SKU: 48517919163

Motorola TRBO XPR5550e - VHF or UHF DIGITAL Mobile

$607.50 $675.00
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Description

Motorola TRBO XPR5550e - VHF or UHF DIGITAL MobileFrom the delivery driver crisscrossing the city to the sanitation crew clearing streets, your employees work smarter and safer with MOTOTRBO XPR 5000 Series mobile two way radios. The XPR 5000 Series offers a full set of features and rich functionality in one powerful device. It delivers superb audio and quality, optional full color display, integrated Bluetooth for audio and data, enhanced GPS, text messaging and expert applications customized for

From the delivery driver crisscrossing the city to the sanitation crew clearing streets, your employees work smarter and safer with MOTOTRBO™ XPR 5000 Series mobile two-way radios.

The XPR 5000 Series offers a full set of features and rich functionality in one powerful device. It delivers superb audio and quality, optional full color display, integrated Bluetooth for audio and data, enhanced GPS, text messaging and expert applications customized for your business.

XPR 5000 Series Includes:
XPR 5350 Numeric Display Radio (VHF, UHF)
XPR 5380 Numeric Display Radio (800/900 MHz)
XPR 5550 Full-Color, 4-Line Display Radio (VHF, UHF)
XPR 5580 Full-Color, 4-Line Display Radio (800/900 MHz)

Best-in-class Audio

Loud front-facing speaker and Intelligent Audio feature automatically adjusts the radio volume according to the environment’s noise level.

IP Site Connect

Use your IP network to extend the voice and data capabilities of MOTOTRBO by linking repeaters together. You can create a continuous network that covers employees at 15 geographically-dispersed locations. You can also link up to 15 sites to create wide area coverage or enhance coverage at a single site that has physical barriers.

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Large, Full-color Display (XPR 5550, XPR 5580)

Features a 5-line color display with a flexible menu-driven interface. Icons and large easy-to-use navigation buttons ease message reading and menu navigation.

Capacity Plus

Opt for this single site, digital entry-level trunking system that maximizes the capacity of MOTOTRBO by connecting several repeaters together. You can use it for a high volume of voice and data communication and link over a thousand users at a single site without adding new frequencies. The Digital Voting option offers an enhanced level of coverage for wide areas and difficult geographies.

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Day/Night Mode on Display (XPR 5550, XPR 5580)

This display has improved resolution for easier viewing even in broad daylight. It also features a night mode that makes the screen easier to read in dark environments.

Linked Capacity Plus

Expand the capacity and extend the coverage of MOTOTRBO with this multi-site, digital, entry-level trunking system. It leverages the high capacity of Capacity Plus with the wide area coverage capabilities of IP Site Connect to keep employees at many locations affordably connected.

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Integrated GPS

Locate mobile work teams using integrated GPS.

Connect Plus

Unify your entire enterprise with this scalable, multi-site digital trunking system that coordinates resources using a dedicated control channel. Calls can be queued during busy times until an open channel is available, important users can be assigned priority status and a wireline console can be used for centralized dispatch.

Embedded Bluetooth Audio and Data

Embedded into the radio and enables connectivity with wireless accessories, including Motorola’s unique Operations Critical Wireless earpieces designed for rugged and reliable communications. Share real-time information easily by connecting radios to Bluetooth-enabled data devices.

Productivity-enhancing Data Applications

Features the industry’s largest application developer program to enable a wide variety of customized applications including: location tracking, Bluetooth data, email gateways, dispatch, telephony, man-down and work order ticket management.

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Text Messaging (XPR 5550, XPR 5580)

Use text messaging when discretion is required or routine communication needs to be delivered without interrupting workers or guests.

Rugged Design

Tightly sealed against wind and dust, and resistant to water splashes (IP54).

Basic or Enhanced Privacy

Built-in scrambling for increased security.

Emergency Button

Programmable button can be set to send an alert to a supervisor or dispatcher during an emergency situation.

Transmit Interrupt

Enables a user to interrupt another radio conversation to deliver critical communication exactly when and where it’s needed.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 48517919163

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4.2 ★★★★★
Based on 12 reviews
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Product Reviews
D
Verified Purchase
Doug S.
Louisville, US
★★★★★ 5
One Of My Top Ten Movies
It's a Terry Gilliam masterpiece that blends a touch of Monty Python, Twilight Zone, and Broadway! Worth the watch!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 3, 2026
T
Verified Purchase
Tripp Moore
Lowell, US
★★★★★ 5
Visually Brilliant, Darkly Funny, and Still Uncomfortably Relevant
I rented Brazil through Amazon primarily because I’d heard it described as a dystopian sci-fi classic, but I wasn’t fully prepared for just how strange, creative, and visually dense this movie actually is. It feels like George Orwell had a stress dream after getting trapped inside a malfunctioning government office building designed by someone obsessed with ducts and paperwork. The film does an incredible job blending dark comedy, bureaucracy, paranoia, retro-futurism, and outright absurdity into something that somehow still feels coherent. The world-building is fantastic in a very grimy, claustrophobic way where technology exists everywhere but almost none of it works properly. Everything feels intentionally inefficient and overcomplicated, which makes the setting weirdly believable. Jonathan Pryce does a great job playing a character slowly unraveling under the weight of an increasingly surreal system, and Robert De Niro’s appearance is memorable despite limited screen time. The production design is honestly one of the standout elements of the entire film. Nearly every scene has some strange visual detail happening in the background that adds to the oppressive but oddly humorous atmosphere. This definitely is not a fast-paced mainstream sci-fi movie, though. The pacing can feel slow at times, and the tone swings between satire, anxiety, fantasy, and bleakness in ways that probably won’t work for everyone. It’s the kind of movie where you occasionally stop and think, “What exactly am I watching?” while still wanting to keep watching. The Amazon streaming quality itself was good with no playback issues during my rental, and the film benefits from a decent screen because there’s so much visual detail packed into the sets and cinematography. Overall, Brazil is one of those movies that feels increasingly relevant the older it gets. Strange, unsettling, funny, visually inventive, and much more layered than I expected.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 23, 2026
J
Verified Purchase
Joel Bradford
Los Angeles, US
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist). Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really. While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 29, 2024
M
Verified Purchase
Mr. Watkins
Grantham, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 27, 2026
M
Verified Purchase
***moviemaker***
Boise, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 12, 2011

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