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Ravel: Daphnis et Chloé Suite No. 2, M. 57b

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Description

Ravel: Daphnis et Chloé Suite No. 2, M. 57bComposer: Maurice Ravel (1875 1937) Editor: Jean Franois Monnard Format: Full Score Instrumentation: Orchestra Work: Daphnis et Chlo Suite No. 2, M. 57b Binding: Paperback ISMN: 9790004215494 Size: 10. 6 x 14. 2 inches Pages: 112 Urtext Critical Edition Look Inside! PDF Preview Description The ballet, a masterpiece of Impressionist orchestration, is now followed by new Urtext editions of the well known Daphnis Suites, both edited by Ravel expert Jean

  • Composer: Maurice Ravel (1875-1937)
  • Editor: Jean-François Monnard
  • Format: Full Score
  • Instrumentation: Orchestra
  • Work: Daphnis et Chloé Suite No. 2, M. 57b
  • ISMN: 9790004215494
  • Size: 10.6 x 14.2 inches
  • Pages: 112
  • Urtext / Critical Edition

Description

The ballet, a masterpiece of Impressionist orchestration, is now followed by new Urtext editions of the well-known Daphnis Suites, both edited by Ravel expert Jean-François Monnard. Ravel extracted two suites, two Fragements Symphoniques: the work now known as the First Suite was published before the first performance of the ballet. It served as a test for the composer, who wanted to present the just orchestrated pages in concert. Suite No. 1 was premiered in April 1911, but its reception was "disastrous". It was not until three years later that Suite No. 2 was performed. It takes up the third and last part of the ballet unchanged. It is largely thanks to this suite, with its richness of color in the famous "Lever du jour", that the work is known.The large format of the conducting score as well as the orchestral parts allow good readability and support the clarity and transparency of the modern notation. The already published piano reduction EB 9422 can also be used for the suites due to the double bar count and information about the layout of the suites.

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SKU: 65375555543

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Ever since COVID, I haven’t been able to find a pair of socks that hold up for more than a few months. Brands like UA, Adidas, and others seem to have cut corners—likely in response to inflation—by downgrading materials and labor rather than raising prices. The result? Socks that wear thin, rip easily, or lose shape fast. These, however, have been a pleasant surprise. I’ve been wearing them for a few weeks and so far, they’re holding strong. You can tell some cost-saving measures were still made—certain areas feel slightly thinner—but overall, the construction is solid. A key win: they stay on. These are ankle socks (not “no-shows”), and they hug the ankle securely. That’s a huge plus in a world where most post-COVID no-shows slide off halfway through the day. We may never get back to the pre-COVID quality standards without paying a premium, but for now, these are a reliable choice. Ratings: • No slipping: 10/10 • Price: 7/10 • Durability (so far): No pilling or loose threads — promising start.
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