SKU: 84610285013

Royer R-122 MKII Active Ribbon Microphone

Sale price$1169.55 Regular price$1299.50
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Description

Royer R-122 MKII Active Ribbon MicrophoneRoyer R 122 MKII Active Ribbon Mi Gain Changer: Next Level. In 2002 we introduced the R 122, the worlds first phantom powered, active ribbon microphone. It was a revolutionary development in ribbon mics, combining impedance matching circuitry with condenser like output levels that allowed the R 122 to be used on even the quietest sound sources. It also allowed the mic to be paired to virtually any preamplifier. The R 122 MKll takes the R 122 to a

Royer R-122 MKII Active Ribbon Mi

Gain Changer: Next Level.

In 2002 we introduced the R-122, the world’s first phantom powered, active ribbon™ microphone. It was a revolutionary development in ribbon mics, combining impedance matching circuitry with condenser-like output levels that allowed the R-122 to be used on even the quietest sound sources. It also allowed the mic to be paired to virtually any preamplifier.

The R-122 MKll takes the R-122 to a whole new level, delivering unprecedented flexibility for ribbons via the addition of a switchable -15 dB pad and a switchable bass-cut filter. The switches are completely out of the circuit when disengaged so when both are off, the microphone is for all purposes an original R-122. The switches are located on the back of the microphone and recessed to prevent accidental activation.

The Pad

The R-122 MKll’s switchable -15 dB pad is positioned before the microphone’s electronics and, when engaged, eliminates any potential for headroom-related distortion on even the loudest sound sources. Wide-open electric guitars are no problem. With the pad in, the R-122 MKll’s output is actually 2 dB lower than our flagship R-121.

The R-122 MKll’s well-designed pad has no sonic imprint. Once levels are matched, the R-122 MKll reproduces sound exactly the same with the pad in as with the pad out.

The Bass Cut

When switched in, the R-122 MKll’s bass cut starts filtering at 100 Hz, 6 dB per octave, effectively reducing the mic’s bass buildup due to proximity effect. This smooth filter is extremely useful on vocals, many acoustic instruments, and close-miked electric guitars when less bottom end is desired.

The R-122 MKll’s electronics are hand-wired in our Burbank, CA factory. The microphone utilizes a special Royer-designed toroidal transformer that delivers a faster transient response than traditional ribbons, making it a first call ribbon mic for drum overheads, percussion, and all acoustic instruments.

Gain


Conventional ribbon microphones need high-quality, high-gain microphone preamplifiers to record softer sound sources. The R-122 MKll’s output level is much higher, allowing you to use practically any mic preamplifier or board pre’s to record even the quietest sounds. The R-122 MKll contains a fully balanced, hand-wired, discrete head amplifier system utilizing a specially wound toroidal transformer and ultra-low noise FET’s. This system is extremely quiet and brings the R-122 MKll’s sensitivity to 37 dB, all while allowing for high SPL recording! Go ahead and plug a MKll into any preamp with average gain – you’ll get full Royer performance and enough level to drive any recording medium.

There is no increase in self-noise in the R-122 MKll’s higher sensitivity. All of the mic’s additional output comes from its large, specially wound toroidal transformer – that wonderful thing called “free gain.” The phantom-powered circuitry provides impedance conversion only, adding no noise of its own.

Impedance Matching


The R-122 MK’s active electronics put a perfect load on the ribbon element at all times, allowing the microphone to deliver its full sonic potential regardless of the input characteristics of the following pre. Due to its low-impedance output, R-122’s can be used on extremely long cable runs with minimal signal loss. In addition, the ribbon element can’t be damaged by phantom power, miswired cables or electrical glitches.

Patented Offset Ribbon Technology


The R-122’s proprietary offset ribbon transducer (Patent # 6,434,252) positions the ribbon element closer to the front (logo) side of the microphone. This configuration gives the ribbon more room to move within the prime magnetic field while maintaining full frequency response during high SPL recordings. It’s an integral piece of the magic of all Royer R-series microphones.

