SKU: 85277048620

UQL1700 Rustic Outdoor Wall Sconce, 16''H x 11''W, Rustic Copper Finish, Summerville Collection

$310.05 $344.50
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Description

UQL1700 Rustic Outdoor Wall Sconce, 16''H x 11''W, Rustic Copper Finish, Summerville CollectionPRODUCT OVERVIEW: What makes this product different? The UQL1700 brings historical charm through its French Quarterinspired silhouette, with a six sided diamond structure and faux gas lantern profile rarely found in standard wall sconces. Unlike mass produced aluminum fixtures, its body is genuine copper, aged with natural patina for character that deepens over time. Built using authentic coppersmith riveting techniques, it reflects artisanal

PRODUCT OVERVIEW:

What makes this product different?
The UQL1700 brings historical charm through its French Quarter–inspired silhouette, with a six-sided diamond structure and faux gas lantern profile rarely found in standard wall sconces. Unlike mass-produced aluminum fixtures, its body is genuine copper, aged with natural patina for character that deepens over time. Built using authentic coppersmith riveting techniques, it reflects artisanal heritage, while its clear glass panels and omni-directional light create a warm, inviting glow that enhances outdoor spaces with timeless appeal.

Why is this product worth the price?
The UQL1700 Summerville wall sconce justifies its price through a commitment to quality rarely found in standard lighting. Its handcrafted, genuine copper construction, using authentic coppersmith techniques, speaks to its artisanal nature. This French Quarter-inspired design, with its unique six-sided diamond shape and faux gas lantern aesthetic, offers enduring value and timeless elegance. Weighing almost eight pounds, the fixture's heft is a testament to its robust build. The Summerville collection elevates your space with a warm, inviting glow, promising lasting beauty and performance.

What value does this product offer over similar options?
The UQL1700 upgrades your entryway into a French Quarter escape, where genuine copper construction outshines the thin aluminum shells of typical lanterns. Each hand-riveted seam tells a story of coppersmith tradition, while mass-produced alternatives rely on pressed joints that loosen over time. As evening falls, its diamond-cut glass panels cast warm, honeyed patterns across your walls—a romantic dance of light that factory fixtures can't replicate. Urban Ambiance's UA Guarantee ensures this heirloom piece illuminates generations of homecomings.

FIXTURE INFORMATION:
  • MODEL NUMBER: UQL1700
  • ALTERNATE MODEL NUMBER: BWQ1680
  • PRODUCT COLLECTION: Summerville
  • INSTALL LOCATION:
  • FIXTURE TYPE: Wall Sconce
  • FINISH: Rustic Copper
  • CONSTRUCTION MATERIAL: Copper
  • INSTALLATION HARDWARE INCLUDED: Yes
INSTALLATION INFORMATION:
  • FIXTURE BODY: 16.00''H x 10.50''W x 11.00''Dep
  • MIN HANGING HEIGHT: N/A
  • MAX HANGING HEIGHT: N/A
  • DOWNRODS INCLUDED: N/A
  • CHAIN LENGTH: None
  • ADDITIONAL RODS / CHAIN AVAILABLE: N/A
  • CEILING OR WALL PLATE DIMS: 4.5" x 7"
  • POWER WIRE LENGTH: 6 In
  • FIXTURE WEIGHT (IN LBS): 7.85 lbs.
  • LOCATION RATING: Wet Locations
  • SLOPED CEILING COMPATIBLE: N/A
  • REVERSIBLE (UP/DOWN) OPTION: No
  • VOLTAGE: 110/120 V
BULB INFORMATION:
  • DIMMABLE: Yes
  • NUMBER OF BULBS: 1
  • BULBS INCLUDED: No
  • MAX BULB WATTAGE: 100 W
  • ESTIMATED LUMENS PRODUCED: 3605
  • BULB BASE: E26 Medium Base
  • RECOMMENDED BULB SHAPE: ST21
  • RECOMMENDED BULB COLOR TEMP: 2200-3000K
  • LED BULB COMPATIBLE: Yes
  • LIGHT DIRECTION: Omni-Directional
STYLE AND DESIGN INFORMATION:
  • DESIGN FEATURES: N/A
  • SHADE CHARACTERISTICS: Glass Clear
  • FIXTURE SHAPE: Triangular
  • FIXTURE SHAPE: Diamond
  • FIXTURE SHAPE: Empire
  • FIXTURE SHAPE: Candle-Style
  • FIXTURE SHAPE: Lantern
COLLECTION DESCRIPTION:

The Summerville collection pays tribute to French Quarters, with its architectural shape and faux gas lantern design. Featuring a six-sided diamond structure, this collection frames glass in genuine copper, which has been riveted together, following authentic coppersmith techniques. A faux gas chimney completes the look. At its peak, this collection features a punctuated, round chimney head upon its flat, sealed roof. Beneath this, the gem-cut diamond shape begins, with straight riveted copper flanges framing its clear glass panels. Just north of its middle, the fixture is banded before turning inward to continue its diamond shape in the opposite direction. On this bottom half exists a functioning door for access to the sockets.Available in Rustic Copper (genuine copper construction, with patina) as post lights, pendant lights, and various wall sconce configurations.

