SKU: 95400230467

150kg Simplicity Plus Wheelie Bin Tipper

Sale price$5494.50 Regular price$6105.00
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Description

150kg Simplicity Plus Wheelie Bin Tipper150kg Simplicity Plus Wheelie Bin Tipper DESIGNED AND BUILT IN AUSTRALIA Description: Simplicity Plus Lift and Tilt Bin Lifter The Simplicity Plus Wheelie Bin Tipper assists in lifting and emptying of a variety of wheelie bins into dumper bins. Available with a lifting capacity of up to 150 kg, its suitable for a powerful 100 lifts per person, per day. With the push of a button, the Simplicity Plus Wheelie Bin Tipper jumps into action. Its unique and

 

150kg Simplicity Plus Wheelie Bin Tipper 

 

DESIGNED AND BUILT IN AUSTRALIA

Description:-

Simplicity Plus Lift and Tilt Bin Lifter

 

The Simplicity Plus Wheelie Bin Tipper assists in lifting and emptying of a variety of wheelie bins into dumper bins.  Available with a lifting capacity of up to 150 kg, it’s suitable for a powerful 100 lifts per person, per day.

With the push of a button, the Simplicity Plus Wheelie Bin Tipper jumps into action.  It’s unique and robustly designed hydraulic lift does all the heavy lifting, ensuring an operator is free from any manual handling risks or hazards.  Its construction and features allow for high levels of user comfort during operation and it’s incredibly easy-to-use.

Suitable for Larger offices, Supermarkets, Apartment blocks, Waste disposal operators or Event organisers that are required to empty the wheelie bin several times in a day.

Features of Simplicity Plus Lift and Tilt Bin Lifter:- 

  • Simple push button operation.
  • Eliminates manual lifting
  • Prevents back and side strain injuries
  • Battery operated
  • 12V rechargeable battery
  • Safe lifting capacity of 150kg
  • Lifts up to 100 times a day
  • Lifts 80L, 120L, 140L and 140L Bins (no adjustment required)
  • Models to suit 1100 1500 1800 mm skip bins
  • Safety cage eliminates hand and foot crush points for operators and bystanders 
  • Foot Print  1500L x 980W x 2200H
  • A battery operated hydraulic push button unit
  • that aids in the lifting and emptying of wheelie
  • bins into dumper bins.
  • The ideal unit for heavy weight and frequent lifts.
  • The push-button operation eliminates the manual
  • handling and associated risks of lifting bins.
  • Suitable for factories, warehouses, storage
  • facilities, apartment blocks, waste

 

 

**Bin Lifter Top Point Height Required 2900mm

Warranty:-1Year

 

Additional Information

Why do you need the Simplicity Plus?

This unit is ideal for medium weight, frequent lifts.  It can perform 100 actions per person, per day, making it an extremely durable and powerful model. A simple push of the button engages the system and it lifts and empties waste within a 40-second cycle.  The bin tipper operates on 12 V rechargeable battery, which means it is portable and can be moved around an organisations.

The Simplicity Plus also features a safety cage to ensure the unit, when in use, is segregated from operators and surrounding environments.  The safety cage eliminates hand and foot crush points of operators and bystanders.

Who uses it?

The Simplicity Plus Wheelie Bin Tipper is perfect for larger offices, construction sites, apartment blocks, waste disposal companies and event organisers, who require to empty wheelie bins several times a day.

 

Looking for something else?

Try our EcoLift Bin Tipper, for smaller and less frequent lifting loads (of up to 50kg).  Or alternatively, our Universal Bin Tipper can power a lifting capacity of 250kg and over 100 empties per day.

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Shipping Notes
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Exchange/Return Notes
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SKU: 95400230467

