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Description
Nikon Z30 Mirrorless Camera with 16-50mm f/3.5-6.3 VRNikon Z30 Mirrorless Camera with 16 50mm f 3. 5 6. 3 VR Nikon SKU: 1749 Helix SKU: NK1749 Overview Nikon Z30 Mirrorless Camera with 16 50mm lens packed with the features creators, vloggers and streamers want. Crisp, clean 4K video that will help you stand out. A flip out touchscreen to keep you in front of the camera. Fast, reliable autofocus, crystal clear audio, creative in camera filters and convenient controlsall in a compact, lightweight package
Nikon Z30 Mirrorless Camera with 16-50mm f/3.5-6.3 VR
Nikon SKU: 1749 | Helix SKU: NK1749
Overview
Nikon Z30 Mirrorless Camera with 16-50mm lens packed with the features creators, vloggers and streamers want. Crisp, clean 4K video that will help you stand out. A flip-out touchscreen to keep you in front of the camera. Fast, reliable autofocus, crystal clear audio, creative in-camera filters and convenient controls—all in a compact, lightweight package that will inspire your best work yet.
Specifications
Specifications
Image Sensor
| Effective Pixels | 20.9 million |
| Sensor Size | 23.5mm x 15.7mm |
| Image Sensor Format | DX (APS-C) |
| Image Sensor Type | CMOS Sensor |
| Total Pixels | 21.51 million |
| Dust Reduction System | Image Dust Off reference data (NX Studio software required) |
| Image Area (Pixels) |
DX-format
(L) 5,568 x 3,712 (M) 4,176 x 2,784 (S) 2,784 x 1,856
1:1 (16 x 16)
(L) 3,712 x 3,712 (M) 2,784 x 2,784 (S) 1,856 x 1,856
16:9 (36 x 20)
(L) 5,568 x 3,128 (M) 4,176 x 2,344 (S) 2,784 x 1,560
Photographs taken during movie recording at a frame size of 3,840 x 2,160:
3,840 x 2,160
Photographs taken during movie recording at other frame sizes: 1,920 x 1,080:
1,920 x 1,080 |
File System
|
File Format (Still Images) |
NEF (RAW): 12 or 14 bit JPEG: JPEG-Baseline compliant with fine (approx. 1:4), normal (approx. 1:8), or basic (approx. 1:16) compression NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats |
| Storage Media | SD (Secure Digital) and UHS-I compliant SDHC and SDXC memory cards |
| File System |
DCF 2.0 Exif 2.31 |
Viewfinder
|
Viewfinder |
None |
Shutter
|
Shutter Type |
Electronically-controlled vertical-travel focal-plane mechanical shutter; electronic front-curtain shutter; electronic shutter |
| Shutter Speed | 1/4000 – 30 sec. (step of 1/3 EV), bulb, time |
| Flash Sync Speed | Up to: X=1/200 sec.; synchronizes with shutter at 1/200 sec. or slower; Auto FP High-Speed sync supported |
| Top Continuous Shooting Speed at Full Resolution | 11 Frames per Second |
| Top Continuous Shooting Speed | 11 Frames per Second |
Exposure
|
Exposure Metering System |
TTL metering using camera image sensor |
| Metering Range | Spot metering: -4 to +17 EV |
| Exposure Compensation | –5 – +5 EV, Increment of 1/3 EV |
| Exposure Lock | Luminosity locked at detected value |
| Picture Control |
Auto Flat Landscape Monochrome Neutral Portrait Standard Vivid Creative Picture Controls: (Dream, Morning, Pop, Sunday, Somber, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Red, Pink, Charcoal, Graphite, Binary, Carbon) Selected Picture Control can be modified Storage for custom Picture Controls |
| Multiple Exposure |
Yes Add Average Lighten Darken |
Sensitivity
|
ISO Sensitivity |
