SKU: 99349418453

Focusrite - Red 16line Interface

Sale price$2474.55 Regular price$2749.50
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Description

Focusrite - Red 16line Interface64x64 all in one interface, 32x32 Dante I O Red 16Line is a 64 in 64 out Pro Tools HD and dual Thunderbolt 3 audio interface with ultra low latency A D D A conversion, Red Evolution mic preamps, up to 121dB dynamic range, ultra low round trip latency, and expansion over Ethernet for networked audio. Since Red 16Line provides both DigiLink connectors and Thunderbolt connections, it's now easier than ever to switch from Pro Tools HD to a second DAW,

64x64 all-in-one interface, 32x32 Dante I/O

Red 16Line is a 64-in/64-out Pro Tools | HD and dual Thunderbolt 3 audio interface with ultra-low latency A-D/D-A conversion, Red Evolution mic preamps, up to 121dB dynamic range, ultra-low round trip latency, and expansion over Ethernet for networked audio. Since Red 16Line provides both DigiLink connectors and Thunderbolt connections, it's now easier than ever to switch from Pro Tools | HD to a second DAW, without the need to reconfigure option cards in the interface. Simply change the host mode either in the remote control software, or on the device front panel and change DAWs in seconds.

High-performance audio converters with over 118dB dynamic range A/D and 121dB dynamic range D/A (A-weighted) have been expertly selected and calibrated to provide the best balance of sound quality, dynamic range and conversion latency in Focusrite's best-quality audio interface. Red's ultra-low round trip latency completely transforms your workflow. If you're used to having to build two different mixes — one using input monitoring to overdub, the other using the DAW for playback — the good news is that now, one is enough. Build your mix on the DAW and use it whether you're overdubbing, or playing back, with all your plug-ins in place, all the time.

Red 16Line features 16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs. The two digitally-controlled Red Evolution mic preamps provide up to 63dB of ultra-clean gain along with stereo linking, individual phantom power, high-pass filter, phase reverse and Air mode: the name Focusrite give to the sonic signature of the classic transformer ISA preamp. With a dual-port Dante card, you will be able to expand your studio over Ethernet for more channels at higher sample rates, anywhere in your network, at lower latency and lower cost.

Key Features
  • Connect to Pro Tools | HD, Thunderbolt computers and Dante simultaneously without option cards
  • High-performance audio conversion with over 118dB dynamic range A/D and 121dB dynamic range D/A (A-weighted)
  • Ultra-low round trip latency to track through plug-ins and record virtual instruments in real time
  • 16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs
  • Two digitally-controlled Red Evolution mic preamps with up to 63dB of ultra-clean gain, stereo linking, individual phantom power, high-pass filter and phase reverse
  • Air mode on the preamps, giving recordings the clarity of a transformer-based ISA
  • Two Thunderbolt 3 ports as standard to connect additional Thunderbolt products
  • Dual-port Dante card for more channels at higher sample rates
  • Three LCD displays for highly accurate level metering
  • Two discrete high-fidelity headphone outputs
  • Connect multiple digital sources using word clock I/O and loop-sync I/O
  • Two instrument inputs on the front panel
  • AAX/AU/VST-compatible Red 2 and Red 3 EQ and compression plug-ins

 

64X64 all-in-one interface, 32X32 Dante I/O

Red 16Line is a 64-in/64-out Pro Tools | HD and dual Thunderbolt 3 audio interface with ultra-low latency A-D/D-A conversion, Red Evolution mic preamps, up to 121dB dynamic range, ultra-low round trip latency, and expansion over Ethernet for networked audio. Since Red 16Line provides both DigiLink™ connectors and Thunderbolt connections, it's now easier than ever to switch from Pro Tools | HD to a second DAW, without the need to reconfigure option cards in the interface. Simply change the host mode either in the RedNet Control software, or on the device front panel and change DAWs in seconds.

