaneously from a single 1U rack chassis. It features an integrated DSP with pre-configured EQ profiles for specific PSB passive subwoofer models, three sound mode presets, a variable low pass crossover from 40 Hz to 250 Hz, a built-in limiter circuit, and comprehensive control system integration via IR input, 12V trigger, and auto signal-sensing standby. It is the recommended amplifier pairing for the PSB CSIR SUB, CSIW SUB10, and CSIW SUB28.

How does the PSB CS 500W compare to the Crown XLS 1502 and Parasound ZAMP v.3 for subwoofer duty?

The PSB CS 500W, Crown XLS 1502, and Parasound ZAMP v.3 are all compact power amplifiers used in custom installation subwoofer applications, but they serve different use cases. The Crown XLS 1502 is a high-power two-channel amplifier primarily targeting professional audio and live sound applications, without subwoofer-specific DSP or PSB speaker profiles. The Parasound ZAMP v.3 is a low-power stereo amplifier suited to distributed audio rather than high-output subwoofer driving. The CS 500W differentiates through its purpose-built subwoofer DSP, factory EQ profiles for PSB passive subwoofer models, DSP sound mode presets, built-in limiter protection, and full control system integration with IR and 12V trigger, making it the most complete single-box solution for PSB CustomSound passive subwoofer installations.

What PSB passive subwoofers is the CS 500W compatible with?

The CS 500W is designed to drive any PSB passive subwoofer and includes factory-configured EQ profiles specifically tuned for the CSIR SUB In-Room Subwoofer, CSIW SUB10 In-Wall Subwoofer, and CSIW SUB28 Dual 8-Inch In-Wall Subwoofer. These profiles are pre-loaded and eliminate the need for manual EQ optimisation on standard PSB system builds. The CS 500W can also drive PSB passive subwoofers without factory profiles using its custom EQ calibration function, and it is capable of driving other compatible passive subwoofers from third-party brands at 4 ohms nominal load.

What is the difference between LFE input mode and stereo input mode on the CS 500W?

In LFE input mode, the CS 500W connects to the dedicated subwoofer or LFE output of an AV receiver or processor using a single RCA cable to the left RCA input, and the CS 500W's internal crossover is set to the LFE pass-through position. This is the standard connection method for home theatre systems with an AV receiver that handles bass management internally. In stereo input mode, both RCA inputs connect to the line-level outputs of a preamplifier or integrated amplifier that lacks a dedicated subwoofer output, and the CS 500W's variable crossover (40 to 250 Hz) is used to filter the signal before it reaches the subwoofer drivers.

Can the CS 500W be integrated with a whole-home control system?

Yes. The CS 500W supports IR input with up to four selectable IR channel assignments, allowing it to be controlled by IR-based whole-home automation and control systems such as those from Control4, Savant, Crestron, and URC. The 12V trigger input provides power-on sequencing with AV receivers and processors that support trigger outputs. The stereo RCA output allows the CS 500W to daisy-chain a signal and 12V trigger to additional CS 500W units in multi-zone or multi-subwoofer installations, enabling all amplifiers to power on simultaneously from a single trigger event.

Does the CS 500W need to be installed inside the wall alongside the passive subwoofer?

No. The CS 500W is designed to be installed in the equipment rack alongside the AV receiver, processor, and other source components. Speaker cable runs from the CS 500W's terminal block output to the passive subwoofer in the wall or room. For in-wall subwoofer installations such as the CSIW SUB10 and CSIW SUB28, PSB recommends using in-wall rated speaker cable rated to local building code standards, with 10 AWG cable appropriate for longer runs to minimise resistance losses at 4 ohm loads.

Where can I buy the PSB CS 500W in Toronto or Canada?

The PSB CS 500W Digital Subwoofer Amplifier is available in Toronto, Canada at Vinyl Sound, an authorised PSB Speakers dealer. Vinyl Sound supports professional custom installation projects and can advise on pairing the CS 500W with PSB passive subwoofers including the CSIR SUB, CSIW SUB10, and CSIW SUB28, as well as multi-unit system configuration. Installers and homeowners across Canada are welcome to contact Vinyl Sound for purchasing, project consultation, and shipping inquiries.

