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Description
LPD Belize Oak Pre-Finished Internal Fire Door - 1981 x 762 x 44mmThe Belize Pre finished Oak Doors 762 x 1981 FD 30 are a modern and stylish addition to any internal space. These doors are part of the Belize family and feature a pre finished oak face type. The door style is the Belize Internal Pre finished Oak, which is sleek and contemporary. These doors do not have glazing, but the pre finished oak finish adds a touch of elegance to any room. The doors are fire resistant with a fire rating of 30 minutes, making
The Belize Pre-finished Oak Doors 762 x 1981 FD 30 are a modern and stylish addition to any internal space. These doors are part of the Belize family and feature a pre-finished oak face type. The door style is the Belize Internal Pre-finished Oak, which is sleek and contemporary. These doors do not have glazing, but the pre-finished oak finish adds a touch of elegance to any room. The doors are fire-resistant with a fire rating of 30 minutes, making them a safe and practical choice for any home or office. The thickness of the doors is 44mm, with a width of 762mm and a height of 1981mm. The doors are also FSC certified, ensuring that they are made from sustainable materials. The long edge of the doors features a 10mm lipping framing, adding to their durability and strength.The Belize Pre-finished Oak Doors 762 x 1981 FD 30 are a great choice for those looking for a modern and stylish internal door. The pre-finished oak finish adds a touch of elegance to any room, while the fire-resistant rating of 30 minutes ensures that they are a safe and practical choice. The doors are also FSC certified, making them an environmentally friendly option. The 10mm lipping framing on the long edge of the doors adds to their durability and strength, making them a long-lasting investment for any home or office.
In summary, the Belize Pre-finished Oak Doors 762 x 1981 FD 30 are a modern and stylish internal door option. They feature a pre-finished oak face type and a sleek Belize Internal Pre-finished Oak door style. The doors are fire-resistant with a fire rating of 30 minutes and are FSC certified, ensuring that they are made from sustainable materials. The 10mm lipping framing on the long edge of the doors adds to their durability and strength, making them a long-lasting investment for any home or office.
Key Features:
- Pre-finished oak face type
- Fire-resistant with a fire rating of 30 minutes
- FSC certified
- 10mm lipping framing on the long edge of the doors
- Modern and stylish Belize Internal Pre-finished Oak door style
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4.4 ★★★★★
Based on 22 reviews
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Product Reviews
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper.
Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading".
Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave?
While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked.
I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001