ISO 100 - 51,200 in steps of 1/3 EV Can also be set to approx. 1 EV above ISO 51200 (ISO 102400 equivalent) or to approx. 2 EV above ISO 51200 (ISO 204800 equivalent) Auto ISO sensitivity control available |
| Active D-Lighting |
Can be selected from: Auto Extra High High Normal Low |
| Active D-Lighting Bracketing | Yes |
Focus/Autofocus
|
Autofocus System |
Hybrid phase-detection/contrast AF |
| Detection Range |
-4.5 to +19 EV (without low-light AF: -3 to +19 EV) Measured in photo mode at ISO 100 and a temperature of 20 °C/68 °F using single-servo AF (AF-S) and a lens with a maximum aperture of f/1.8 |
| Lens Servo |
Autofocus (AF): Single-servo AF (AF-S); continuous-servo AF (AF-C); AF mode auto-switch (AF-A; available only in photo mode); full-time AF (AF-F; available only in movie mode); predictive focus tracking Manual focus (M): Electronic rangefinder can be used |
| Focus Point |
209 (single-point AF) Number of focus points available in photo mode with single-point AF selected for AF-area mode and DX selected for image area |
| AF-Area Mode |
Pinpoint Single-Point Dynamic-area AF Wide-area AF (S) Wide-area AF (L) Wide-area AF (L-people) Wide-area AF (L-animals) Auto-area AF Auto-area AF (people) Auto-area AF (animals) |
| Focus Lock | Yes |
Flash
|
Flash Control |
TTL: i-TTL flash control; i-TTL balanced fill-flash is used with matrix, center-weighted, and highlight-weighted metering, standard i-TTL fill-flash with spot metering |
| Flash Sync Modes |
Front-curtain sync Rear-curtain sync Red-eye reduction Red-eye reduction with slow sync Slow sync Off |
| Flash-Ready Indicator | Lights when optional flash unit is fully charged; flashes as underexposure warning after flash is fired at full output |
| Accessory Shoe | ISO 518 hot-shoe with sync and data contacts and safety lock |
| Nikon Creative Lighting System (CLS) | i-TTL flash control, optical Advanced Wireless Lighting, FV lock, Color Information Communication, Auto FP High-Speed Sync |
White Balance
|
White Balance |
Auto (3 types) Choose color temperature (2,500 K–10,000 K) Cloudy Direct sunlight Flash Fluorescent (3 types) Incandescent Natural light auto Preset manual (up to 6 values can be stored), all except choose color temperature with fine-tuning Shade |
| White Balance Bracketing | Yes |
Movie
|
Movie Metering |
TTL exposure metering using main image sensor |
| Maximum Recording Time (Movie) | Up to 125 minutes |
| Movie File Format |
MOV MP4 |
| Movie Video Compression | H.264/MPEG-4 Advanced Video Coding |
| Movie Audio Recording Format |
Linear PCM AAC |
| Movie |
4K UHD 3,840 × 2,160 /30p/25p/24p Full HD 1,920 x 1,080 /120p/100p/60p/50p/30p/25p/24p Actual frame rates for 120p, 100p, 60p, 50p, 30p, 25p, and 24p are 119.88, 100, 59.94, 50, 29.97, 25, and 23.976 fps respectively Quality selection (normal/m) available at all sizes except 3840 × 2160, 1920 × 1080 120p/100p, and 1920 × 1080 slow-motion, when quality is fixed at m |
| Movie Audio | Built-in stereo or external microphone with attenuator option; sensitivity can be adjusted |
| Movie ISO |
Auto ISO sensitivity control (ISO 100 to 25,600) M: Manual selection (ISO 100 to 25,600 in steps of 1/3 or 1/2 EV); auto ISO sensitivity control (ISO 100 to 25,600) available with selectable upper limit Auto ISO sensitivity control (ISO 100–25600) |
| Movie Active D-Lighting |
Can be selected from: Auto Extra High High Normal Low Off |
| Time Code | Yes |
| Movie e-VR | Yes |
| Movie HDMI Output | Yes |