PRODUCT PDF MANUALS:
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view installation guide
Shipping Notes
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 85277048620

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4.2 ★★★★★
Based on 26 reviews
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Product Reviews
P
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pepe
Battle Creek, US
★★★★★ 5
interesting analysis of what 'being creative' really means
This easy-to-read absorbing book is based on lengthy interviews with 91 creative individuals ranging from Nobel prize winners to artists to CEOs. Csikszentmihalyi starts by debunking the myth of 'the lone genius having a brilliant idea as if by magic' and defines three necessary ingredients for creativity ('with a capital "C"') - domain, field, and individual. Creativity must take place within a recognised domain (such as physics, painting and so forth); be recognised by experts in that domain (the field, although this may not happen in the individual's lifetime, eg, Van Gogh); and of course come from an individual, although he also adds the painstaking work that precedes and insight, the reality that all creativity builds on what has gone before, and the social elements of the creative process. The book also offers supporting evidence from the lives of the 91 interviewed, which also provides interesting insights into their lives. In many ways, this book is a biography of the creative individual. Also contains a chapter with quite practical guidance on how to live more creatively. Prescient advice for a book published in 1996 given the increasing profile creativity is getting in business and public life. HIghly recommended, one of the most interesting learning experiences i have had in a long while!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 5, 2013
C
Verified Purchase
Charles H. Hooker Jr.
Cuba, US
★★★★★ 5
Very enlightening for those who truly appreciate creativity more than cleverness!
Format: Paperback
I love how the author almost redefines creativity .and sheds new light (for me, at least!)on what what real-for-true creativity is and how it benefits individuals and society. It's far more than simply brightening up a room with new wallpaper and curtains -- it describes how genuine creativity requires a thorough working knowledge of the fundamentals of any given field before one can truly create something new or better, and it reveals how those of us who aren't capable of creating something ourselves can yet be part of the process by demonstrating appreciation and support for those who create, whether as sponsors, patrons, or even just ardent fans!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 4, 2023
D
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Donald Walker
Houston, US
★★★★★ 3
instructive but limited
The testimonies of creative people that give this book its flesh and blood provide fascinating examples of creative people at work. That said, if a journalist had written the book, it would be more readable, and I don't think any less of an intellectual contribution. Moreover, the definition of creativity is elitist and stunts the topic (as observed by other reviewers): "Creativity is any act, idea, or product that changes an existing domain, or that transforms an existing domain into a new one. And the definition of a creative person is: someone whose thoughts or actions change a domain, or establish a new domain. It is important to remember, however, that a domain cannot be changed without the explicit or implicit consent of a field responsible for it." Given the people interviewed, much more needs to be said about the function of social institutions in promoting creativity. Many of the accomplishments lauded in this book would never have happened without grant-making agencies (e.g., NSF, NIH, HHMI) or non-profit employers like research universities and hospitals. To offer just one obvious example of the difference made by one's institutional context, the author had advanced students to help him do his research for this book. The elitism of the definition is even clearer in the role that marketplace plays as a judge of creativity. None of us buys books from amazon.com because some official group validated amazon.com as a good idea. We didn't wait for computer programers to affirm and certify it. Amazon.com is not deemed successful because it impressed its peers. It is successful because millions of us purchase goods through it. Similarly, auto-executives did not make the minivan a successful idea, millions of shoppers did. (Obviously I don't think the marketplace fits into the author's definition of creativity. If 300 million American consumers comprise a domain with 300 million judges, then the word no longer has any useful meaning.) The definition also precludes that countless ephemeral acts of creativity that take place daily. I think instantly of two women I have worked with who were great at holidays. Their clever costumes or decorations brightened my day, adding a little element of surprise and delight. Their acts of creativity don't meet the definitions of this book. The way that creativity is defined in this book is simply a filtering mechanism by which the author selected the people he would interview. It is not a definition of creativity. It is only a description of a subsection of creativity, the kind where institutions provide paychecks to highly practiced individuals to work hard at what they love. I also found little new to take away and apply to my own social existence inside the organization where I work. Perhaps I can summarize my dissatisfaction by observing that the subtitle sets out an agenda for the psychology of creativity, but the definitional filter is intrinsically social. This disconnection sets the book up to fail. So, count this as a negative review, yes, but I did enjoy reading the testimonies of the people interviewed, and the author adds some value in the generalizations he draws. Still, much, much more could have been said.
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Reviewed in the United States on April 30, 2012
J
Verified Purchase
Judith R. Hert
Chelsea, US
★★★★★ 5
Wise and Complete
Format: Paperback
I've read a lot of books, too many, on creativity, and this is by far the best, the most complete, the most interesting. The idea that creativity comes out of immersion in a domain or field seems absolutely right and the idea missed by so many other writers. I'm a writer and a painter and I've learned that I'm not going to be any better than the work I've come to know and love, that I have to live in that work. If you want to be a better string player, play with a better ensemble. In many ways a creative person is someone who is in a conversation with what has come before, with work that excites her, teaches her, challenges her. This book makes that plain. But he has other insights as well, especially about the creative personality, the interesting dichotomies. Just read the book.
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Reviewed in the United States on February 22, 2015
C
Verified Purchase
Common Arts Farm
Port Orchard, US
★★★★★ 4
Creativity which has the power to change the world
A few caveats to those who are generally interested in creativity studies: Csikszentmihalyi's analysis and discussion of creativity does not directly relate to those who are personally creative. People who enjoy engaging in creative activities are not demoted, in his terms, but are simply not a part of the study. It is unfortunate that his language makes it seem this way; he distinguishes between the two by saying that Creativity has the power to shape a domain or the world, while creativity applies to those who enjoy coming up with new recipes, who are engaged in research that may not change a domain, but may "tweak" it, etc. What he is trying to discover are the underlying principles and traits of creativity in those whose work has made a significant change. Think Albert Einstein, Eleanor Roosevelt, Mark Strand: people who are either widely known for their influence, or who have been influential within their area or domain. This book provides an interesting view into the minds and work habits of Creative individuals, and concludes by offering general advice to those who wish to make their own lives and work more creative. It is a useful book, but one which requires a great deal of supplemental reading, in order to truly engage in creativity studies.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 29, 2003

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