SKU: 52596103867

Kalihiwai, ca. 1900

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Description

Kalihiwai, ca. 1900This is a photo of Kalihiwai from about 1900perhaps a decade after Delberts father established his rice plantation. The photo was taken from the old wagon trail above the Goo home. That trail connected Kalihiwai to Wanini and Hanalei long before the construction of the paved road that now cuts the bluff at kilohana. Old man Goo, The Pake (Uncle or Chinese in Hawaiian), built the barn in the center of the photo to store rice, tools, and equipment. His

This is a photo of Kalihiwai from about 1900–perhaps a decade after Delbert’s father established his rice plantation. The photo was taken from the old wagon trail above the Goo home. That trail connected Kalihiwai to Wanini and Hanalei long before the construction of the paved road that now cuts the bluff at kilohana.

Old man Goo, “The Pake” (Uncle or “Chinese” in Hawaiian), built the barn in the center of the photo to store rice, tools, and equipment. His coolies bunked on the second floor—every night, as many as 20 smoked their opium up there before falling asleep. The lean-to housed the kitchen where Delbert’s mom cooked for the crew. The mortar and stone threshing floor was just beyond the barn. The house and outbuildings on the hill were on a separate “kuleana” (traditional Hawaiian smallholding) owned by relatives of the Kong Lung family.

“The Pake” expanded his plantation far beyond the old Hawaiian taro “lo’i” (pond fields) and improved the valley’s irrigation system. To grow taro, the Hawaiians diverted only the low flow volume from the Kalihiwai River. Taro is a 13-month crop requiring a near continuous and substantial flow of cool, clean water, so the Hawaiians sized their pondfield plantings based on the year round availability of dependable base flows. Rice is a 4 to 5 month crop planted in the wet season and harvested in the dry. Rice paddies require a quick fill then just enough to keep them full—not the constant circulation of cool, clean water taro needs. So the Old Man increased the capacity of the diversion and irrigation ditch to handle higher flows.

The coolies dug a barge canal from the river to a landing in front of the barn. The canal was called “Pake Ditch” and is still call “Pake Ditch” to this day.  The Old Man bought unhulled rice (paddy) from all the farmers in the valley. They’d bring their paddy in wagons and on pack horses from as far as Kakimoto and Matagawa above Namahana, four miles up the valley as the “pueo” flys--double that on the old valley trail with its dozens of low water fords. The Old Man would mill the other farmers’ rice along with his, bag it, barge it to the river mouth, load it into whale boats and row it out to schooners anchored in the bay, bound for Honolulu.

The Old Man eventually bought many of the kuleana in the valley but most of his plantation was on land leased from the German owned Lihue Plantation. The Germans’ land was confiscated in World War One and bought by Amfac. The 1957 tsunami  washed away all the buildings on the valley floor, destroyed the plantation‘s infrastructure, and filled the Pake Ditch to the top of its banks with debris. That was the end of rice in Kalihiwai. In the 70’s Amfac sold to developers. By then all the rice land was covered with towering, impenetrable hau bush jungle and under several feet of water--though Delbert had kept 5-acres just below the house cleared and drained.  There he grew papaya and eggplant, but without Pake Ditch to drain it, the rest of the valley was useless—a swamp. Delbert showed me this photo and said, “Let’s go partners. Buy the place. Nobody wants it. We can cut a good deal. Most of that swamp is 4 to 6 feet above the river.  I know how to drain it.” Delbert owned most of the kuleana in the valley and traded them to the developer for 15 acres. Though the flood zone kuleana were worth little, the developer was able to relocate the kuleana, along with their house permit rights, to lots they subdivided above the valley along Kalihiwai Road. The County encourage this transfer as the new lots were far above the tsumami limits where their was vehicular access, water, utilities and County services. I got the remaining 25 acres, most of it underwater, at very good terms. As Delbert said, “Nobody wants it!”

This photo became the site plan for our development. Delbert knew where to find the old Pake Ditch under the tidal wave debris. He knew where the old building foundations were buried, where the culverts and roads should go, and where to excavate the old stream bed that once connected Kahoe Falls, the main source of the swamp, with Pake Ditch. Once we had the valley drained, Delbert gave me an old plans shack he got from a friend working on a road project. We set the little shack on concrete blocks over his father’s threshing floor. At the door we placed a broken chunk of brick and mortar stairs we dug out of the ditch. Maile and I spent every weekend working and playing in the valley. We had a shovel for our outhouse, bathed in the ditch and slept in sleeping bags on the plans table. Of course we went to Uncle Delbert’s for dinner.

