Vert: The Days Within - VINYL LP

Vert: The Days Within - VINYL LPTitle: The Days Within Artist: Vert Label: Shitkatapult Product Type: VINYL LP UPC: 4260217560919 Genre: Electronic Release Date: 2015 11 13 Number of Discs: 1 Additional Details: DIGITAL DOWNLOAD CARD LP version. Includes download code. The first album by Vert aka Adam Butler, The Koln Konzert, appeared in 1999 on sonig, the Cologne institution for nonlinear electronic music. In the years that followed, he left his mark on the experimental electronic

Title: The Days Within
Artist: Vert
Label: Shitkatapult
Product Type: VINYL LP
UPC: 4260217560919
Genre: Electronic
Release Date: 2015-11-13
Number of Discs: 1
Additional Details: DIGITAL DOWNLOAD CARD

LP version. Includes download code. The first album by Vert aka Adam Butler, The Koln Konzert, appeared in 1999 on sonig, the Cologne institution for nonlinear electronic music. In the years that followed, he left his mark on the experimental electronic scene and defined his own complex sound language, culminating in his fourth album, Some Beans & an Octopus (2006), on which he beautifully balanced pop-influenced songwriting and experimentation. After it's release, Butler shocked everyone by announcing the end of his work as a musician. Now, in 2015, nine years after Some Beans & an Octopus, Vert is back with The Days Within. The songwriting here is unmistakably Vert, but Butler doesn't like to use the same idea twice. His signature as a songwriter and producer is more recognizable by atmosphere than by harmonies and hooks, mixing melancholy, sophisticated arrangement, densely woven sounds, delicate irony, and surprises. On Bury Yourself, the listener hears clattering percussion and a host of apparently incidental sound events alongside a loose, catchy vocal melody and an effervescent synth line play. The main atmosphere is dark, and Butler's voice has a smoky patina. Dog Days begins with noisy Morse code and intermittent, lugubrious harmonium chords; the ensuing composition is so masterful it would probably work just as well with only a piano and vocal. Each of the many hisses, rattles, and beeps that swarm around I Run the Waves seems to have a life of it's own. Everything is out of place, yet everything fits together. The macabre Like a Rose takes the listener to a dive bar where Kurt Weill sits at the piano surrounded by drunken prostitutes. And so it goes on. No two tracks are alike, but it all fits together. Maybe it's the slightly ironic vocals that always wobble through the haunting melodies. The poignantly simple strings. Or the nervous rasping in the background. Hardly a track on The Days Within is wholly unambiguous; everything seems ambivalent and unknowable. Soft strings and beautiful vocal melodies speak a different language from the unsettling hisses and the rumbling bass that lurk behind them. The songs that seem at first glance harmless are the ones that threaten to slide into the abyss. It's as if Butler, the experienced producer and master of the complex arrangement, is speaking several languages at once. As if ghosts, both past and future, whisper their subtexts behind the beautifully woven arras of every song.

Tracks:
1.1 The Glare
1.2 Regret
1.3 Bury Yourself
1.4 And I Know
1.5 All This Light
1.6 The Night Sky
1.7 Trust in Me
1.8 We All Fall Down
1.9 I Run the Waves
1.10 Dog Days
1.11 A Little Learning