SKU: 17939433959

Daniel Bacalov: Il Ladro Di Anime / Diario Segreto Contraffatto - VINYL LP

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Daniel Bacalov: Il Ladro Di Anime / Diario Segreto Contraffatto - VINYL LPTitle: Il Ladro Di Anime Diario Segreto Contraffatto Artist: Daniel Bacalov Label: Soave Product Type: VINYL LP UPC: 8055323520959 Genre: Rock Release Date: 2018 07 13 Number of Discs: 2 Additional Details: 2 PACK Soave present a joint reissue of two of Daniel Bacalov's albums: Il Ladro Di Anime (1984) and Diario Segreto Contraffatto (1985). Daniel Bacalov, composer of music for theater, cinema, and dance, studied classical guitar and percussion. He

Title: Il Ladro Di Anime / Diario Segreto Contraffatto
Artist: Daniel Bacalov
Label: Soave
Product Type: VINYL LP
UPC: 8055323520959
Genre: Rock
Release Date: 2018-07-13
Number of Discs: 2
Additional Details: 2 PACK

Soave present a joint reissue of two of Daniel Bacalov's albums: Il Ladro Di Anime (1984) and Diario Segreto Contraffatto (1985). Daniel Bacalov, composer of music for theater, cinema, and dance, studied classical guitar and percussion. He composed the music of numerous theatrical performances represented in many international theater festivals. His first two publications on LP were Il Ladro Di Anime, presented at the Venice Biennial of 1984 and Diario Segreto Contrattato. Soave offer these two fundamental documents of the period, reprinting them for the first time in a limited edition on double LP. The compositions are mainly structured on ethnic percussions played in a masterly manner, accompanied by acoustic guitars and synths of the time, in particular the DX7 and PPG Wave. The dictated rhythm unites the show as a universal and indeterminate single body. In those years the theater in Italy broke from it's usual codes, mixing "high" and "low" culture, introducing a new language and new reflections, redefining the theatrical event and the need to investigate all the territories of creativity; in this panorama the sounds and the music assumed a central importance that today remain the most concrete testimony of that extremely creative experimental period.

Tracks:
1.1 Rumori/Il Ladri Di Anime
1.2 Il Porto
1.3 Dico Sempre/Animali Di Branco
1.4 Phips
1.5 Mordo Il Sordo
1.6 P.P.G
1.7 Africa I°/Animali
1.8 Tai
1.9 Le Anime Dei Ladri
1.10 Africa Ii°/Africa Iii°
1.11 Canzone Della Bugiarda/Il Ladro Di Anime
1.12 Mille P
1.13 L'albero
1.14 Sette Ottavi
1.15 Tango
1.16 Antico
1.17 Ishii
1.18 Movie
1.19 Verso Nord
1.20 Confusione
1.21 Tango II
1.22 5/4
1.23 Armeno
1.24 Il Laghetto
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SKU: 17939433959

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Brilliant! I have been convinced for some time that the opening verses of I John were speaking about the resurrection and not the incarnation per se. Not that these two are opposed to one another, which is evident from Jensen's title: resurrection presupposes incarnation, but what John has specifically in mind in his letter's opening is the resurrection. So, when John says in his opening "That which was from the beginning, which we heard, which we have seen with our eyes, which we have looked upon, and have touched with our hands concerning the word of life..." What was heard, seen, looked upon, and touched was the resurrected Christ (cf. John 20:24-29). And next, "the life was manifest" would mean the new life Jesus was resurrected to, that is eternal life never to die again. And now what John has seen and heard concerning the resurrection he has proclaimed to the recipients of his letter. Moreover, it is the resurrection that confirms that Jesus is the Christ; it is his vindication by the Father that he was exactly who he claimed to be and was unjustly put to death by his fellow Jews. This then means that the major conflict taken up within the letter is over the resurrection. To deny the resurrection is to deny that Jesus is the Christ and vice versa. In fact, this is the spirit of the antichrist. Jensen goes into much more detail than this, and provides a reading of the entirety of the letter through the lens of the resurrection. His reading is overall successful and convincing. There is a portion here or there that I would differ from him, but Jensen's thesis is sound and makes remarkable sense of John's epistle. I highly recommend this book.
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