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Arcam SA35 Integrated Amplifier (FREE 3-Year ROON Subscription)

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Arcam SA35 Integrated Amplifier (FREE 3-Year ROON Subscription)LIMITED OFFER: Purchase this product and receive a FREE 3 Year ROON subscription valid March 1 to June 30, 2026. Arcam SA35 Streaming Integrated Amplifier at Vinyl Sound Toronto Canada The SA35 is a streaming integrated amplifier from Arcam (Cambridge, United Kingdom), available at Vinyl Sound in Toronto, Canada. Part of Arcam's Radia series and engineered by the Harman International group, the SA35 brings together a 5th generation Class G amplifier

🎁 LIMITED OFFER: Purchase this product and receive a FREE 3-Year ROON subscription — valid March 1 to June 30, 2026.

Arcam SA35 Streaming Integrated Amplifier at Vinyl Sound Toronto Canada

The SA35 is a streaming integrated amplifier from Arcam (Cambridge, United Kingdom), available at Vinyl Sound in Toronto, Canada. Part of Arcam's Radia series and engineered by the Harman International group, the SA35 brings together a 5th generation Class G amplifier delivering 120 watts per channel into 8 ohms, the latest ESS Hyperstream iV DAC topology in a balanced configuration, and a new all-in-one 6-layer digital streaming platform with Dirac Live room correction included. A new linear toroidal transformer power supply drives all internal circuits with a significantly lower noise floor, while the bonded 6.5-inch high-resolution display presents album artwork and metadata with clarity legible from across the room. With MM and MC phono inputs, HDMI eARC, dual subwoofer outputs, and native integration with Spotify Connect, Tidal Connect, Qobuz Connect, Apple Airplay, Google Cast, and Roon Ready certification, the SA35 is a complete high-resolution music system requiring nothing more than a pair of speakers.

5th Generation Class G Amplification: 120 Watts of Ultra-Low Distortion Power

Arcam's Class G amplifier topology has been refined continuously for over two decades, and the SA35 represents its fifth generation of development. Class G operates primarily within a Class A bias range for the majority of listening levels, delivering the tonal smoothness and low distortion associated with pure Class A amplification. When the music demands more headroom, a second power supply rail engages transparently, raising the available voltage without the crossover distortion artifacts that Class AB designs introduce at the transition point. The SA35 doubles up large sections of its output stage and employs two dedicated power supplies to achieve this, generating 120 watts per channel into 8 ohms and 200 watts into 4 ohms at 0.002% THD at 80% power, a distortion figure that rivals dedicated high-performance stereo amplifiers at multiples of this unit's price. Reviewers consistently describe the SA35's amplification character as warm, controlled, and musically engaging with a taut bass response and detailed, smooth top end that sustains listening sessions without fatigue.

ESS Hyperstream iV DAC and 6-Layer Digital Streaming Platform

The SA35's digital section is built on an entirely new 6-layer streaming platform, where a ground plane runs through the complete length of the board to shield sensitive audio components from noise and electromagnetic interference. At the conversion stage sits ESS's latest Hyperstream iV DAC topology, configured in a balanced arrangement with advanced jitter elimination derived from ESS's HyperStream architecture. This implementation supports streaming up to 32-bit/384kHz PCM and DSD256, and digital inputs accept up to 24-bit/192kHz PCM. Seven selectable digital filter settings allow listeners to tailor the presentation to personal preference and system synergy. The new linear toroidal transformer drives the entire internal operation with low-noise DC power, while a separate switching supply activates only during standby for efficiency, ensuring the analog and digital circuits receive clean, stable power during all active listening conditions.

Dirac Live Room Correction with Measurement Microphone Included

Dirac Live is included as standard with the SA35, and Arcam includes a calibrated measurement microphone and a 5-meter USB cable in the box to enable immediate setup without additional purchases. Dirac Live's laptop-based measurement and filter design process captures the room's impulse response at multiple listening positions, then generates linear phase correction filters that address both frequency response irregularities and timing errors simultaneously. The result is tighter, more uniform bass, more stable stereo imaging, and greater overall clarity throughout the listening room. The SA35's implementation also supports dual subwoofer outputs, enabling Dirac Live to integrate subwoofers with the main speakers with precise timing and level matching across the crossover region. Users can store a corrected filter and toggle it on or off, or modify the target curve to adjust the tonal balance to personal preference.