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SKU: 52771334260

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M
Verified Purchase
Maekar's Mark
Grantham, US
★★★★★ 5
Answers a lot of questions
Format: Kindle
I enjoyed this story. This fills in a lot of gaps left open from the sequel trilogy, and the artwork was pretty cool. Excellent coloring and layout.
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Reviewed in the United States on August 26, 2023
I
Verified Purchase
Ian McKee
Grantham, US
★★★★★ 5
Revenge for a fallen emperor, redemption for a fallen warrior
Format: Kindle
The crimson empire saga is the story of kir kanos, last of emperor Palpatine's crimson clad imperial guardsmen. It is a story of revenge and redemption, as over the course of the trilogy Kanos grows and changes in ways he'd never have expected. I did especially like his changing relationship with Mirith Sinn, and how her arc is a fitting mirror to his own. I also liked the villain of the first series. Jax, and I wish he had stuck around for the rest of the trilogy. The rest of the villains throughout the trilogy are far less memorable than jax, but I suppose that's the problem when you make sequel to whats unseemly a self contained story. Of the three series contained here, the first series is by far the best. It's quite self contained, and any knowledge of the universe at the time is explained quite well. It's also the simplest, Kanos wants Jax dead, and Jax wants Kanos dead. The second series is abit of a mess, with an overly complicated plot and a good deal of unseemly wasted page count on the random side characters that don't advance anything. In particular I'm thinking of the hutt character, as well as the mystery hooded figure who doesn't actually come into play at any point in the saga. Perhaps he comes into play in some later star wars story, but in this it reeks of a dropped plot line. The third and final series is a worthy sequel to the first although the scenes with Han solo also seem unnecessary. I did like the ending of the saga, even though I would have referred a bit of a more definitive ending in terms of certain character relationships. The art of the saga get progressively better with each series. In the first series it's still reasonable good, but some of the faces and body proportions are bit weak. By the third it's really good if standard comic art. The fight scenes are well done throughout, and the ship battles are a great to see. In conclusion, I would recommend this to anyone who likes a good revenge story. Don't worry about the context of this in the greater star wars saga, the most pertinent information is explained well enough, in my opinion. As long you have seen the star wars movies and remember who the emperor is, your good.
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Reviewed in the United States on September 22, 2017
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Levi Turek
Grantham, US
★★★★★ 5
A must read
Format: Kindle
This series is a must read if you love Star Wars post Endor. The galaxy is still in a struggle to see who is on top. With many a individual falling through the cracks in galactic society.
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Reviewed in the United States on October 23, 2025
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L. W. Swint
Fort Morgan, US
★★★★★ 4
One man's quest for vengeance
Format: Hardcover
"A long time ago in a galaxy far, far away..." It is the time of a falling empire, a time of betrayal and vengeance. This is the story of the last of the mysterious Imperial Guards of the Emperor Palpatine. It is the story of his quest to seek justice for the galactic ruler he served, and for his fellow comrades in arms, who gave their lives in that service. "Star Wars: The Crimson Empire Saga," tells the tale of Kir Kanos, the sole survivor of the scarlet clothed guardians of the Emperor, first shown in "Star Wars, Episode VI: Return of the Jedi." Over more than a decade of Dark Horse Comics publishing history, starting in 1997 to its long awaited conclusion in 2012, "Crimson Empire" reveals the history of these elite soldiers, "the best of the best," trained for one purpose: to serve the Emperor of "the first Galactic Empire." This 504 paged hardcover book collects the following stories: Star Wars: Crimson Empire #1-6 (1997) Star Wars: The Bounty Hunters (Kenix Kil) (1999) Star Wars: Crimson Empire II: Council of Blood #1-6 (1999) Star Wars: "Hard Currency" (Dark Horse Extra #21-24) (2000) Star Wars: Crimson Empire III: "The Third Time Pays for All" (Dark Horse Presents #1) (2011) (Note: The