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Performance: Aperture 221Envisioning the intersections of photography and performance. This issue, a collaboration between Aperture and Performa, the nonprofit organization dedicated to exploring the critical role of live performance in visual art, takes a capacious approach to considering the intersections of photography and performance. In the Words section, Tate curator Simon Baker traces the impulse to perform for the camera throughout photographic history; New Museum
Envisioning the intersections of photography and performance. This issue, a collaboration between Aperture and Performa, the nonprofit organization dedicated to exploring the critical role of live performance in visual art, takes a capacious approach to considering the intersections of photography and performance. In the Words section, Tate curator Simon Baker traces the impulse to perform for the camera throughout photographic history; New Museum curator Lauren Cornell looks at how artists such as K8 Hardy, Juliana Huxtable, and Amalia Ulman use social media to calculated effect; Performa founder RoseLee Goldberg and MoMA curator Roxana Marcoci discuss performance, documentation, and the ways in which performances are crafted for the camera; and Kaelen Wilson-Goldie explores the lecture-performance form in the work of Lebanese artists Walid Raad, Rabih Mrou , Lina Saneh, and Joana Hadjithomas and Khalil Joreige. In the Pictures section, Delfim Sardo considers the Portuguese artist Helena Almeida's Inhabited Painting(s) and other works; Brian Sholis on the disquieting appeal of Torbj rn R dland's images; James Welling introduces his new series Dance Project; Olu Oguibe on Samuel Fosso's recent Mao Zedong series; Brian Dillon on Dru Donovan's recreations; Performa curator Adrienne Edwards on how Carrie Mae Weems animates minimalism; a look at the role of image research in the Hong Kong-based duo Zheng Mahler's Performa 15 debut performance; and Kristin Poor explores two approaches to photographing dance, by looking at Barbara Morgan's enduring images of Martha Graham, and Babette Mangolte's photographs of Trisha Brown's dance performances.Binding Type: Paperback
Author: Aperture
Published: 11/24/2015
Publisher: Aperture
ISBN: 9781597113243
Pages: 128
Weight: 1.75lbs
Size: 12.00h x 9.20w x 0.50d
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★★★★★ 5
Looks as good as the genuine one.
This looks like a quality product, great for the price. It looked identical to the genuine Honda part but was $20 cheaper than the Honda one.
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Reviewed in the United States on April 17, 2026
★★★★★ 5
Self replacement.
Good fit.
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Reviewed in the United States on April 13, 2026
★★★★★ 5
Cabin air filter
Color: Premium-CF9846A
Great filter
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Reviewed in the United States on May 28, 2026
★★★★★ 5
Nice fit, quality look good too.
Color: Premium-CF9846A, Color: Premium-CF9846A
Just installed in a 2006 4Runner. Can’t speak to exact filter partials or longevity, but what I can’t say is that it fits very well and looks to be made very well. It actually fits better than the Bosh filters I normally use. Has a nice foam seal around all 4 edges and fits in the tray perfectly. Seem to be a nice option. So if you have a 03-09 4Runner it’s going to work well. Here’s some pictures of this filter (the blue one) next to a Bosh filter I removed. Also a picture with it in the factory tray.
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Reviewed in the United States on March 1, 2026
★★★★★ 5
Very nice product for the money!
Color: Premium-CF9846A, Color: Premium-CF9846A
The product is very high quality. I am impressed by how sturdy the filter is compared to the Bosch cabin filter i normally use. I will be buying this product again
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Reviewed in the United States on September 14, 2025
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