Complete Streaming Ecosystem and Wireless Connectivity

The SA35's new ARCAM Radia app and streaming platform provide native integration with Spotify Connect, Tidal Connect, Qobuz Connect, Apple Airplay, Google Cast, UPnP, internet radio, podcasts, and USB media playback from a connected mass storage device. Roon Ready certification is included, enabling the SA35 to function as a full Roon endpoint for high-resolution library management and playback. Bluetooth 5.4 with Snapdragon Sound and Auracast support enables both audio reception from smartphones and tablets and wireless transmission to Bluetooth headphones or speakers, a two-way capability not commonly found in integrated amplifiers. Wi-Fi connectivity follows the IEEE 802.11 a/b/g/n/ac/ax standard across both 2.4GHz and 5GHz bands for reliable wireless network performance in any home environment.

MM and MC Phono Stage, HDMI eARC, and Headphone Output

The SA35 integrates a fully specified phono stage supporting both moving magnet and moving coil cartridges, making it a complete solution for vinyl listeners who want a single component to handle analog and digital sources alike. An HDMI eARC input enables direct audio return from a connected television, consolidating the SA35 as the audio hub for both music and television listening without a separate AV processor or receiver. A front-panel 3.5mm headphone jack provides private listening capability driven by the SA35's internal amplification, and three stereo RCA analog inputs accommodate additional line-level sources including CD players, streamers, or any other component. Two optical and two coaxial digital inputs accept external digital sources up to 24-bit/192kHz, and the dual subwoofer outputs allow integration of one or two powered subwoofers with Dirac Live optimization.

Key Features

  • 5th Generation Class G Amplification, 120 Wpc: Ultra-low distortion amplifier (0.002% THD at 80% power, 8 ohms) with dual power supply rails delivering 120W into 8 ohms and 200W into 4 ohms, running in effective Class A for most listening levels.
  • ESS Hyperstream iV DAC in Balanced Configuration: Latest-generation ESS DAC topology with advanced jitter elimination on a 6-layer ground-plane-shielded digital platform, supporting 32-bit/384kHz PCM and DSD256 streaming.
  • New Linear Toroidal Transformer Power Supply: Full linear toroidal supply drives all internal circuits with reduced noise, with a separate switching supply active only in standby for efficiency.
  • Dirac Live Room Correction Included: Full Dirac Live software-based room correction with calibrated measurement microphone and 5-meter USB cable included in the box, plus dual subwoofer outputs for complete bass integration.
  • 6.5-Inch Bonded High-Resolution Display: Full-colour display showing album artwork and metadata clearly legible from a seated listening position across the room.
  • MM and MC Phono Stage: Built-in phono preamplifier supporting both moving magnet and moving coil cartridges for complete vinyl playback integration.
  • HDMI eARC Input: Direct television audio return channel input for consolidated music and TV audio processing without a separate AV component.
  • Roon Ready with Spotify, Tidal, and Qobuz Connect: Native integration with major streaming platforms plus Roon Ready certification for high-resolution endpoint streaming.
  • Bluetooth 5.4 with Snapdragon Sound and Auracast: Two-way Bluetooth for both reception from source devices and transmission to Bluetooth headphones or speakers, with Snapdragon Sound and LE Audio Auracast support.
  • Wi-Fi 6 (802.11ax) and Ethernet: Dual-band Wi-Fi 6 for reliable network streaming alongside a wired Ethernet connection option.
  • Dual Subwoofer Outputs: Two dedicated subwoofer outputs for integration of one or two powered subwoofers, optimized through Dirac Live.
  • 3.5mm Front-Panel Headphone Output: Private listening output driven by the SA35's internal amplification stage.

