SKU: 36220412847

POL Oskar Crop Pant - Dark Blue

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Description

POL Oskar Crop Pant - Dark BlueThe Oskar Cropped Pant is the latest version of our bestselling cropped silhouette, now available in four new colours with updated curved pockets. Zip fly and double button closure buttons dyed to match. 5 wide belt loops. Mid rise waist with elastic at the centre back for comfort. Curved hip pockets. Back pockets. Seams down the centre front of the leg. Contrast topstitch throughout. Wide leg fit. Cropped length. Deep hems. Available in Black, Dark

The Oskar Cropped Pant is the latest version of our bestselling cropped silhouette, now available in four new colours with updated curved pockets.
-Zip fly and double button closure - buttons dyed to match.
-5 wide belt loops.
-Mid rise waist with elastic at the centre back for comfort.
-Curved hip pockets.
-Back pockets.
-Seams down the centre front of the leg.
-Contrast topstitch throughout.
-Wide leg fit.
-Cropped length.
-Deep hems.
-Available in Black, Dark Blue, Ecru, Pink.
-Frankie is 180cm tall wearing a size 8 in the Ecru and Pink. Juliette is 182cm tall wearing a size 8 in Black.
-55% Ramie / 45% Cotton.
-Approximate outseam length in cm: 6/90cm, 8/91cm, 10/92cm, 12/93cm, 14/94cm, 16/95cm, 18/96cm.
-Approximate waist circumference - relaxed to maximum stretch: 6/67-79cm, 8/72-84cm, 10/77-89cm, 12/82-94cm, 14/87-99cm, 16/92-104cm, 18/97-109cm.

Please note, figures given below are indicative of body measurements our sizes are based on, not the measurements of a garment.

6/XXS 8/XS 10/S 12/M 14/L 16/XL 18
Bust 84 88 93 98 103 108 113
Waist 68 71 76 81 86 91 96
Hip 94 97 102 107 112 117 122

Taking your measurements

To help you find your best size, we recommend comparing the below measurements with your own.

Bust: Across the fullest part of your bust.

Waist: The slimmest part of your natural waistline,
above your navel and below your ribcage.

Hip: Around the widest part of your hips, at the top of your legs.

Our models are generally a size 8 unless stated otherwise.

Shipping Notes
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
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SKU: 36220412847

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4.0 ★★★★★
Based on 14 reviews
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Product Reviews
M
Max
New York, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 10, 2000
M
M. J. Smith
Houston, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 28, 2001
I
I X Key
Lexington, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 1, 2003
H
"hirofantv"
West Palm Beach, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
P
Pete Dempsey
Bozeman, US
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked. I would not suggest this book if you like Anne Carson. It will disappoint you!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 5, 2001

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