SKU: 39823565321

Panasonic Lumix GH5s C4K Mirrorless Camera Body

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Description

Panasonic Lumix GH5s C4K Mirrorless Camera BodyHighlights 10. 2MP high sensitivity MOS sensor with multi aspect and dual native ISO (400 & 2,500) with a range from 160 51,200; extendable to 80 204,800. Unlimited in camera recording of C4K: 60p50p 8 bit, 30p25p 24p 4: 2: 2 10 bit, 4K: 60p50p 4: 2: 0 8 bit, 30p 25p 24p 4: 2: 2 10 bit. 1080p up to 240fps and C4K 60p VFR. 4K Anamorphic professional video production interchangeable lens camera system with high performance, durability, and mobility. TC

Highlights

  • 10.2MP high-sensitivity MOS sensor with multi-aspect and dual native ISO (400 & 2,500) with a range from 160 – 51,200; extendable to 80 – 204,800.
  • Unlimited in-camera recording of C4K: 60p50p 8-bit, 30p25p/24p 4:2:2 10-bit, 4K: 60p50p 4:2:0 8-bit, 30p/25p/24p 4:2:2 10-bit. 1080p up to 240fps and C4K 60p VFR.
  • 4K Anamorphic professional video production interchangeable lens camera system with high performance, durability, and mobility.
  • TC In/Out / Synchro Terminal (via included BNC cable), 3.5mm Mic Jack with Line Input, 3.5mm headphone jack 2.5mm remote socket, HDMI Type A Socket, USB-C 3.1 Socket.
  • Dual SD Card slots (UHS-II U3 Compatible), V-LogL pre-installed, and 4K HDR hybrid log gamma support.

Step up to the professional grade Panasonic LUMIX GH5S C4K mirrorless camera that offers over 29 LUMIX and LEICA compact lens options built on the next-generation (ILC) interchangeable lens camera standard [Micro Four Thirds] pioneered by Panasonic. Its “mirrorless” design enables the high performance, durability, mobility, and low light gathering needed for professional Cinematic and Anamorphic 4K video production. The LUMIX GH5s includes cutting-edge C4K: 60p50p 4:2:0 8-bit, 30p25p/24p 4:2:2 10-bit, 4K: 60p50p 4:2:0 8-bit, 30p/25p/24p 4:2:2 10-bit recording with unlimited recording. The GH5s comes pre-installed with HDR Hybrid Log Gamma and Panasonic’s V-LogL along with professional grade exposure tools like: Time Code sync, Waveform, Vector Scopes, and programmable Zebra patters. The LUMIX GH5s supports important recording features like 14bit RAW for stills, dual native IS0, Panasonic XLR mic Adaptor support, and the return of multi-aspect capture.

4:2:2 10-bit Internal Recording

The LUMIX GH5s is capable of internal SD card capture of 4:2:2 10-bit C4K/4K video recording without the banding so prone to 8-bit. Plus simultaneously feed 4:2:2 10-bit real-time image output through its full-size HDMI port (Type A) to an external monitor or recorder. It is suitable for professional video making that requires accurate monitoring of the imagery or high quality recording to external codec devices (such as ProRes). 400Mbps (ALL-Intra) high bitrate recording mode is also available.
A cable lock holder for the HDMI cable is bundled with the LUMIX GH5s to prevent cable disconnection problems.

3,680k-dot, Large OLED LVF

A super high-resolution 3,680k-dot OLED LVF (Live View Finder) for improved visibility, even under direct sunlight. Plus a high 0.76x magnification (35mm camera equivalent) clarifies image detail, and a smooth display at 120-fps with minimal time lag.

Bluetooth 4.2 & Wi-Fi 5GHz

Panasonic's LUMIX Image App for Android / iOS through Bluetooth 4.2 (Low Energy) enables remote shutter release, and video record Start / Stop. Plus this full-time connection between the camera and mobile device consumes less energy. After shooting, it automatically switches to a fast Wi-Fi 5GHz (IEEE802.11ac) connection to transfer data to your mobile device of JPEG and RAW files.

The Highest Video Quality in LUMIX History

Welcome to a new generation of LUMIX GH video performance. Designed exclusively for the LUMIX GH5S, the new Digital Live MOS sensor offers 10.28 effective megapixels and a significantly higher photoreceptive surface per pixel, delivering an ultra-wide dynamic range.
Dual Native ISO, a technology found in broadcast video cameras, enables the use of 400 & 2,500 ISO as base points to raise the highest normal ISO setting of 51,200, and an extension to 204,800 ISO. This technology provides ultra-sensitive video capture with impressively low noise.
Exceptional low-light performance is a key capacity for professional videography, and you’ll enjoy this and much more with the new LUMIX GH5s!

Multiple Aspect Ratios — LUMIX GH5S Exclusive!