Technical Specifications

Amplifier Class Class G (5th Generation)
Power Output (8 ohms, 2ch, 20Hz-20kHz) 120W per channel
Power Output (4 ohms, 1kHz) 200W per channel
THD (80% power, 8 ohms, 1kHz) 0.002%
DAC Topology ESS Hyperstream iV, Balanced Configuration with Advanced Jitter Elimination
Streaming Max Resolution 32-bit / 384kHz PCM, DSD256
Digital Input Max Resolution 24-bit / 192kHz PCM
Power Supply Linear Toroidal Transformer (active), Switching Supply (standby only)
Display 6.5" Bonded High-Resolution Colour Display
Analog Inputs 3 x Stereo RCA, MM Phono, MC Phono
Digital Inputs 1 x HDMI eARC, 2 x Coaxial RCA, 2 x Optical Toslink
Streaming Roon Ready, Spotify Connect, Tidal Connect, Qobuz Connect, Apple Airplay, Google Cast, UPnP, Internet Radio, Podcasts, USB Media
Bluetooth 5.4, Snapdragon Sound, Auracast, A2DP, AVRCP, LE Audio, AAC
Wi-Fi IEEE 802.11 a/b/g/n/ac/ax, 2.4GHz and 5GHz Dual Band
Room Correction Dirac Live (included)
Subwoofer Outputs 2 x Dedicated Subwoofer Outputs
Headphone Output 3.5mm Front Panel
SNR (analog input, ref. 50W) 106dB (A-weighted)
SNR (digital input, ref. 50W) 110dB (A-weighted)
Dimensions (W x D x H) 432 x 344 x 99mm
Weight 12 kg

What's in the Box

  • Arcam SA35 Streaming Integrated Amplifier
  • Remote Control with 2 x AAA Batteries
  • Dirac Live Calibrated Measurement Microphone
  • 5m USB Cable
  • Mains Lead
  • Quick Start Guide
  • Important Safety Instructions

Awards and Critical Recognition

  • What Hi-Fi? Award Winner — 2025, What Hi-Fi? (UK)
  • Applause Award — 2025, StereoNET International

Frequently Asked Questions

What is the Arcam SA35?

The Arcam SA35 is a streaming integrated amplifier from Arcam, a British audio manufacturer based in Cambridge, UK, and part of the Harman International group. It combines a 5th generation Class G amplifier delivering 120 watts per channel into 8 ohms, an ESS Hyperstream iV balanced DAC with advanced jitter elimination, a full-featured streaming platform with Roon Ready certification, Dirac Live room correction, MM and MC phono inputs, HDMI eARC, dual subwoofer outputs, and a 6.5-inch high-resolution display into a single chassis. It is the entry-level model in Arcam's Radia streaming amplifier series, with the SA45 as the step-up model.

How does the Arcam SA35 compare to the Naim Uniti Atom and the Cambridge Audio EVO 150?

The Arcam SA35, Naim Uniti Atom, and Cambridge Audio EVO 150 compete directly as premium all-in-one streaming amplifiers, each with a distinct character. The SA35 delivers 120 watts per channel from its Class G amplifier, making it the most powerful of the three and better suited to driving demanding loudspeakers, while the Naim Uniti Atom delivers 40 watts and the Cambridge Audio EVO 150 provides 150 watts of Class D power. The SA35 is the only one of the three to include Dirac Live room correction as standard with a calibrated microphone in the box, and it is the only one to offer both MM and MC phono inputs alongside HDMI eARC. The Naim Uniti Atom is well regarded for its musical timing and Naim ecosystem integration but is showing its age in terms of streaming platform and display size. The Cambridge Audio EVO 150 matches the SA35 more closely on connectivity but uses Class D amplification rather than the Class G topology Arcam has refined over two decades.

What is Class G amplification and why does it matter?

Class G amplification is a topology that operates primarily within a Class A bias window for the majority of program material, switching transparently to a higher voltage power supply rail only when the music demands more headroom. This avoids the crossover distortion introduced at the transition point in conventional Class AB designs, delivering the tonal smoothness and low distortion of Class A at normal listening levels while maintaining the power delivery of a higher-output amplifier when required. Arcam has refined its Class G implementation across five generations spanning over two decades, and the SA35's 0.002% THD at 80% rated power reflects the maturity of this engineering. The practical result is an amplifier that sounds warm, controlled, and musically engaging without the heat output or inefficiency of a pure Class A design.

Does the Arcam SA35 include Dirac Live and what does it do?