 

Our best conversion

High-performance audio conversion with over 118dB dynamic range A-D and 121dB dynamic range D-A (A-weighted). These converters have been expertly selected and calibrated to provide the best balance of sound quality, dynamic range and conversion latency in our best-quality audio interface.

Revolutionise your workflow

Red's ultra-low round trip latency completely transforms your workflow. If you're used to having to build two different mixes – one using input monitoring to overdub, the other using the DAW for playback – the good news is that now, one is enough. Build your mix on the DAW and use it whether you're overdubbing (monitoring the input you're recording with the RedNet Control software mixer) or playing back, with all your plug-ins in place, all the time.

Extensive analogue I/O

Red 16Line features 16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs.

Two of our best preamps

The two digitally-controlled Red Evolution mic preamps provide up to 63dB of ultra-clean gain along with stereo linking, individual phantom power, high-pass filter, phase reverse and Air mode: the name we give to the sonic signature of the classic transformer ISA preamp.

 

Networked audio-enabled out of the box

With dual-port Dante™ connectivity, you will be able to expand your studio over Ethernet for more channels at higher sample rates, anywhere in your network, at lower latency and lower cost.

Software mixer with hardware-focused workflow

RedNet Control is our software mixer designed primarily for ease of use in quickly setting up both simple and complex monitoring and routing configurations, together with the ability to control your preamps remotely.

The Focusrite Studio Console reborn in your DAW

The Focusrite Studio Console defined countless hits of the 80s and 90s, thanks in large part to its ISA 110 Equaliser and ISA 130 Dynamics Modules. Brainworx's bx_console Focusrite plug-in brings you stunningly accurate emulations of both in a single plug-in, perfectly capturing the famously warm, open sound of two of the most revered pieces of studio hardware ever made.

The sound of red across your mix

Every Red interface comes with our Red 2 and Red 3 EQ and compression plug-ins. AAX/AU/VST-compatible, these plug-ins faithfully reproduce the sonic qualities of the original hardware, allowing you to take advantage of the classic Red sound – the sound of professional recording studios all over the world – across your entire mix.

Hitmaker expansion

Improve your sound with studio-quality vocals, powerful guitars, dramatic synths and huge drums, then mix and master with iconic Focusrite studio hardware — all in the box. Every new Red interface comes with an unbeatable range of tried-and-tested studio tools from some of the biggest names in the business.

Hitmaker Expansion — available with every newly registered Red interface — is built to get you mixing and mastering release-ready music immediately. These are all the plug-ins you need to take your studio-quality tracks to the next level and achieve professional results.

Enjoy 3 years of warranty

All Focusrite products are built to the highest standards, and are designed to provide many years of reliable performance.

