SKU: 9254144048

ERAK,THOMAS & THE OUROBOROS – (AU) (TRANSPARENT BLACK) - LP •

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ERAK,THOMAS & THE OUROBOROS – (AU) (TRANSPARENT BLACK) - LP •UPC: 794558050418 Label: EQUAL VISION RECORDS Format: LP Release Date: March 7, 2025 In stock items ship within 48 hours All too often, solo albums sound like solo albumsa watered down version of whatever band the musician is from. The part without its sum, if you will. Not(AU). The debut full length from Fall Of Troy guitaristThomas Erak redefines what it means to make a record away from your usual group ofmusicians. In fact, Erak made these thirteen

UPC: 794558050418
Label: EQUAL VISION RECORDS
Format: LP
Release Date: March 7, 2025
In stock items ship within 48 hours

All too often, solo albums sound like solo albums—a watered-down version of whatever band the musician is from. The part without its sum, if you will. Not(AU). The debut full-length from Fall Of Troy guitaristThomas Erak redefines what it means to make a record away from your usual group ofmusicians.In fact, Erak made these thirteen songs with the idea and intention of it sounding like a band—he just played every instrument on it himself. It’s been a relatively long process, but “This is a new record that, technically, I’ve been working on since 2017,”he says.“But it was really just a passion project because I was in no hurry to make a solo record per se, and I really didn’t mean to. But I got stuck in Seattle at the beginning of the pandemic and that’s where this all really began. I didn’t really write anything,I just kind of made it up as I went along.I started with drums, then did the bass, then guitars,vocals and keys. Once I had the instrumental,I’d sit there with it rewinding and writing lyrics,and as soon as I had those I’d go into the booth and cut them right there.”Now,some seven years (and some huge life changes) later,(AU)—the chemical symbol for gold—is herein all its shimmering glory.It’s worth noting, however, that these songs don’t start shining like the titular element until near the end, as it reflects where Erak—physically and mentally, emotionally and geographically—now finds himself, as opposed to the period leading up to it. Produced by Ryan Thomas,the album is a chronological, real-time account of where Erak was in life as he was writing them. As such, it  begins with the intense chaos of“Unlawful Assembly”,an off-kilter, tumultuous and uneasy stop-start explosion of jet black noise that begins and ends with the sound of sirens.“The record starts really dark,”says Erak,“because when I started writing the vocals all the George Floyd stuff was happening. We were watching the Seattle riots as I was recording and writing the lyrics to that song, so it’s my take on what I was seeing unfold in real time.”It then gives way to“Conjugal Visits”,a song that continues the law and (dis)order motif,but actually has its roots in more personal circumstances.“It’s about a relationship,”explains Erak,“that I ended up in that I knew I shouldn’t have ended up back in, and which was very poisonous. It got to the point where it literally didn’t even feel like a relationship.It just felt like conjugal visits.”So far so bleak, and that’s just the first two tracks. Both revel in the darkness of their inspirations, however, twisting and turning and exploding with pent-up rage and angst. That’s ramped up more with“A.D.D.T.M.”.The periods within the acronym are, Erak says, a throwback toThe Fall OF Troy and their track “F.C.P.S.I.T.S.G.E.P.G.E.P.G.E.P”, though the meaning of this one—“Attention Deficit Disorder Of The Masses”—is slightly less controversial. Musically, too,it recalls the progressive post-hardcore ofThe Fall Of Troy,but, as with every song on this record, it’s unafraid to forge its own path. It also encapsulates the over-arching theme and narrative of the record: the desire and hope to give your loved ones a better life than your own. It takes a while to get, though.“DCLXVI”—the Roman numerals for 666—is as dark as its title suggests, a spiraling sonic journey as beautiful as it is evil—while “Fucking Up” is a half frantic, half resigned tug-of-war between self-recrimination and emancipation full of truly wicked and delicious guitar licks. 