Yes, Dirac Live is included with the SA35 at no additional cost, and a calibrated measurement microphone and 5-meter USB cable are both included in the box for immediate setup. Dirac Live is a software-based room correction system from Dirac Research (Sweden) that uses a laptop-based measurement process to capture the listening room's acoustic behavior at multiple positions, then designs linear phase correction filters that address both frequency response anomalies and timing errors simultaneously. The SA35 also provides dual subwoofer outputs, allowing Dirac Live to optimize subwoofer integration with the main speakers for tighter, more uniform bass. Reviewers note that Dirac Live is particularly effective in rooms with challenging acoustics, and the system can be toggled on or off or adjusted at any time through the Arcam Radia app.

Does the Arcam SA35 support vinyl playback?

Yes, the SA35 includes a built-in phono preamplifier that supports both moving magnet and moving coil cartridges, making it a complete solution for vinyl listeners without requiring a separate phono stage. This MM and MC phono input is a notable inclusion at this price point and in this category, and paired with the SA35's Class G amplification, it allows a complete turntable-based vinyl system alongside the full streaming and digital capabilities of the amplifier.

Where can I buy the Arcam SA35 in Toronto or Canada?

The Arcam SA35 is available at Vinyl Sound, an authorized Arcam dealer in Toronto, Canada. Vinyl Sound carries Arcam's full Radia series lineup and provides in-store demonstrations, expert system configuration advice including Dirac Live setup guidance, and full manufacturer-backed warranty support. Canadian customers outside Toronto are welcome to contact Vinyl Sound directly for availability and purchasing information.

What streaming services does the Arcam SA35 support natively?

The SA35 natively supports Spotify Connect, Tidal Connect, Qobuz Connect, Apple Airplay, Google Cast, UPnP, internet radio, podcasts, and USB mass storage media playback through the ARCAM Radia app. Roon Ready certification enables the SA35 to function as a full Roon endpoint. Bluetooth 5.4 with Snapdragon Sound supports both streaming from smartphones and tablets and wireless audio transmission to Bluetooth headphones or speakers. Amazon Music is also supported through the streaming platform, providing one of the most comprehensive service coverage sets in the streaming integrated amplifier category.