Specifications in detail

Simultaneous inputs & outputs
  • Channel CountUp to 64 x 64
  • Line Level Channel Count16 In and 16 Out
  • Line Level Input2 x DB-25 connectors (AES59)
  • Line Level Output2 x DB-25 connectors (AES59)
  • Thunderbolt Channel CountUp to 64 In and 64 Out
  • Thunderbolt Ports2 x Thunderbolt 3 Ports (Primary Port 1 and Primary Port 2)
  • Pro Tools Channel CountUp to 64 In and 64 Out (32 In and 32 Out per connection)
  • Primary Port2 x Mini DigiLink
  • Dante Channel CountUp to 32 In and 32 Out
  • Dante Input And Output2 x ethernet standard RJ45 connectors (Compatible with Cat 5e and above).
Microphone inputs
  • Gain Range0-8dB to 63dB in 1dB steps
  • TypeElectronically Balanced, Zin = 20kΩ
  • Max. Input Level>+19dBu, min gain
  • Frequency Response20Hz - 35kHz ±0.2dB
  • THD + N-102dB (0.0008%) @ -1dBFS
  • EIN<-129dBu 'A'-Weighted (typical)
  • Signal-To-Noise Ratio119dB 'A'-Weighted (typical)
  • Common-Mode Rejection Ratio50/60Hz CMRR: -70dB
  • Phantom Power+48V, independently switchable per channel.
  • HPFHigh-Pass Filter (HPF): -3dB @ 80 ± 3Hz, 12dB/Octave, independently switchable per channel
  • Air Mode2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz). Input impedance drop to 2.2kO
  • Mic Inputs Channel Count2 In
  • Mic Input2 x Female XLR
Line inputs 1-16
  • 0 DBFS Reference Level+18 or +24dBu (switchable)
  • Line Inputs 1-16 0 DBFS Reference Level+18 or +24dBu (switchable)
  • Line Inputs 1-16 TypeElectronically Balanced, Zin = 20kO
  • Line Inputs 1-16 Frequency Response20Hz - 35kHz ±0.2dB
  • Line Inputs 1-16 THD + N-102dB (0.0008%) @ -1dBFS
  • Line Inputs Signal-To-Noise Ratio119dB 'A'-Weighted (typical)
  • Line Inputs 1-16 Common-Mode Rejection Ratio50/60Hz CMRR: -70dB
  • Line Level Input2 x DB-25 connectors (AES59)
Instrument inputs
  • Instrument Inputs Gain Range0-8dB to 63dB in 1dB steps
  • Instrument Inputs TypeZin = 2.3MO
  • Instrument Inputs Max. Input Level>+15dBu, min gain
  • Instrument Inputs Frequency Response20Hz - 35kHz ±0.2dB, min gain
  • Instrument Inputs THD + N-100dB (0.001%) @ -1dBFS (@ 11dB Gain)
  • Instrument Inputs Signal-To-Noise Ratio117dB 'A'-Weighted (typical), min gain
  • Instrument Inputs HPF-3dB @ 80 ± 3Hz, 12dB/Octave, independently switchable per channel
  • Instrument Inputs Air Mode2dB boost at 10kHz and -2dB at 20Hz (ref 1kHz)
  • Instrument Inputs Channel Count2 Channels In
  • Instrument Inputs Instrument Inputs2 x 1/4" TS stereo jack
Line outputs 1-16
  • Line Outputs 1-16 0 DBFS Reference Levels+18 or +24dBu (switchable)
  • Line Outputs 1-16 Frequency Response20Hz - 35kHz ±0.2dB
  • Line Outputs 1-16 THD + N<-104dB (0.0006%) unweighted, 20Hz - 20kHz; -1dBFS input
  • Line Outputs 1-16 Dynamic Range121dB 'A'-weighted (typical), 20Hz - 20kHz
  • Line Outputs 1-16 Output ImpedanceNominal output impedance = 136O balanced (68O each phase)
  • Line Level Output2 x DB-25 connectors (AES59)
Monitor outputs
  • Monitor Outputs 0 DBFS Reference Levels+18dBu
  • Monitor Outputs Frequency Response20Hz - 35kHz ±0.2dB
  • Monitor Outputs THD+N-80dB (0.01%) unweighted, 20Hz - 20kHz; -1dBFS input
  • Monitor Outputs Dynamic Range120dB (A-Weighted)
  • Monitor Outputs Output ImpedanceNominal output impedance = 136O balanced (68O each phase)
  • Monitor Outputs Channel Count2 Out
  • Monitor Outputs2 x 1/4" TRS stereo jack
Headphone outputs
  • Headphone Outputs 0 DBFS Reference Levels+16dBm ± 0.5dB
  • Headphone Outputs Frequency Response20Hz - 20kHz ±0.2dB
  • Headphone Outputs THD + N<-75dB (0.018%) unweighted, 20Hz - 20kHz
  • Headphone Outputs Dynamic Range114dB 'A'-weighted (typical), 20Hz - 20kHz
  • Headphone Outputs Output Impedance10O
  • Headphone Outputs Headphone Impedance32O - 600O
  • Headphone Outputs Channel Count2 Stereo Channels Out
  • Headphone Outputs Headphone Outputs2 x 1/4" TRS stereo jack
Digital performance
  • Supported Sample Rates44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz (-4% / -0.1% / +0.1% / +4.167%) at 24 bit
  • Clock SourcesInternal, ADAT 1, ADAT 2, S/PDIF, Word Clock, Loop Sync or from Dante Network Master
ADAT
  • ADAT Channel CountUp to 16 In and 16 Out
  • ADAT Input2 x TOSLINK connector
  • ADAT Output2 x TOSLINK connector
  • ADAT Channel Assignments @ 44.1 KHz, 48 KHzPort 1 = Channels 1 - 8 , Port 2 = Channels 9 - 16
  • ADAT Channel Assignments @ 88.2 KHz, 96 KHzSMUXI: Port 1 = Channels 1 - 4, Port 2 = Channels 5 - 8
  • ADAT Channel Assignments @ 176.4 KHz, 192 KHzSMUXII: Port 1 = Channels 1 - 2 , Port 2 = Channels 3 - 4
S/PDIF
  • S/PDIF Channel Count2 In and 2 Out (Optical up to 96kHz)
  • S/PDIF Input1 x RCA phono socket (1 x TOSLINK up to 96kHz)
  • S/PDIF Output1 x RCA phono socket (1 x TOSLINK up to 96kHz)
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 99349418453