Features

  • Phantom powered circuitry provides high output and impedance matching
  • -15 dB pad before the mic’s electronics gives more headroom when activated.
  • Bass cut filter reduces proximity effect and bass below 100 Hz when activated
  • High SPL Capabilities
  • No distortion up to maximum SPL rating
  • Extremely low residual noise
  • Ribbon element is not affected by heat or humidity
  • Absence of high frequency phase distortion
  • Equal sensitivity from front or back of element
  • Consistent frequency response regardless of distance
  • Rear side of mic records slightly brighter when three feet or closer to sound source

Applications

  • Electric Guitar Amps
  • Acoustic Guitar
  • Drum Overheads
  • Percussion Instruments
  • Brass and Woodwinds
  • Horn Sections
  • Acoustic Piano
  • Acoustic Guitar
  • Harp
  • Solo Strings & String Sections
  • Choirs and Orchestras
  • Commercial Broadcast
  • Voice Over

Technical Specifications

  • Acoustic Operating Principle: Electrodynamic pressure gradient with active
    electronics.
  • Polar Pattern: Figure-8
  • Generating Element: 2.5-micron aluminum ribbon
  • Magnets: Rare Earth Neodymium
  • Frequency Response: 30 - 15,000 Hz ±3 dB
  • Sensitivity: -36 dB (re. 1v/pa ±1 dB)
  • Switchable Pad: -15 dB
  • Switchable Bass Cut: 100 Hz (6 dB per octave)
  • Self-Noise: < 18 dB
  • Output Impedance: 200 Ohms, balanced
  • Output Connector: Male XLR 3-pin (Pin 2 Hot)
  • Rated Load Impedance: 1K-Ohm minimum
  • Maximum SPL: 135 dB @ 30 Hz
  • Power Requirements: 48-Volt Phantom Only
  • Supply Current: 4 mA
  • Dimensions: 206mm L X 25mm W (8 1/8” L X 1” W)
  • Weight: 309 grams (10.9 oz)
  • Finish: Burnished Satin Nickel / Matte Black
    Chrome (optional)
  • Accessories: Protective wood case, mic sock
    Optional Accessories: Wind screen, shock mount
  • Microphone Warranty: Lifetime to original owner (repair or replace
    at Royer’s option)
  • Ribbon Element Warranty: One Year

Polar Pattern

Frequency Response

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 84610285013

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Crystal
Lowell, US
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Loved them so much- Bought another pair
To start off, I have wide feet, ankles, and calves, because i'm a bit on the heavier side. Finding shoes that fit these requirements are difficult. The top part of the shoes that hug my legs are actually still a little roomy. Someone who has slightly larger lower legs can fit into these as well. If you have tiny legs, these shoes may be a little too loose, or if you don't have wide feet. These shoes are literally perfect for my feet and legs. The back unzips so I was able to get my feet into the shoes easily, and even wearing them I didn't feel like my toes were being squished. I ordered a size 10, and it is perfect length and width for my wide feet. Do note: My feet are wide enough to not fit in most shoes, but not too wide, you should pay attention to the measurements if you have wide feet. I was a little skeptical from a review of a woman who had her toes bleeding from these shoes, as I know that is often a problem for me with most shoes I wear. Generally I start bleeding in the back of my heel. So I was skeptical that these shoes would make me bleed. However, I was proven wrong. These are one of the only shoes i've worn that haven't rubbed my skin right off. I believe that has to do with the lovely height of the back, which prevents rubbing on the back of your heels, and the perfect width of the shoes. If your feet are too wide for these shoes, then you will probably bleed, but that's to be expected because the shoe does not fit you and that is often something that can happen with shoes that don't fit. I originally bought the green pair, because I loved the color, but then I loved the fit so much that I bought a second, black pair. These are one of the only shoes with heels I actually wear because they are more comfortable than most, and they're just adorable. I am not generally a high heel wearer, so I'm not used to walking with my heels elevated. Despite that, these shoes were fairly easy to walk in. They are my favorite pairs of heels. and I do highly recommend them. I will be buying more colors in the future, and I hope they will come out with more colors like brown and an aqua/blue shade.
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Love this shoe style and color!
Size: 11, Color: Dark Sage Nbpu, Size: 11, Color: Dark Sage Nbpu
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