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Description
Upsetting: Everything I've Done So Far - VINYL LPTitle: Everything I've Done So Far Artist: Upsetting Label: State Fair Records Product Type: VINYL LP UPC: 695925021331 Genre: Rock Release Date: 2019 08 30 Number of Discs: 1 Additional Details: Explicit Lyrics The band Upsetting began in 2014 under it's former name, "Teenage Sexx." At the time the project consisted solely of guitar player Caleb Lewis, age 16. Initially, Lewis had intended for the project to be more of a solo endeavor, releasing demo
Title: Everything I've Done So FarArtist: Upsetting
Label: State Fair Records
Product Type: VINYL LP
UPC: 695925021331
Genre: Rock
Release Date: 2019-08-30
Number of Discs: 1
Additional Details: Explicit Lyrics
The band Upsetting began in 2014 under it's former name, "Teenage Sexx." At the time the project consisted solely of guitar player Caleb Lewis, age 16. Initially, Lewis had intended for the project to be more of a solo endeavor, releasing demo-quality recordings from his childhood bedroom out of a tiny trailer park in Kirvin, Texas. After attracting the attention of music bloggers in multiple states as well as from local area musicians, Lewis eventually moved to Waco, TX, where he met bass player and cowriter Kevin Adkins. The two immediately found support when they started playing DIY gigs across Texas and eventually began making an impression on the larger Dallas/Ft. Worth music scene. In the summer of 2016, Lewis and Adkins made their way to Dallas, TX to work with Dreamylife Records (Ft. Worth) and around that time met Charlie DeBolt (drums). The members of Upsetting believe that music should be used to face the things in life that we find to be the most troubling in order to break through those barriers and to empower others to do the same. In the studio, Lewis and Adkins prefer raw vocals (devoid of any reverb or delay), putting every crack and imperfection in their voices right at the front of the music. Lewis in particular has a noticeably low range with a warmth to his voice that carefully balances grit and pain with beauty and melody. The crunchy bass and guitar tones and sporadic drumming hold the rhythm down like two bags of bricks, producing every beat with full force as it punches through your speakers. Each element embodies their ideology of creating forthcoming, accessible music that is as heavy-hitting as it is heavyhearted and unabashedly passionate.
Tracks:
1.1 Doris
1.2 I Hate Myself (But I Hate You So Much More) [Explicit]
1.3 Spring Break
1.4 Restraining Order [Explicit]
1.5 Impossible
1.6 Going Nowhere
1.7 Best Try [Explicit]
1.8 Honestly
1.9 One in a Million [Explicit]
1.10 Form/Foul
1.11 Don't Worry, I'll Be Happy Someday [Explicit]
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4.0 ★★★★★
Based on 27 reviews
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Product Reviews
★★★★★ 5
Groundbreaking Work!
Format: Hardcover
The first thing to note here is the author is trilingual. He's Polish by birth, writing very credibly in his second language (English), and using his Nihongo to translate Japanese source materials into English for the first time. Wow! As a historian myself, I only wish I had those kind of language skills.
The second thing I'll say is that I learned a lot from the book. I've never seen many of the details the author had dug up. He's doing the same sort of thing that Tony Tully and I did in Shattered Sword--using the Japanese air group records, and Senshi Sosho, as well as more modern sources from Japanese historians like Mori Shiro--to paint a much richer picture of the Japanese side of the battle. And in some ways he's doing it better, because his language skills are so formidable that he was able to look at more Japanese source material than we were. Bravo Zulu.
An example: for years American historians have portrayed the placement of Shoho in front of the Japanese invasion force as either 1) a bait force to lure the Americans away from Japan's main carrier force, or 2) at the very least an indication of extreme Japanese hubris, by sticking a lone light carrier's neck out waaaay too far. It turns out that there were a number of Japanese staff officers that were appalled at the dangers Shoho was being exposed to, and lobbied for her inclusion in the main carrier force instead (which would have made a lot more sense, frankly, and was a detail I hadn't known before.) But those officers were overridden in the name of keeping at least some air cover near the invasion force. What this demonstrates is that even here, at the very beginning of the war, the Japanese were already over their skis in terms of the fragility of their air power.
All in all, Piegzik's book is a very welcome contribution to the English literature on the Pacific War. He has also written what is (from all accounts) a fine series on the Indian Ocean raid that I need to pick up as well. I am really looking forward to his continued publications in the field.
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Reviewed in the United States on April 25, 2026
★★★★★ 5
An excellent book
Format: Hardcover
An excellent book, based on Japanese documents—offering, for the first time, such a detailed account of the first aircraft carrier battle, presented from the Japanese perspective. It covers every Japanese aircraft involved, as well as the fates of their naval aircrews. A must-read for anyone interested in World War II in the Pacific.
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Reviewed in the United States on May 8, 2026
★★★★★ 5
Excellent book.
Format: Audiobook
History of WWII. Great research.
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Reviewed in the United States on May 21, 2026
★★★★★ 4
Good Book, not Parshall though
Format: Kindle
The author uses more Japanese terms than any similar book that I've read but uses western naming conventions for Japanese people. I don't quite know what to think. Good diagrams.
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Reviewed in the United States on December 12, 2025
★★★★★ 5
Japanese mindset Coral Sea
Format: Kindle
This book gave me fresh insights to the Battle of the Coral Sea. I feel like I have an idea as to what was going through the Japanese minds. Well written. He make it easy to follow each step of the battle.
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Reviewed in the United States on April 19, 2026