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Emily Carder
Birmingham, US
★★★★★ 5
Love Thy Body
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Love Thy Body, Nancy Pearcey Written for Tenth Grade upwards (My granddaughter will read it.) Excellent for group studies. A study guide is included in the back of the book. About a month ago Nancy Pearcey was kind enough to pull me into her pre-launch group for her new book, Love Thy Body. Her book was sent to me that I might read it prior to its release, the only requirement being that I write an “honest review.” Apologetics can be a rollercoaster ride for me. With each page I found myself saying, “Yes. OK, that’s good. Excellent! Pure gold.” Then again, “Push that a step further. A chink in the wall opened, but now a bit further. Just a bit more!” As Nancy Pearcey reminds her readers, we are not in a “cultural war,” but in a “rescue mission.” Apologetics aims at understanding the position of the “other” in order to find their weaknesses and demonstrate them so their logic falls on itself. Pearcey is an excellent cultural dissector. Every chapter addresses a specific cultural concern, those that are on the forefront of every Christian’s mind. Love Thy Body tackles issues of abortion, euthanasia, the hook up, sexuality, transgenderism, homosexuality, marriage and parenthood. Pearcey does a thorough job explaining the philosophical underpinnings of the dualist worldview splitting personhood and body supporting abortion that eventually evolves into the cultural disavowal of both gender and body. This dualist secular thought which prizes emotion over the body or biology I foundational to euthanasia, matters of sexuality, and the family. Pearcey defends the Christian scriptural worldview of the embodied soul created by God and redeemed, saved, and restored in Christ as the one that is truly freeing. She does this without using the Bible as a “battering ram.” "The main reason to address moral issues is that they have become a barrier to even hearing the message of salvation. People are inundated with rhetoric that Bible is hateful, narrow and negative. While it is crucial to be clear about the biblical teaching of sin, the context must be an overall positive message: that Christianity alone gives the basis for a high view of the value and meaning of the body as a good gift from God. In our communication with people struggling with moral issues, we need to reach out with a life-giving, life-affirming message. We should work to draw people in by the beauty of the biblical vision of life." There were times though, that I wanted stronger suggestions, “Get thee to a church!” But, again, this is apologetics. This is the wall-breaker. This is, “Oh, wow! Yeah! Now what do I do?” And in the hands of Christians, we should know what next to do. Sometimes repetitive, but that’s a good thing for students and people like me with short attention spans.
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Reviewed in the United States on January 2, 2018
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Ltak46
Louisville, US
★★★★★ 5
Good coffee substitute
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I like this product for a coffee substitute ~ it taste good too
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