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Y. Teperman
Battle Creek, US
★★★★★ 5
Properly intellectual, and both demanding and rewarding as such
Format: Paperback
Anyone who plans to read this book is likely to know its premise already, so, I will not spend time or effort to recap it. All I can say is that the way the book is more eloquent, is altogether smarter, and more beautifully written than I expected. This is a true intellectual treat written with proper intellectual verve. So, no conspiracy theorists, or the simpleton believers in ancient aliens need not apply. If, however, you achieved a proper academic attainment - got your Masters or PhD and enjoy intellectual stimulation, this is a rare gem, to be digested slowly and deliberately, as no similar book is to be encountered any time soon. In other words, just a great book, presenting fascinating thoughts. It does not need anyone’s endorsement, as it is already a well-known entity within its field, yet, here it is – very heartily recommend!
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Reviewed in the United States on June 5, 2017
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Amazon Customer
Houston, US
★★★★★ 5
Get it before it goes back out of print!
Format: Paperback
This book sat on my wish list for years while the price hovered just a bit too high for my liking. My patience has been rewarded with a back in print price that makes getting it a no-brainer. That said, I can't say I believe the main theory of this book, but it is a good start and an enjoyable read regardless. It seems to me that authors feel a need to propound an overarching and impossible-to-prove theory, in order to write some comparative mythology. I was brought to this book a long time ago after reading Charles Hapgood's Map of ancient Sea Kings. Another good author in the same vein is Gavin White, who wrote Babalonian Star Lore and several others.
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Reviewed in the United States on February 16, 2018
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Howzat
Bozeman, US
★★★★★ 5
I'm rereading the book. It's great!
The idea of progress is a relatively knew idea within the history of humans. The idea of progress is fundamental to the ideas of Capitalism and economic growth. Many Americans blindly believe that of progress, economic growth, and Capitalism are leading to the betterment of humans. If one carefully reads the IPCC's Fifth Assessment Report, it states that CO2 (and other greenhouse gasses) emissions are driving global warming and thus climate change. That report also says that economic growth and population growth are driving those emissions. Climate change is one of the "progress traps" Wright is talking about. Progress does not inexorably lead to the betterment of humans. Nor do growth economies, including Capitalism. Wright helps readers see the big pictures of how humans have interacted with the Earth in ways that destroy civilizations and threatens to ruin our host, Earth. The Myth of Progress by Tom Wessells is another good book about progress.
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Reviewed in the United States on December 24, 2018
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David S. Rush
Waukegan, US
★★★★★ 4
Each time history repeats itself, the price goes up
What is the difference between our 21st century global civilization, the ancient Sumerians, the Easter Islanders of Cook's day, empirical Rome, or the Maya civilization. Answer, not much. The last four are all societies that had their heyday, become stuck in a paradigm, and then brought ecological disaster on themselves via overpopulation and over exploitation of natural resources. "Each time history repeats itself, the price goes up", Wrights quotes from some pertinent graffiti. The cost this time could be in the billions of souls. This a short book 132 pages of actual text with another 68 or so of footnotes at the end. It is a mad rush through human history exploring the collapse of those civilizations and a couple that have been more sustainable. Wright also explores the traps of progress. That is mankind becomes so good at hunting he drives his food source into extinction. Then we become so proficient at an irrigation technology we ruin the land. We become so good at weapons we create bombs that could ruin the whole world. As a race, he contends, we seem to push every technology to the brink, to our collective woe. I read with highlighter in hand. I had to restrain myself for marking whole long sections. As it is, the book now has a pink glow. Several pages have yellow tabs so I can find passages easily again. One such passage from the book summarizes it for me: "The human inability to foresee - or to watch out for - long-range consequences may be inherent to our kind, shaped by the millions of years when we lived from hand to mouth by hunting and gathering. It may also be little more than a mix of inertia, greed, and foolishness encouraged by the shape of the social pyramid. The concentration of power at the top of large-scale societies gives the elite a vested interest in the status quo; they continue to prosper in darkening times long after the environment and general populace begin to suffer." I remember as a biology major we studied the boom and bust cycle of animal populations. It was suggested in class that the human animal could follow the same cycle. The professor dismissed the idea, but not so Wright. He sees us at the high point in a few years, then the collapse unless we act now. One other passage really struck home with me: "The idea that the world must be run by the stock market is as mad as any other fundamentalist delusion, Islamic, Christian, or Marxist." That tears at the very sand we have our society built on. The sheer pace of Wright's march through history mirrors the author's urgency about how long we have to act to save our society. The countdown has already begun. The question remains, do we have the gumption to take the necessary action. The book is at its heart liberal, and rightly so. Any possible solution to forestall the potential social collapse will not be from the top of the pyramid. They long ago seemed to have forgotten the concept of usufruct; we are just borrowing this planet from our children and grandchildren. Wright holds out a glimmer of hope, but the candle is flickering.
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Reviewed in the United States on January 21, 2010
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Richard Reese (author of Understanding Sustainability)
Fort Morgan, US
★★★★★ 5
A short book loaded with sharp insights