The LUMIX GH5s sensor is capable of multiple aspect ratios; 4:3, 17:9, 16:9 and 3:2. Thanks to broad margins of effective pixels, focal length does not change in these aspect ratios. Available for still photography, 4K and C4K video, and in Anamorphic mode, this function allows you to fully leverage the angle of view of the lens for more creative options.
Also, even while using a larger sensor, high readout speeds are achieved. Rolling shutter distortion, compared to the LUMIX GH5, is suppressed by approximately 1.3x with high readout speeds when recording video or using an electronic shutter.

Dual SD Card Slots

The LUMIX GH5s is equipped with dual SD card slots for larger capacity recording and efficient file arrangement. Relay mode allows you to swap a full card out for an empty card so you can record virtually endlessly. Backup mode allows you to record continuously on one card, while you start and stop recording on the other card. Simultaneous record mode duplicates your recording on both cards. Both slots are compatible with high-speed, high-capacity UHS-II Video Speed Class 60 cards for high bitrate video recording.

4K 60-fps Burst

Shoot with extended burst, then choose and extract the exact frames you want to keep. The ultrahigh-speed 4K PHOTO mode at 60-fps with approximately 8 megapixels resolution freezes even faster motion which is simply not possible in conventional cameras. The LUMIX GH5s truly does make moments unmissable.

Precise Focusing Even in -5EV Situations

LUMIX's renowned low-light AF performance has evolved to enable shooting down to the level of -5EV. This allows you to focus precisely even under the lighting of a starlit sky, ideal for shooting nighttime nature scenes and documentaries.

Professional Worldwide Versatility

The LUMIX GH5s supports a wide range of professional applications, such as web, TV, DVD/Blu-ray and digital cinema production. It features a plethora of video formats and bitrates to record at up to 400Mbps (ALL-Intra) or 150Mbps (LongGOP (IPB Compression)).
The system frequency can be selected from 59.94Hz (NTSC), 50.00Hz (PAL), or 24.00Hz (CINEMA).
Operation is also enhanced by three video control panels — Shutter Duration/ISO, Angle/ISO, or Shutter Duration/dB. This provides solid support for professional worldwide video production.

Max.10x Slow Motion Video VFR

The VFR (Variable Frame Rate) lets you record videos with dramatic slow motion or unique quick motion in C4K/4K (60-fps maximum 2.5x slower) or Full HD (240-fps maximum 10x slower) quality.

C4K/4K 60p/50p Smooth Quality Video

The LUMIX GH5s takes professional shooting performance to another level with high-precision, silky smooth 4K 60p/50p (Cinema 4K: 4096 x 2160 / QFHD 4K: 3840 x 2160 / MOV or MP4) video recording capability.
Faster frame rates mean excellent motion compensation plus you can slow down footage inside your video editing timeline without losing detail. You also achieve perfect panning control and a suppression of the rolling shutter effect as seen in lesser frame rates.
Perfect focal length can also be achieved as the LUMIX GH5s features a multiple aspect ratio recording. There's also no recording duration limit so you can go beyond 30 minutes in all record settings.

Splash/Dust/Freezeproof Rugged Design

The LUMIX GH5s is built like a tank to withstand heavy use. It is freezeproof down to -10-degrees in addition to splash / dustproof construction thanks to weather sealing on every joint, dial, and button. A magnesium alloy full diecast armour frame makes the body lightweight yet durable while bringing ruggedness to the compact size. This camera can go everywhere you can.

Ultrahigh-speed Focusing and 14-bit RAW Burst

Capture even the fastest moving action thanks to DFD (Depth From Defocus) technology. It instantly calculates the distance to the subject by evaluating two images with different sharpness levels, and achieves ultrahigh-speed AF and 8-fps burst shooting with AFC. 12-fps burst shooting with AFS is also available.
In addition, the LUMIX GH5s lets you newly select the 14-bit RAW file format. Equipped with rich color and smooth gradation from approximately 64 times the color information of 12-bit RAW, maximum 7-fps (AFC) / 11-fps (AFS) burst shooting greatly expands your range of creativity.

Useful Functions for Nighttime Shooting:

Night ModeWhen shooting dark scenes like starry skies, this mode suppresses the stimulation of the eyes that are accustomed to the dark. The LVF and rear monitor can be set separately.

Live View BoostThe display is brightened by lowering the frame rate and increasing the gain. This lets you shoot while framing, even in extremely dark situations.

MF Assist 20xThe MF Assist display has been enlarged up to 20x. Accurate focusing is possible even on tiny objects like stars.

A Large High-Resolution Rear Monitor

A huge 3.2-inch LCD monitor (1,620k-dot approx..) provides a crisp live view and high visibility even in sunny shooting conditions. It adopts RGBW (Red, Green, Blue, White) pixel structure to feature even higher visibility in bright sun.
The tilt/swivel capability gives you the freedom to change perspective while maintaining easy operation and full image control. The monitor has Touch Focus control to allow instant focus by simply touching the subject on the screen. Plus, with Touch Shutter control you can point your finger at where you want the focus to be and it will release the shutter automatically.

