SKU: 659527178

Hampton Penny Loafer Black

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Description

Hampton Penny Loafer Black"Classy and distinctive the quality is second to none" Hampton is a fresh re design of the traditional penny loafer. Sleek, elegant lines and a chiselled toe are inspired by European Italian styling. In black, it is classic and versatile and looks as great with a business suit as it does dressed down for a more casual look. Slip on penny loafer Stylish, modern design with chiselled toe Full grain calf leather for softness and longevity Hand dyed black

"Classy and distinctive - the quality is second to none"

Hampton is a fresh re-design of the traditional penny loafer. Sleek, elegant lines and a chiselled toe are inspired by European/Italian styling. In black, it is classic and versatile and looks as great with a business suit as it does dressed down for a more casual look.

  • Slip-on penny loafer
  • Stylish, modern design with chiselled toe
  • Full grain calf leather for softness and longevity
  • Hand dyed black patina, polished and burnished
  • Hard-wearing Blake-stitched leather/rubber sole for added grip
  • Full calf leather lining for comfort and to absorb moisture
  • Made in Italy by artisan shoemakers

Why choose the black Hampton?

Hampton is a sleek penny loafer which exudes charm and grace. Easy to slip on, it is an effortless shoe to wear, and with its chiselled toe and clean, uncomplicated lines, it is a great all-round choice, as suited to a work environment as it is to the beach.

Black is probably the most formal option in this style and worn with a suit, can look smart and businesslike, while still feeling uncomplicated and relaxed.

Looks good with...

Gone are the days when a traditional lace-up shoe was required in the workplace. Our Hampton penny loafer is hugely versatile and can be worn as easily with socks and a smart suit, as it can sockless with chinos or shorts.

Dress this black option with tailored trousers and jacket, and bring a relaxed professionalism to your working day.

Stitched leather sole and stacked leather heel

The sole is stitched onto the upper using a traditional and refined Italian method called Blake stitching. This allows the sole to be easily replaced when it eventually wears but we've used a rubber insert as well, to aid longevity and grip.

There is a 25mm genuine-leather stacked heel, with 6 brass pins and a rubber piece, again for longer wear and better grip. There is also a ‘gentleman’s corner’, a small bevel that reduces snagging of the heel on your trousers. We've even added an embossed Thomas Bird logo in the waist of the sole too, a distinctive feature of our brand.

Materials and craftsmanship

We work with the finest Italian artisan shoemakers who showcase their expertise in cutting, shaping, stitching and dying leathers, skilled crafts that have been handed down through the generations.

With attention to detail being paramount, leathers are carefully selected by weight and pliability and cut to form the pattern to fit the last. Then several stages of dying, polishing and burnishing create the depth and richness of the classic black colour.

Italian made

Italy is renowned for the quality and style innovation of its beautiful leathers and components used in the shoemaking process.

It has a strong and well-deserved reputation as the home of fine craftsmanship and attention to detail and we want nothing less for our Thomas Bird collection.



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SKU: 659527178

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4.5 ★★★★★
Based on 27 reviews
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G
Verified Purchase
George Vargas
New York, US
★★★★★ 5
Five Stars
Outstanding book on the general history of European barbarism.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 26, 2017
H
Verified Purchase
Howard
Grantham, US
★★★★★ 5
By far, the best book of many I have read on this subject. Must read for anyone interested in this subject.
Format: Paperback
Best book I have yet read on the subject, and I have read many in research for the writing of my second novel. It relentlessly examines specific cases of lynching over time, but it is not a mere narrative of specific lynchings. It is an excellent analysis of the social, historical and cultural forces behind this horrendous practice. The book's discussion of the movie, Birth of a Nation, would by itself make this a valuable book, but the book's central theme is even more important. Its central theme, the public's desire for spectacle as fuel for lynchings, particularly after the abolition of legal public executions, is even more revealing. Also a good look at the social and cultural forces that over time led to the gradual demise of lynching as a phenomenon. A page turner for history readers. Warning -- man's inhumanity to man will make you simultaneously angry and sad.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 24, 2015
A
Verified Purchase
AlanWarner
Louisville, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
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Reviewed in the United States on July 6, 2015
C
Verified Purchase
Carole T Emberton
Birmingham, US
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 17, 2018
P
Verified Purchase
pat delzell
Carnegie, US
★★★★★ 5
Great book ...disturbing subjet
Format: Paperback
This book explained the rationale for lynching! It was just what I needed for my graduate course!!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 14, 2019

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