The historic and far-reaching accomplishments of his father, The Pake, plus Delbert’s vision, knowledge, capacity for making deals and taking chances, gave our families a great gift—enough to do something but not enough to do nothing. Now there are four generations of family in the valley: homes, orchards, gardens, pastures, lo’i and livestock—owned by Goos, Walters, Chandlers, Keleiohis, and Yukimuras. The Wehrheim's are back in the old house in the bustling metropolis of Lihue but are frequent visitors and, of course, always stay for dinner.

PHOTO PRINTS
Prints are on Hahnemuhle heavyweight (315 gsm) 100% archival cotton “Photo Rag Baryta” paper, using archival inks and archival spray coating. They have a 200-year life expectancy before any deterioration of the print will be observed when stored, handled, and displayed under archival conditions.

CANVAS PRINTS
What is often called “Gallery Wrap Canvas” is a fine art inkjet (Giclee) print on canvas, with printed edges to wrap around a wooden stretcher frame, like a painting. With canvas prints, your print image is still the same size, but given a "wrap effect" around the edges to account for the thickness of the stretcher. Canvas can be rolled and shipped with no effect to the print. Your local framing shop should be able to mount the canvas to stretchers at a fraction of the cost of traditional framing, making for an overall more economical way to get fine art on your wall. The canvas is printed to wrap around a 1-inch stretcher (1.5 inches on larger sizes). Specifications will be provided with your order. Feel free to contact us if you need guidance with your canvas order.

John prints, titles, dates, and signs all of his photos.

CUSTOM ORDERS: For custom orders of prints shipped flat, framed, or as stretched canvas, contact [email protected].

Shipping Notes
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Exchange/Return Notes
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SKU: 52596103867

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4.6 ★★★★★
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JC
Natrona Heights, US
★★★★★ 1
document feeder not working on first real use.
Pattern Name: Printer, Style: ET-15000
Serious reliability issues and concerns. We have owned the printer for about 1 month and printed a limited amount. For the first time today I tried scanning with the document feeder. I was scanning about 12 pages that should of been 1 document. The first page scanned and then stopped. I started the scanner again and it scanned about 5 pages and then jammed. The rest of the pages were a constant jamming/not feeding fiasco. I would run to the computer and hit scan, then run to the printer and manually push on the paper as hard as i could without the paper bending. if I pushed just right i could get a few pages through without jamming. I ended up with about 6 pdf's instead of one document and constant jamming in the paper feeder. Frustrating from a brand new printer and the first time using the paper scanner. There is a clicking noise when it scans. a few of the pages fed properly but the rest had to be forced. No obvious obstructions or other issues. I tried cleaning the rollers with no success. Then attempted to reach out to Epson support. The only support option I could find was an email form that put me in a captia loop after entering all the information so I had to start over on the ticket submission. No chat support, no phone number, brand new higher priced printer with serious build/reliability issues. Frustrating.
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Reviewed in the United States on April 14, 2026
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Cassandra Jackson-Valentine
San Leandro, US
★★★★★ 5
This is a great printer. I love it.
Pattern Name: Printer, Style: ET-15000
I’ve been using the Epson ET‑15000 for custom chip bags and ran into a huge issue with my original paper choice. The printer itself is great, but the Koala 30 lb glossy paper did not play well with the black ink at all. Even after letting my prints sit for a full two days, the black areas would still smear and come off on my fingers as soon as I started folding and assembling the bags. It was super frustrating and made it hard to trust my prints for orders. I decided to try Eshang high gloss paper instead, and the difference has been night and day. With the same Epson ET‑15000 and the same designs, the Eshang paper works like a charm. The black ink dries quickly, doesn’t rub off when handled, and holds up beautifully while I’m folding and sealing my chip bags. Colors look vibrant, the finish is nice and glossy, and I don’t have to worry about smudging anymore. If you’re using an Epson EcoTank like the ET‑15000 and struggling with black ink smearing on Koala glossy, I highly recommend switching to Eshang high gloss. It completely solved the problem for me and made my chip bag printing so much easier and more professional.
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Reviewed in the United States on March 13, 2026
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Next Available Agent
Lexington, US
★★★★★ 5
Another great Epson product
Pattern Name: Printer, Style: ET-15000 (Renewed)
Terrific large format printer and doesnt break the bank
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Reviewed in the United States on June 9, 2026
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Nancy Wethington
Grantham, US
★★★★★ 4
Need scan button to work!
Pattern Name: Printer, Style: ET-15000
Love (almost) everything about this except the scan button. The scan button on the Epson screen does not work. I called Microsoft who tried to fix it through the connection but still didn't work. Sent an e-mail to Epson and no response. Really need this scan button to work so that I can scan to desktop.
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Reviewed in the United States on May 5, 2026
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Faris
Omaha, US
★★★★★ 5
Great so far
Pattern Name: Printer, Style: ET-15000
So far its a great printer, no issues as of now. We’ll see how it holds
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Reviewed in the United States on May 30, 2026

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