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18” Seven7K rims and Yokohama tires 3d printedSet of 4 3d printed 18 and ready to roll! Perfect for that tuner or lowered American classic! 1 25 scale Need another scale? Ask TERMS AND CONDITIONS WHAT ARE RESIN PARTS LIKE TO WORK WITH? Resin parts are a little more weak and delicate than standard plastic and may need extra fit and finish. To get the ultimate detail, you may need to sand and or prime! This is a learning process to be sure. The process of 3d Printing can cause whats know as layer
Set of 4 3d printed 18” and ready to roll! Perfect for that tuner or lowered American classic! 1/25 scale Need another scale? Ask TERMS AND CONDITIONS WHAT ARE RESIN PARTS LIKE TO WORK WITH? Resin parts are a little more weak and delicate than standard plastic and may need extra fit and finish. To get the ultimate detail, you may need to sand and/ or prime! This is a learning process to be sure. The process of 3d Printing can cause what’s know as “layer lines”. These may need to be sanded and primed for a perfect surface. Please note, I attempt to print at very high quality (time consuming) to keep these as little as possible, but may still occur. HOW WILL MY ITEMS BE SHIPPED? Either a box or a bubble mailer. Items will be wrapped in either bubble wrap or crinkle cut paper also. What determines box or bubble mailer depends on the item and or quantities. Small durable items might be shipped in the bubble mailer more delicate items will be shipped in a box. The reason we are able to keep our prices as reasonable as possible is not having fancy packaging and trying to keep costs as low as possible. Please be reassured, this is NEVER at the risk of the order being damaged! WHEN WILL MY ITEM BE SHIPPED? Our OFFICIAL days of shipping are M W F, however, realistically speaking we ship almost daily! ARE MY ITEMS PRINTED AND READY TO SHIP? Mostly yes! We try not to have an ad up, unless it is ready to go… sometimes things happen (item breaks while packing, whatever) generally speaking, this does not effect your shipping time, but can happen and we do our best to keep you informed. RETURN POLICY This is the tricky part. WE ALWAYS DO EVERYTHING POSSIBLE TO MAKE MY CUSTOMER FRIENDS HAPPY! Sometime things happen, item may arrive broken or something was missed. If this happens, first and foremost We ask you be HONEST, this helps to keep costs low for YOU, US, and the entire model building community. If there is a problem, we may ask for photo proof (good fences good neighbors). If a return is needed, we ask that if you were going to order anything else to please do so and we will include the replacement so that we can keep the costs overall as low as possible for EVERYONE. If you didn’t want to pick up anything else THAT IS NO PROBLEM EITHER. We will work with you to every last breath so everyone walks away happy. I LOVE YOUR STUFF AND WANT TO SHOW IT OFF! That’s awesome, we get a thrill from that, head over to Instagram and tag, DM us “hooliganscalemodels”Shipping Notes
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4.6 ★★★★★
Based on 5 reviews
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Product Reviews
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist).
Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really.
While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
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Reviewed in the United States on April 27, 2026
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
]
On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters.
(Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.)
All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut.
Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985.
I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail:
*In the 132-minute version you cut from Sam in bed with Jill, police sack goes
over head, then CUT TO Pull off police sack to reveal Sam in Torture
Chamber/Interrogation chair. This one cut is simply brilliant and very powerful.
In the Criterion Version you have the added scene of Mr. Helpman as Father
Christmas (completely out of charcater from the rest of the film) and the whole
interrogation scene of Sam hanging from the rack inside the police/mail pouch
which becomes narratively redundant and dilutes the impact of the final scene.
*To end it with cooling tower/interrogation room fade to clouds was a great Gilliam
wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to
the European cut of just credits over cooling tower/interrogation room.
*The Samurai Scene is divided into 3 separate scenes in the 132-minute version
versus 1 LONG scene in the European cut. And you know what? Like most things,
it works better in 3's.
*The 132-minute version cuts straight to the Dinner Scene with Ida (his mother)
ordering numero deux, trois, etc. while the European version has the entrance to
the restaurant of going through the metal detector which really doesn't add
anything and is again a bit redundant when the bomb does eventually go off in
the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert.
*And finally I just love that the 132-minute version opens on those clouds (outtakes
from The Never-Ending Story) then goes to the Central Services advert about
Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version
also has the clouds opening (The Original European Cut didn't) but it's funny
because the Studio asked Gilliam to start off with the clouds for the US Cut and he
actually prefers it as quoted in his Director's commentary. Hilarious.
Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future.
Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless.
Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar!
The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co.
And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today?
I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society.
The film can be a bit 'heavy' at times, though. Not everyone's cup of tea.
Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012
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