SKU: 20039776354

The Chainsmokers: Memories...Do Not Open - COMPACT DISCS

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The Chainsmokers: Memories...Do Not Open - COMPACT DISCSTitle: Memories Do Not Open Artist: The Chainsmokers Label: Columbia Records Product Type: COMPACT DISCS UPC: 889854165826 Genre: Rock Release Date: 2017 04 07 Number of Discs: 1 2017 debut full length album from Grammy Award winning artist producer duo The Chainsmokers. Comprised of Alex Pall and Drew Taggart, The Chainsmokers have evolved into a dominating musical force with a diverse repertoire of songs that have led them to become today's hottest

Title: Memories...Do Not Open
Artist: The Chainsmokers
Label: Columbia Records
Product Type: COMPACT DISCS
UPC: 889854165826
Genre: Rock
Release Date: 2017-04-07
Number of Discs: 1

2017 debut full-length album from Grammy Award winning artist/producer duo The Chainsmokers. Comprised of Alex Pall and Drew Taggart, The Chainsmokers have evolved into a dominating musical force with a diverse repertoire of songs that have led them to become today's hottest young artist/producer duo. With a signature sound that deftly reaches across indie, progressive and pop realms, their original tracks and remixes have topped the charts throughout the world. Memories... Do Not Open features the certified Gold first single "Paris," a single with Coldplay - "Something Just Like This," and 10 additional never before heard tracks from the hit-making duo. The Chainsmokers have dominated radio charts for the past two years, and along the way sold over 10 million singles. They have also performed all over the world to sold-out crowds at their own headline shows and major festivals including SXSW, Ultra and Coachella, and also at the 2017 Brit Awards, the 2016 American Music Awards and the 2016 MTV Video Music Awards.

Tracks:
1.1 The One [Explicit]
1.2 Break Up Every Night [Explicit]
1.3 Bloodstream [Explicit]
1.4 Don't Say By the Chainsmokers Feat. Emily Warren
1.5 Something Just Like This By the Chainsmokers ; Coldplay
1.6 My Type By the Chainsmokers Feat. Emily Warren
1.7 It Won't Kill Ya By the Chainsmokers Feat. Louane
1.8 Paris
1.9 Honest
1.10 Wake Up Alone By the Chainsmokers Feat. Jhené Aiko
1.11 Young
1.12 Last Day Alive By the Chainsmokers Feat. Florida Georgia Line
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SKU: 20039776354

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4.2 ★★★★★
Based on 29 reviews
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Product Reviews
M
Max
Fort Morgan, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 10, 2000
M
M. J. Smith
New York, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
I
I X Key
Dallas, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
H
"hirofantv"
Cuba, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
P
Pete Dempsey
Chelsea, US
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked. I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001

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