Elsewhere,“Colic” metamorphizes into abstract dissonance, demonstrating that Erak isn’t at all afraid to experiment and push boundaries in unexpected directions,“Thousands Of Dead Satellites”is a metaphysical glance at the stars that feels more like being sucked into a black hole, while the abrasive and scathing“You Got The Wrong One Today, Buddy”sees Erak revisit some childhood trauma to powerful, cathartic effect.“Sometimes I have to pull things out of myself that aren’t too fun to look at or deal with or think about,”he admits,“and they take you back to a place that wasn’t very good. But if I can take it and make something positive out of it, then I can make something positive in my life with it. So instead of just living with it, every time I play that song I’m reminded that I got through it.”Indeed, constant motion plays a significant role on this album, both musically and thematically, as the songs march from a deep black void in search of light and, ultimately,love. After(AU)navigates its way through the shades of darkness—including the desperate vulnerability and mental anguish of“Triggered”and the restless angst of“Dial Tone”—it shakes off the torment of the past to emerge in the golden glow of Erak’s present: the sun of San Diego, the joy of a happy relationship, the pride of being a step-parent and the sheer bliss of being inspired musically again.“I feel like I got all this experimentation out of me,”he says.“I’ve had this record in the chamber for so long now, and I feel very rejuvenated.” Partly, that’s due to Erak finding himself a new home in San Diego, where he moved about two years agoto be with his wife and stepson. Another big factor is the group of musicians—The Ouroboros of the record’s title—he’s since enlisted to be his backing band.Consisting of Aaron Groon (vocals and guitar),Tito Valentino(guitar) and Keniff Mors(bass) from Erak’s favorite San Diego band, A Different Kind Of Giant, as well as Chicago-based drummer Mark Serpico (who also recorded the drums on“DCLXVI”, the only track Erak wasn’t behind the kit for), the Ouroboros will help bring the record to life when Erak takes it on the road.Fall Of Troy fans shouldn’t despair, however. Those bandmates encouraged Erak to do this, and there’ll be more from that band in the not-too-distant future. Right now, though, is time to celebrate what Erak considers the record that best represents him that he’s ever made.“I feel like I’m shining,”he says.“I feel like gold. I feel happy in my personal life, I feel happy with my musical life, Fall Of Troy’s back together and we’re going to write another record,and my favorite band down here are going to be my full-time band. Everything is going great. Ever since I came to San Diego,my life has just done…I wouldn’t even say a 180,I’d say like a 720, and then a 180. It was almost dizzying.I feel like this record is my gold record. Even if it doesn’t sell gold, I still have a gold record to put on my wall.



TRACK LIST:

Disc 1

  1. Unlawful Assembly
  2. Conjugal Visits
  3. A.D.D.T.M. (Attention Deficity Disorder of The Masses)
  4. DCLXVI (666)
  5. How High Is Your I.Q.?
  6. Figure It Out!
  7. Fucking Up
  8. Colic

Disc 2

  1. Thousands Of Dead Satellites
  2. Triggered
  3. "You Got The Wrong One Today, Buddy,,,"
  4. Dial Tone
  5. Wormhole
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SKU: 9254144048