Venus Engine Beauty

The marriage of a new Digital Live MOS sensor with the beautiful Venus Engine reproduces extraordinary color detail and natural texture expression.
Multipixel Luminance Generation and Intelligent Detail Processing render intense brightness and contrast. The Three-Dimensional Color Control zings with rich colors from dark to bright shades and high-precision Multi-Process NR makes your images pop even at high ISO sensitivity settings.

  • Panasonic Lumix DC-GH5S Mirrorless Micro Four Thirds Digital Camera
  • DMW-BLF19 Rechargeable Lithium-ion Battery Pack (7.2V, 1860mAh)
  • DMW-BTC10 Battery Charger
  • Body Cap
  • Hot Shoe Cover
  • Eye Cup
  • Flash Sync Socket Cap
  • Battery Grip Connector Cover
  • USB Cable
  • Shoulder Strap
  • Cable Holder
  • BNC Converter Cable
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SKU: 39823565321

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B. Marold
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Great Guide for Specialized Bible Study or Pastoral Use.
Format: Hardcover
`Commentary on the New Testament Use of the Old Testament', edited by G. K. Beale and D. A. Carson supports the idea that given any approach to the examination of the New Testament you may think of, someone has written a book about it. And a superb book it is, if you have need for an examination of this subject from almost every angle. I say almost, because there is actually one thing I would like to have seen in this book, and it is not there. More on this anon. For the lay reader, be aware that this is a scholarly book, with all the Greek, Hebrew, Aramaic, and (I suspect) even Coptic terms used freely, just when I've gotten in the habit of tracking down Greek, I have to deal with two even more difficult languages. I mention that primarily for those who are allergic to footnotes and phrases in languages other than English. Otherwise, I am delighted in how easy the reading is in all the contributions from eighteen (18) major scholars on the New Testament. Much of this is attributable to the marching orders given to the writers by the two editors. This list of guidelines makes the diverse contributions very uniform, which contributes to the value of this book as the guide to a specialized type of Bible study based on this book's subject. Anyone who has tracked down more than a handful of OT passages used in the NT will realize that the NT writers often take some liberties with their interpretations, reading in a prophesy about Jesus which, in the original text actually referred to something completely different. And, one has also run across a wide range of different ways in which OT texts are used, from `exact' quotes to paraphrases to allusions. The editors address this range by asking all authors to address their OT citations from at least five different points of view. These are: 1. What is the NT context of the citation? What is the genre and literary structure of the book or chapter? 2. What is the OT context of the citation? Do these Markan citations come directly from Exodus, for example, or are they quoted from Isaiah's use of Exodus verses? 3. How was the OT quote handled or interpreted by Second Temple Judaism, or early Judaism in general? 4. From what text is the OT quotation copied. The Septuagint (LXX), the Masoretic text, or a Targum (scripture translated into Aramaic or Coptic). 5. What is the ultimate use or connection being made by the NT author's use of the OT. Is it simply to emote a connection, is it a use of a common OT idiom, is it a parable use, shorthand to evoking an OT story, or is there a belief that events in NT times fulfill a specific OT prophecy. Of course, many commentaries on individual NT books do this as well, but most do not go into detail on points 2, 3, and 4. In looking at those parts of the NT I know best, I find this book delivers everything it promises on these five points, but that the book cannot replace good commentaries and study Bibles for NT books. In looking at one of the most famous uses of OT scripture in Luke, at 4:18 - 19, where Jesus teaches from Isaiah 61:1 - 2, the authors, David Pao and Eckhard Schnabel cover all the editors' points admirably, including references to important opinions by famous scholars such as Rudolph Bultmann. For this passage and for all others in this chapter on Luke, the actual passage is NOT presented in any translation. Therefore, one has to have a copy of the Bible open to the passage, as you read the authors' interpretation of it. Less important is the fact that the explanation of this section of Luke on Jesus' teaching in the Nazareth synagogue says nothing about the puzzling climax, where the congregation turns on Jesus. But that is a logical limitation of the approach, and is not relevant to the subject of the book. The introduction to Lucan passages was illuminating, as it tells us that even though one of Luke's primary objectives was to show the resolution of OT prophesies, Luke actually uses fewer OT quotes than Matthew. This is rarely discussed in commentaries on Luke. So, especially with regard to the synoptic Gospels, this would be an excellent book to use as a guide to OT references in the NT. For the scholar, there is the usual tower of bibliographical references after each article, plus the usual index to Biblical citations at the back of the book. There was just one thing I wanted which is missing. This is a `reverse' index, if you will, of OT books, with the number and locations of where verses are cited in the NT. The reason for wishing such an index is as a guide to selecting which OT books may best be studied together, as with Luke and Deuteronomy (some commentators claim the 10 chapter journey of Jesus to Jerusalem is patterned after Deuteronomy). Ultimately, this is a great reference if you make a habit of studying NT scriptures in depth, as either a pastor or bible study teacher.
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Reviewed in the United States on December 19, 2007

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