above is also the opening passage to Crimson Empire III #1) Star Wars: Crimson Empire III: Empire Lost #1-6 (2011) Star Wars Handbook Volume 2: Crimson Empire (1999) "The Crimson Empire Saga" begins with an ending; the final defeat of the Emperor Palpatine by his long-time foes, the Rebel Alliance, led by the legendary siblings, Luke Skywalker and Leia Organa Solo. But unbeknownst to those fighting to free the galaxy from Palpatine's tyranny, treachery also played a role in the Emperor's downfall. In a stunning turn of events it is revealed that one of those thought to be most loyal to Palpatine, a member of the Imperial Guard itself, betrayed his master in an attempt to seize power for himself. To insure the success of his treason, Carnor Jax also ordered the assassination of all the surviving Imperial Guard. But in his arrogance, the traitor underestimated the skill of the warriors he had trained with. Though faced with the overwhelming force of an army of stormtroopers sent to eliminate them on their training world Yinchorr, one Imperial Guard survived the massacre. Kir Kanos, the last of Emperor Palpatine's Imperial Guard lived on, to seek vengeance on Carnor Jax, and all those who had betrayed his Emperor. The core "Crimson Empire" trilogy is the creation of writers Mike Richardson and Randy Stradley, and artist Paul Gulacy, and they have produced an exciting adventure of Star Wars action, intrigue and emotion. The first "Crimson Empire" 6 issue comic mini-series was published in 1997, in the early years of what came to be called the "Star Wars Expanded Universe." The "EU" is an ongoing showcase for the continuing "adventures of Luke Skywalker" in novels, comics, computer games and more, as well as for other characters and worlds from the movie and now television saga envisioned by George Lucas. But the Expanded Universe also highlights original ideas based on characters and situations created by Mr. Lucas. "Crimson Empire" represents a prime example of talented imaginations thinking, 'what if we told a story about the red cloaked guards seen in "Return of the Jedi?"' In Kir Kanos, Richardson, Stradley, and Gulacy have created a classic Star Wars anti-hero/hero. Along with such Expanded Universe creations as Grand Admiral Thrawn, Mara Jade, Quinlan Vos, and Asajj Ventress, he is one of the most intriguing characters in the Star Wars Universe. Kanos is a highly trained warrior with a steadfast moral code, whose quest for vengeance anchors "The Crimson Empire Saga." It is this focus on the lead character's ultimate goal that is one of the achievements of the series. This dramatic strength, when adhered to, allows the comic creators to truly delve into their original characters and concepts without having to include or depend on the more famous Star Wars heroes and villains, although some appear in supporting roles. It is a testament to the makers' storytelling abilities that as the reader follows this tale of Kir Kanos' road to revenge, one becomes sympathetic to the character's cause to avenge the death of one of the most evil men who ever lived in any galaxy! A special highlight of "Crimson Empire" is the artistry of Paul Gulacy. Mr. Gulacy has a distinctive style in the sequential art medium; a clean precise vision that combines traditional comic book panel progression with simulated photographic technique. For example, Mr. Gulacy rarely uses motion lines in his comic art, except to depict the movement of a lightsaber, or in the case of Kir Kanos' preferred weapon, the force pike, a doubled-bladed long staff. This style gives Mr. Gulacy's work a heightened sense of realism. In the first "Crimson Empire" mini-series, Mr. Gulacy is inked by P. Craig Russell. In "Crimson Empire II: Council of Blood," he is embellished by Randy Emberlin. "Crimson Empire III: Empire Lost" saves the best for last as Mr. Gulacy produced full pencil and ink artwork for the third mini-series. He was always his best inker. This "Crimson Empire" collection also offers the reader the opportunity to see the evolution and advancement of comic coloring from 1997 through to 2012, the year of this special compendium's release. Dave Stewart created the color art for Mr. Gulacy's pencil work on the first two installments of the prime comic trilogy and the results display a marked improvement over the flat colors long produced in comics of the past. But with "Crimson Empire III," the most recent part of the saga, the color rendering of Michael Bartolo shows an even more nuanced use of tone and hue over Mr. Gulacy's art. Thanks in no small part to the computer age, comic coloring has come a long