Every year, Canadians eagerly huddle around their radios to listen to the Massey Lectures, broadcast by the CBC. For the 2004 season, Ronald Wright was the honored speaker. He presented a series of five lectures, titled A Short History of Progress. In 2005, Wright's presentation was published as a short book, and it became a bestseller. Martin Scorsese's movie, Surviving Progress, was based on the book. It was an amazing success for a story contrary to our most holy cultural myths. Wright believed that the benefits of progress were highly overrated, because of their huge costs. Indeed, progress was approaching the point of becoming a serious threat to the existence of humankind. "This new century will not grow very old before we enter an age of chaos and collapse that will dwarf all the dark ages in our past." He pointed out that the world was dotted with the ruins of ancient crash sites, civilizations that self-destructed. At each of these wrecks, modern science can, in essence, retrieve the "black box," and discover why the mighty society crashed and burned. There is a clear pattern. Each one crashed because it destroyed what it depended on for its survival. Wright takes us on a quick tour of the collapse of Sumer, Easter Island, the Roman Empire, and the Mayans. He explains why the two oddballs, China and Egypt, are taking longer than average to self-destruct. The fatal defects of agriculture and civilization are old news for the folks who have been paying attention. It has become customary for these folks to believe that "The Fall" took place when humans began to domesticate plants and animals. Wright thinks the truth is more complicated. What makes this book unique and provocative is his notion of progress traps. The benefits of innovation often encourage society to live in a new way, while burning the bridges behind them as they advance. Society can find itself trapped in an unsustainable way of living, and it's no longer possible to just turn around and painlessly return to a simpler mode. Like today, we know that the temporary bubble of cheap energy is about over, and our entire way of life is dependent on cheap energy. We're trapped. Some types of progress do not disrupt the balance of the ecosystem, like using a rock to crack nuts. But our ability to stand upright freed our hands for working with tools and weapons, which launched a million year process of experimentation and innovation that gradually snowballed over time. We tend to assume that during the long era of hunting and gathering our ancestors were as mindful as the few hunting cultures that managed to survive on the fringes into the twentieth century. But in earlier eras, when big game was abundant, wise stewardship was not mandatory. Sloppy tribes could survive -- for a while. Before they got horses, Indians of the American west would drive herds of buffalo off cliffs, killing many at a time. They took what they needed, and left the rest for legions of scavengers. One site in Colorado contained the carcasses of 152 buffalo. A trader in the northern Rockies witnessed about 250 buffalo being killed at one time. Wright mentioned two Upper Paleolithic sites I had not heard of -- 1,000 mammoth skeletons were found at Piedmont in the Czech Republic, and the remains of over 100,000 horses were found at Solutré in France. Over time, progress perfected our hunting systems. Our supply of high-quality food seemed to be infinite. It was our first experience of prosperity and leisure. Folks had time to take their paint sets into caves and do gorgeous portraits of the animals they lived with, venerated, killed, and ate. Naturally, our population grew. More babies grew up to be hunters, and the availability of game eventually decreased. The grand era of cave painting ended, and we began hunting rabbits. We depleted species after species, unconsciously gliding into our first serious progress trap. Some groups scrambled to find alternatives, foraging around beaches, estuaries, wetlands, and bogs. Some learned how to reap the tiny seeds of wild grasses. By and by, the end of the hunting way of life came into view, about 10,000 years ago. "They lived high for a while, then starved." Having destroyed the abundant game, it was impossible to return to simpler living. This was a progress trap, and it led directly into a far more dangerous progress trap, the domestication of plants and animals. Agriculture and civilization were accidents, and they threw open the gateway to 10,000 years of monotony, drudgery, misery, and ecocide. Wright says that civilization is a pyramid scheme; we live today at the expense of those who come after us. For most of human history, the rate of progress was so slow that it was usually invisible. But the last six or seven generations have been blindsided by a typhoon of explosive change. Progress had a habit of giving birth to problems that could only be solved by more progress. Progress was the most diabolically wicked curse that you could ever imagine. Maybe we should turn it into an insulting obscenity: "progress you!" Climate scientists have created models showing weather trends over the last 250,000 years, based on ice cores. Agriculture probably didn't start earlier because climate trends were unstable. Big swings could take place over the course of decades. In the last 10,000 years, the climate has been unusually stable. A return to instability will make civilization impossible. Joseph Tainter studied how civilizations collapse, and he described three highways to disaster: the Runaway Train (out-of-control problems), the Dinosaur (indifference to dangers), and the House of Cards (irreversible disintegration). He predicted that the next collapse would be global in scale. Finally, the solution: "The reform that is needed is... simply the transition from short-term thinking to long-term." Can we do it? We are quite clever, but seldom wise, according to Wright. Ordinary animals, like our ancestors, had no need for long-term thinking, because life was always lived in the here and now. "Free Beer Tomorrow" reads the flashing neon sign on the tavern, but we never exist in tomorrow. The great news is that we now possess a mountain of black boxes. For the first time in the human journey, a growing number of people comprehend our great mistakes, and are capable of envisioning a new path that eventually abandons our embarrassing boo-boos forever. All the old barriers to wisdom and healing have been swept away (in theory). Everywhere you look these days; people are stumbling around staring at tiny screens and furiously typing -- eagerly communicating with world experts, engaging in profound discussions, watching videos rich with illuminating information, and reading the works of green visionaries. It's a magnificent sight to behold -- the best is yet to come! Richard Adrian Reese Author of What Is Sustainable
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Reviewed in the United States on January 20, 2013

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