| Movie Focus Peaking | Yes |
| Movie Highlight Display (Zebras) | Yes |
| Time-Lapse Movie | Yes |
| AF for Movie | Yes |
Monitor
|
Monitor Size |
3.0in. Diagonal |
| Monitor Resolution | 1040 k dots |
| Monitor Type |
Vari-angle TFT touch-sensitive LCD with 170° viewing angle, approximately 100% frame coverage Color balance and 11-level manual brightness controls |
Playback
|
Playback Functions |
Full-frame and thumbnail (4, 9, or 72 images or calendar) Highlights Histogram Display Location Data Display Movie Playback Photo and/or Movie Slide Shows Photo Information Picture Rating Playback with Playback Zoom Playback Zoom Cropping Photo and/or video slide shows |
Interface
|
Interface |
USB: Type C USB connector (SuperSpeed USB); connection to built-in USB port is recommended Type D HDMI connector; Stereo mini-pin jack (3.5 mm diameter; plug-in power supported) |
| Wi-Fi Functionality |
Standards: IEEE 802.11b/g/n (Africa, Asia, Bolivia, and Oceania) Standards: IEEE 802.11b/g/n/a/ac (Europe, U.S.A., Canada, Mexico) Standards: IEEE 802.11b/g/n/a (other countries in the Americas) Operating frequency: 2412–2462 MHz (channel 11; Africa, Asia, Bolivia, and Oceania) Operating frequency: 2412–2462 MHz (channel 11) and 5180–5805 MHz (other countries in the Americas) Operating frequency: 2412–2462 MHz (channel 11) and 5180–5825 MHz (U.S.A., Canada, Mexico) Authentication: Open system, WPA2-PSK Maximum output power (EIRP): 2.4 GHz band: 4.5 dBm 5 GHz band: 6.8 dBm (countries in the Americas) |
| Smart Device App Connectivity | SnapBridge |
| Bluetooth |
Communication protocols: Bluetooth Specification Version 4.2 Operating frequency: Bluetooth: 2402–2480 MHz Bluetooth Low Energy: 2402–2480 MHz Maximum output power (EIRP) Bluetooth –1.0 dBm Bluetooth Low Energy: –2.5 dBm |
Menus
|
Supported Languages |
English French Portuguese (Brazil) Spanish |
Power
|
Battery/Batteries |
One EN-EL25 rechargeable Li-ion battery |
| Battery Life (Shots per Charge) |
330 shots (CIPA)
Movies: Approx. 75 min. of movie recording |
| AC Adapter |
EH-7P charging AC adapter (available separately)
|
| Battery Charger | MH-32 Battery Charger (available separately) |
Miscellaneous
|
Tripod Socket |
1/4"-20 (ISO 1222) |
| Approx. Dimensions (Width x Height x Depth) |
5.1 in. (128mm) x 2.9 in. (73.5mm) x 2.4 in. (59.5mm)
|
| Approx. Weight |
12.4 oz. (350g)
|
| Operating Environment |
Temperature 0 °C–40 °C (+32 °F–104 °F)
Humidity: Less than 85% (no condensation) |
*For a full list of the technical specifications please refer to the product manual.
Item Includes
Z 30 Body
- Z 30 Body
- BF-N1 Body Cap
- EN-EL25 Rechargeable Lithium-ion Battery
- AN-DC25 Camera Strap
- UC-E24 USB Cable
- Z DX 16-50mm f/3.5-6.3 VR with Front and Back Lens Caps
Optional Accessories:
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.6 ★★★★★
Based on 20 reviews
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Product Reviews
★★★★★ 4
An outsider's view
Format: Paperback
When it comes to Cliff Atkinson's Beyond Bullet Points, I am a bit of an outsider. I don't read many computer books and, while I have worked with PowerPoint, my presentations are very simple. Since I admittedly use my share of bullet points in these presentations, I thought learning about an alternative approach would be useful. And while there are definite benefits to reading this book, it may not be perfect for everyone.