way from the days of newsprint. Another highlight of "The Crimson Empire Saga" is the inclusion of two addition stories within the thick hardcover. "How the Mighty have Fallen" is a tale written by Randy Stradley, and illustrated by Javier Saltares and Christopher Ivy. Published in 1999 as part of the Star Wars: The Bounty Hunters comic series, it relates how Kir Kanos created the secret bounty hunter identity Kenix Kil,to better hide from members of the fallen Galactic Empire that were hunting for him across the stars. The second adventure, the short story, "Hard Currency," was published in Dark Horse Extra, a newspaper-like fanzine released from 1998-2002, and features Kenix Kil teaching an enemy the cost of betrayal. It was scripted by Mr. Stradley, and drawn by Isaac Buckminster Owens. There is a great deal to enjoy in this "Crimson Empire" collection but it is not without flaws. While the premiere "Crimson Empire" mini-series succeeds in being an enthralling adventure on every level, "Crimson Empire II: Council of Blood" sometimes suffers from a story that concentrates too much on subterfuge and political power-plays; so much so that the series' starring character, Kir Kanos, seems rather to be a supporting player in his own story. The long-awaited third part in the "Crimson Empire" trilogy, "Empire Lost," improves on the faults of its predecessor but still has a sometimes convoluted plotline. Another flaw in the multi-part saga is the character arc of Mirith Sinn, the brave and beautiful Rebel Alliance commander who plays a major part in most of Kir Kanos' exploits. The series writers, Mr. Richardson and Mr. Stradley, showcase the evolution of the relationship between these two driven individuals, a relationship that has an undeniable chemistry. Mirith and Kir Kanos share a bond, a bond that is complicated by violent loss. But the complexities of their relationship are sometimes handled in conflicting ways from story to story, resulting in confusion for the reader in understanding the otherwise strong character of Mirith Sinn. Still another flaw in this collection is the editorial decision not to include all the striking covers painted by artist Dave Dorman for the 18 individual comics in the "Crimson Empire" trilogy of mini-series. While it is gratifying to see 6 of Mr. Dorman's contributions to the saga, notably his special wrap-around cover painting to the first "Crimson Empire" trade paperback reprint volume, as well as the "Crimson Empire Handbook" cover, this reviewer regrets the omission of the artist's 13 other paintings. Nor was the sole "variant" cover to "Crimson Empire III" number 1, drawn by Mr. Gulacy included, and it was the only cover he created for the entire series. It is doubly disappointing when the collection showcases Mr. Dorman's cover to that same comic issue twice in the book! This reviewer would have also been appreciative of a written introduction or history of the creation of the "Crimson Empire" series; and a feature that explained the long wait of 13 years before the concluding chapter in the trilogy was finally released for fans of the saga to enjoy. These editorial choices could have then given this hardcover collection the more appropriate title, "The Complete Crimson Empire Saga." Despite the above shortcomings, this is a very special Star Wars comic collection. From one Star Wars fan to any who read this review, I highly recommend you put on some of John Williams' immortal Star Wars music, sit back, open this hardcover and let yourself be taken away to that "galaxy far, far away" we love so much!
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Reviewed in the United States on September 18, 2012
J
Verified Purchase
Jonathan Miller
Houston, US
★★★★★ 5
One of the best Star Wars comic series of all time.
Format: Kindle
Crimson Empire was the first Star Wars comic that I read. Stories like these are what kept Star Wars alive and fresh during the nearly 20 years between films. I love the stories about those minor characters that you see in the films. When you saw the Crimson Guard with the Emperor for the first time, you knew there was something fascinating about these guardians of the most powerful being in the universe. This story delves into some of those characters. The art is fantastic, sort of that stylized 90's colorful art. Awesome battle scenes. It really captures the imagination. Great story, give it a try. I highly recommend getting a paper copy of this trade.
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Reviewed in the United States on August 10, 2015

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