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Lloyd Cole: Kollektion 02: Roedelius-Electronic Music - VINYL LPTitle: Kollektion 02: Roedelius Electronic Music Artist: Lloyd Cole Label: Bureau B Product Type: VINYL LP UPC: 4047179918817 Genre: Pop Release Date: 2014 11 11 Number of Discs: 1 LP version. About this Kollektion: British songwriter Lloyd Cole has long since been a fan of Hans Joachim Roedelius and Cluster. For convincing evidence, one need look no further than his 2001 album Plastic Wood, a purely electronic opus which was an unambiguous homage to
Title: Kollektion 02: Roedelius-Electronic MusicArtist: Lloyd Cole
Label: Bureau B
Product Type: VINYL LP
UPC: 4047179918817
Genre: Pop
Release Date: 2014-11-11
Number of Discs: 1
LP version. About this Kollektion: British songwriter Lloyd Cole has long since been a fan of Hans-Joachim Roedelius and Cluster. For convincing evidence, one need look no further than his 2001 album Plastic Wood, a purely electronic opus which was an unambiguous homage to his musical idols. In 2013, Cole and Roedelius actually joined forces to release their Selected Studies Vol. 1 album (BB 124 CD/LP). Cole has now listened through the Hans-Joachim Roedelius solo archives to present his favorite synthesizer or organ pieces in Bureau B's Kollektion series. About Hans-Joachim Roedelius: Hans-Joachim Roedelius, born in Berlin 1934; released his first album 1969 with Kluster (with Dieter Moebius and Conrad Schnitzler). Active ever since as a solo artist and in various collaborations. One of the most prolific musicians of the German avant-garde and a key figure in the birth of Krautrock, synthesizer pop and ambient music. Roedelius entered the world of music in 1967 when he and Conrad Schnitzler founded the Berlin performance club Zodiak Free Arts Lab, thereby launching the careers of numerous "Berlin School" musicians (Tangerine Dream, Ash Ra Tempel, Klaus Schulze, etc). Schnitzler and Roedelius later got together with Dieter Moebius to record two seminal albums under the name of Kluster. Schnitzler quit the trio not long afterwards, the other two continuing to release albums as Cluster at irregular intervals until 2009. Hans-Joachim Roedelius has also been active as a solo artist and has collaborated with countless musical partners including Brian Eno, Holger Czukay, Michael Rother, Stefan Schneider and Tim Story, to list just a brief selection. He played on around 170 record productions either as a soloist or with band projects. Some 1,600 musical works bear his name, plus a similar number of texts (poetry, prose etc.) Lloyd Cole on Roedelius: "It was 1977. First came Bowie's Low, then Eno's Before and After Science, which led me to Cluster and Eno, released earlier that year. What a year to be 16 years old! Cluster and Eno led me to Can and Neu!, et al, but none of this so-called Krautrock had the je ne sais quoi that was the essence of Cluster. Sowiesoso pulsed and spat and gurgled with warmth and humor which gave it a resonance beyond this otherwise dry and clever music, which at it's worst might seem to smirk downwards towards the listener. Instead, Sowiesoso wore a wry, welcoming smile. It said: Maybe we can spend some time together, maybe we'll be friends, maybe we won't, listen to this, see what you think... I'm still listening. Cluster led me to Harmonia and then Roedelius' solo works which led me to believe that the soul I was finding in Cluster which seemed so absent from their peers came primarily from him. Maybe I'm wrong, but that's the way I hear it. The melodic sensibility which drew me in is his, for sure. Roedelius' voice is unique, instantly recognizable, and still resonates. Almost 40 years later, here I am curating a Roedelius collection. Which makes me very happy. I hope you enjoy it." - Lloyd Cole, 2014.
Tracks:
1.1 Etoiles
1.2 Johanneslust
1.3 Langer Atem
1.4 Zeremoniell
1.5 Staunen Im Fjord
1.6 Cafe Central
1.7 Zwei Sind Eins
1.8 Ampfer
1.9 Glaubersalz
1.10 Wenn Der Sudwind Weht
1.11 Minne
1.12 Diary of the Unforgotten
1.13 Aufruch
1.14 Schoner Abend
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4.8 ★★★★★
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Product Reviews
★★★★★ 5
Fun, Unique, Adorable
Format: Paperback
Fun, unique manga. The characters are fierce and adorable.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 31, 2026
★★★★★ 4
Fast-paced and fun
Format: Kindle
Kiyoshi Harai is 16 and a recent graduate of the exorcist academy. He’s insanely powerful, but the problem is, he’s terrified of demons, thanks to a childhood trauma. He also has social anxiety, which only shows on the inside. On the outside, he looks cool and glowering.
The first volume follows Kiyoshi from his first assignment to his first exorcism post in the boons, which he chooses because of his hero who works there. He gets over his fear of demons pretty fast, thanks to a fatherly demon he needs to banish who gives him encouragement. At his post, he enrolls to a high school and gets to work on his other anxieties.
This was a fun and fast-paced start to a series. Many demons were banished, but the line between good and bad people was blurry, and Kiyoshi made some unlikely friends too. Art was good. I’d read more.
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Reviewed in the United States on May 5, 2026
★★★★★ 5
Loved it.
Format: Paperback
I’ve never read a Tezuka book I didn’t like and this was another masterpiece. Reminded me of George Orwell’s “Animal Farm”. Throughout the book I was trying to figure out how it was going to end. I had my theories, but the actual ending was perfect and it made me laugh.
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Reviewed in the United States on June 4, 2025
★★★★★ 4
Another Tezuka scifi classic
Format: Paperback
The story is a collection of short, loosely connected, stories concerning birds. Attaining higher intelligence, they begin fighting back against humanity for dominance and freedom.
The first few chapters are very reminiscent of Hitchcock's "The Birds" as they, seemingly out of nowhere, start attacking people and whole cities. Eventually there is a way to communicate and negotiate with them and a truce is made, however it doesn't end there. Many generations pass and birds start gaining larger brains, talking, wearing clothes, etc. And humans devolve into feral cavemen a la, "Planet of the Apes".
It is worth noting that there is a chapter featuring a black character who is drawn in a outdated, racist, charicature style. As in all Tezuka books, there's a disclaimer about things like this given the time they were written. I believe, however, that it's worth mentioning as some people feel differently about things like that and with a disclaimer you can now decide for yourself if you want to make your own judgement of the work.
That one part aside, I think the work is some of his best. His ideas and artistry really are top notch. You can also plan to lookout for more manga reviews from me Mangamatt, whether here or on other platforms.
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Reviewed in the United States on September 26, 2024
★★★★★ 5
An under-appreciated Tezuka gem
Format: Paperback
Wonderfully strange book that toggles between absurd, hilarious, and poignant.
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Reviewed in the United States on March 13, 2025