Many people use bullet points in their PowerPoint presentations; this can be a great way to organize thoughts, but Atkinson has a difference approach. Essentially, the Beyond Bullet Points method treats presentations as stories told in three "acts." Act One develops the story, Act Two develops the action and Act Three frames the resolution. Each act is broken down into scenes which provide the details. The first portion of the book explains how to work with each act; the second portion deals with the evolution from initial outline to final presentation.
This book assumes a certain amount of PowerPoint knowledge; if you want to learn about the application, this is not the place to start (on the other hand, you don't need to be a PowerPoint expert). One of the nicest things about Atkinson's approach is the way he allows presentations to be pared down to fit the time frame required: his method is designed best with a 45 minute presentation, but it can be easily compressed to a 15 minute or even 5 minute presentation. Another nice thing is that he has a website that readers can access that provides some helpful materials such as template documents.
On the other hand, Atkinson treats the issue of bullet points/no bullet points as something of a black-and-white issue. He doesn't really acknowledge that there may be a middle ground where bullet points should be used in certain situations, perhaps even in conjunction with his approach. I think it's more appropriate to view the Beyond Bullet Points as an alternative approach to PowerPoint presentations, not the ONLY approach.
Atkinson's writing style is straightforward, and like many computer books, a little dry. But as stated earlier, I am reading this book with something of an outsider's view. This is a good book, but Atkinson's inability to look beyond his own approach keeps it from being a five-star work. Nonetheless, if you do a lot of PowerPoint presentations, there is enough useful material in here to merit a read.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 16, 2006
★★★★★ 5
A Refreshing Approach to Presentations
Format: Paperback
I ran across this book while researching a college workshop on perfecting presentation, dealing with public speaking and effective use of PowerPoint. As one who has suffered through numerous electronic slides that did little or nothing to augment the speaker's efforts, I was delighted to see this fresh and innovative approach. I believe this process works best, however, when one's speech is primarily persuasive in nature. Although these ideas helped me set up a strong introduction and conclusion, in a recent lecture I resorted to bullet points for the material I felt the students had to master. Perhaps as I get more used to Atkinson's technique, I'll better about using it in lecture. However, the business applications seem quite worthwhile. My students' workshop presentations that used his techniques were highly engaging. I highly recommend this book and the supporting web site.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 24, 2006
★★★★★ 1
Simplistic and Inappropriate
Format: Paperback
I was hoping this book would provide insights into how to present complex information in a more comprehensible, useful format, using PowerPoint as the tool. Instead, the overall gist of this book is that presentations should be "dumbed down" as much as possible. The theme the author presents is that presentations should be story based. This is reasonable. However, the method the author recommends is that essentially *all* meaningful, complex (or, as the author prefers "boring") content be removed from the presentation. Presentations then become nothing more than catchy headlines and colorful graphics. All content should be in the presenter's notes (not typically to be provided). This is juvenile and useless and frankly reflects a complete lack of understanding of how presentations are made in a complex business environment.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 14, 2007
★★★★★ 3
On the right track
Format: Paperback
This book is a good introduction about how to use story-telling techniques in PowerPoint presentations. There are some good ideas here that you won't find in technical manuals. If you don't know film techniques these will be eye-opening. But the book could have been much stronger if it were to push these concepts to the next level. I saw a PowerPoint presentation with Andy Goodman, who teaches more or less the same thing, and his presentation nailed these concepts more cleanly than this book does. But again, this book is definitely worth checking out if you haven't studied storytelling before.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 2, 2005
★★★★★ 2
Make sure you buy the 2007 edition!!!!
Format: Paperback
I bought the book, enjoyed it and then realized that I hasd purchased the 2005 edfition and not the new 2007 edition. be careful as the new one is much better. Amazon should have made this clear!!!!!!!!!!!!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 8, 2007
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