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4.7 ★★★★★
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C
C. Seiden
Houston, US
★★★★★ 5
Convenient Accessibility
It's great to have a company card that my employees can have access to for office supplies and other purchases. Thank you Amazon 🙏
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 13, 2026
B
Verified Purchase
Bice
Fort Morgan, US
★★★★★ 5
The Christmas movie no TV stations ever seem to show during the holidays
Since Amazon lumps the reviews for all the various releases of this movie together, I want to be clear that this review is for the single disc, 132 minute blu-ray version with the cover picture of smiling man made of bricks with the word "Brazil" flying out of the top of his head. For those who don't know the history of this movie - there are at least three different versions. It was originally released in Europe as a nearly two and half hour long film. The studio who financed it didn't like that version because it A. was too long, B. was too uncommercial and C. had a dark, depressing ending. The contract they had with Gilliam stipulated that the movie had to be less than 2 hours and 15 minutes, so it could have multiple prime-time showings in theaters. They suggested he cut the ending. Gilliam refused, so the studio took it upon themselves to create the "Love Conquers All" version, which chopped out almost an hour of footage - they only kept the parts that showed the main character Sam in a heroic light, anything that contributed to the Sam/Jill love story and anything that featured Robert DiNero. And, of course, the ending was changed to a happy ending by removing the final scene. Also, to make the plot easier to follow, they used some alternate takes, some deleted footage and hired voice actors to overdub dialog. Unsurprisingly, Gilliam didn't want that version released, so he finally edited the movie down to 2 hours and 12 minutes, kept the dark ending and made a few other minor changes and the studio was contractually obligated to release that version to theaters in the United States. It's this US version that appears on the blu-ray, with absolutely no additional features (not even the Gilliam commentary that's included on most other releases of the film). Annoyingly, they also added advertisements for other movies to the main menu screen. But I'm still happy to have this version, because it's the first time I've seen the "US edit" since originally seeing the film in a theater on the campus of Penn State back in my college days. I can't really write an unbiased review of the movie itself, because from that first viewing I became obsessed with both Brazil and Terry Gilliam's films in general. I bought all his movies on VHS as soon as they came out and eventually replaced them with DVDs. I bought the 3-DVD Criterion "Final Cut" version of Brazil back when it was an expensive new release. I was surprised that it included scenes I'd never seen before - I think it's based mostly on the European version, with some additional tweaks by Gilliam. It also included the "Love Conquers All" version of the movie and a ton of bonus features. Sadly though, it wasn't animorphic, so on my widescreen TV it put black letterboxing bars on all four sides, shrinking the picture down to about 60% of the screen. This blu-ray was exactly what I was looking for. While it's missing a few (non-essential) scenes, it's the version of the movie that I "grew up" with and is presented in full 16X9 animorphic widescreen. It's the best looking version I've seen since originally seeing it in the theater. For example, I never really noticed the makeup on Katherine Hellmond at the beginning of the movie to make her look older (pre-surgery), but it's clearly visible on the blu-ray. I've always felt bad for one actress during the explosion scene in the restaurant because it looks like she really does get hit by some of the flying debris - the blu-ray is maybe a little too clear there, because now I can tell it's just a dressed-up mannequin. As for the movie itself - it's one of those films you'll either love or hate. Its alternate-reality, retro-futuristic look makes it seem nearly as fresh and amazing today as it did when it first came out. And the background plot of a government bureaucracy turning a country into a surveillance state in response to a perceived terrorist threat - I know it was based on things happening in England at the time, but it's like Gilliam had a crystal ball and looked 30 years into the United States' future. The alternating between "reality" and dream sequences and the general Gilliam quirkiness will probably put a lot of people off, but it's what drew me to this movie in the first place. If you become fanatical about the movie like I am, you'll need both this blu-ray and the Criterion release. To fully experience the film you need to see every version (even the Love Conquers All version) because each one includes bits that aren't in any of the others. If you do decide to watch Brazil and find that you like it, give some of Gilliam's more recent movies a try, like The Imaginarium of Dr. Parnassis and The Zero Theorem. Really, if you like odd, out-of-the-mainstream movies that you'll be thinking about for days after you see them, you can't go wrong with pretty much any Terry Gilliam film.
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Reviewed in the United States on January 11, 2016
D
Verified Purchase
Doug S.
Birmingham, US
★★★★★ 5
One Of My Top Ten Movies
It's a Terry Gilliam masterpiece that blends a touch of Monty Python, Twilight Zone, and Broadway! Worth the watch!
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Reviewed in the United States on May 3, 2026
T
Verified Purchase
Tripp Moore
Cuba, US
★★★★★ 5
Visually Brilliant, Darkly Funny, and Still Uncomfortably Relevant
I rented Brazil through Amazon primarily because I’d heard it described as a dystopian sci-fi classic, but I wasn’t fully prepared for just how strange, creative, and visually dense this movie actually is. It feels like George Orwell had a stress dream after getting trapped inside a malfunctioning government office building designed by someone obsessed with ducts and paperwork. The film does an incredible job blending dark comedy, bureaucracy, paranoia, retro-futurism, and outright absurdity into something that somehow still feels coherent. The world-building is fantastic in a very grimy, claustrophobic way where technology exists everywhere but almost none of it works properly. Everything feels intentionally inefficient and overcomplicated, which makes the setting weirdly believable. Jonathan Pryce does a great job playing a character slowly unraveling under the weight of an increasingly surreal system, and Robert De Niro’s appearance is memorable despite limited screen time. The production design is honestly one of the standout elements of the entire film. Nearly every scene has some strange visual detail happening in the background that adds to the oppressive but oddly humorous atmosphere. This definitely is not a fast-paced mainstream sci-fi movie, though. The pacing can feel slow at times, and the tone swings between satire, anxiety, fantasy, and bleakness in ways that probably won’t work for everyone. It’s the kind of movie where you occasionally stop and think, “What exactly am I watching?” while still wanting to keep watching. The Amazon streaming quality itself was good with no playback issues during my rental, and the film benefits from a decent screen because there’s so much visual detail packed into the sets and cinematography. Overall, Brazil is one of those movies that feels increasingly relevant the older it gets. Strange, unsettling, funny, visually inventive, and much more layered than I expected.
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Reviewed in the United States on May 23, 2026
J
Verified Purchase
Joel Bradford
Massapequa, US
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist). Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really. While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024

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