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4.3 ★★★★★
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MJ
Pawtucket, US
★★★★★ 4
Solid Upgrade, Needs Color Variety
Replaced my old frother with this one and it's a solid step up. Seriously, better build quality, more features, and noticeably more control. The variable speed dial is genuinely useful. Being able to dial from low (protein powder, matcha) to high (thick cappuccino foam) feels like an actual upgrade. The three whisk attachments give you flexibility depending on what you're making, and the included stand is a nice touch. Helps keeps the coffee bar counter from getting cluttered. Battery life seems strong so far; one charge has lasted through multiple weeks of daily use without issue. Pros: - Variable speed dial works well across a real range (not just "low" and "high") - Three whisk heads included — good for different drink types - Stand included; compact and stays put on the counter Cons: - Singular color option. The mint green clashes with everything on my coffee bar setup; wish there were neutral alternatives. ANY alternatives! - Everyone may not like the price tag but it wasn't out of my budget and the included extra bits made it worth it for me. If your kitchen palette doesn't fight the mint green, this is a capable, well-built frother at a decent price.
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Reviewed in the United States on April 13, 2026
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Verified Purchase
Ryder Mac
Houston, US
★★★★★ 5
Mixes matcha well
This is great for mixing matcha due to being able to adjust the speed and make it slower or faster. The stand is a great bonus.
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Reviewed in the United States on May 27, 2026
G
Verified Purchase
gayle johnson
Omaha, US
★★★★★ 5
Rechargeable hand mixed.
Blends very well and fast. Sound is very quiet. Worth the price. Recommend to friends and family. Recharges fast. Very versitatable i.e eggs, frothing and drink mixes. Good power.
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Reviewed in the United States on May 21, 2026
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Verified Purchase
Sandra Dutson
Waukegan, US
★★★★★ 5
Worth the money.
It’s very nice. Good quality. Not cheap. Handles well. I’m very satisfied!
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Reviewed in the United States on May 27, 2026
C
Chief
Dallas, US
★★★★★ 5
One of the best genral-purpose frothers out there, period
For the longest time, I've been looking for what seems like a unicorn -- something about the size of a mini-frother, but stronger than most. Almost a mini-submersion blender, really. And I still haven't found it. But the Maestri House frothers are about the closest thing I have found, which gives me hope that my unicorn might really exist someday. Unlike cheaper frothers that almost always warn you off from actually washing them, Maestri House makes theirs waterproof. Seriously, you can froth sloppy and get it all up in the whisk end of this, then rinse the whole thing under the faucet if you want to. I really don't recommend that for the speed ring at the top of this one, as a precaution and because it should never be necessary, but you can if you have to. Despite what I believe is cheaping out on the battery at just 1200mAh, it really can last a while, especially if you use it just once or twice a day. That it recharges using a USB-C connector is definitely a bonus. The speed ring at the top is great feature, overall. It turns on at a slow speed and lets you crank it all the way up to a speed that I still haven't found a good use for. This provides a lot of flexibility, from gentle mixing to full-on danger frothing. The included whisks can all be pretty handy. The whisk-whisk is good for things like two or three whole eggs, and the frother-whisk is good for general-purpose frothing. I really haven't figured out what the hook-whisk is for, because this isn't really made for handling any kind of dough, but it might work well for medium-to-thin batters. Generally speaking, I can easily recommend Maestri House frothers over just about any other handheld frother you're going to find. For completeness, though, there are a few things that I think could be improved upon: - The battery. Once you're into the $25+ range, I would expect a a high-current 2000mAh battery, for longevity and torque. - The speed ring is flexible, but depending on your dexterity and grip it can be tricky to operate when dialing in just the right speed, with just one hand. And there's no "Off" button, so you have to wind it down to "Off". For some reason I often end up spinning it the other way and making it go faster instead. Muscle memory should take over eventually, but still. A dedicated On/Off button would be handy. - For as beefy as this device feels, it doesn't handle thick liquids as well as I expected. The torque for basic mixing and frothing tasks is more than enough, but get this into thicker liquids or even four+ eggs, and it starts to bog down. - Like most frothers of this type, the balance of the whisks is a variable thing. If a whisk shaft gets even a little bent this thing will shake, at least when started at slow speed. Things usually settle out at higher speeds, but I'd really like to see the shaft of the whisks made thicker and more rigid so they don't bend so easily. - The frother whisk is good for what it is, and will quickly make great, basic foam. But unless you have supreme technique, it probably won't be good for any kind of latte art. This isn't a big problem in my mind, just something to be aware of. - The stand is okay at best, and unstable at worst. It's just a bit short for some whisks, so some of them can bottom out on the counter and make it unstable. Bending the holder at the top back just a bit with some good pliers, so the whisks are tilted up and away from the bottom, can help. I'll probably end up designing a 3D printed stand to hold this more security, as well as store the extra whisks. - I'm really not a fan of the textured finish on this model. It feels good enough, and the color is okay, but there are obvious seams on each side that, in my opinion, take away from the aesthetic. My call would be that whatever finish might be on the body, it should be seamless around the entire cylinder. I want to be clear, that none of the comments above are intended to warn you off of this if you're looking for a very good, well made frother. I doubt that you can find anything better! I only mention them because nothing is perfect, and to temper the reader's expectations. This brand, if not this specific model of frother, is almost certainly everything that you are looking for. If there's anything you don't like about this particular model on paper, I urge you to consider literally any other handheld frother they make. It only falls short compared to my unicorn device, something I don't ever expect to see from anyone else, but really believe that Maestri House could deliver if they think there's a market.
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Reviewed in the United States on March 12, 2026

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