James Johnston: Starless Room - VINYL LP

James Johnston: Starless Room - VINYL LPTitle: Starless Room Artist: James Johnston Label: Clouds Hill Product Type: VINYL LP UPC: 4015698009033 Genre: Rock Release Date: 2017 01 27 Number of Discs: 2 Additional Details: WITH CD LP version. Includes CD. German record label Clouds Hill present James Johnston's debut solo album The Starless Room. The Starless Room is vast in it's scope visceral, intimate and instinctive. The Starless Room represents a remarkable distillation of both

Title: Starless Room
Artist: James Johnston
Label: Clouds Hill
Product Type: VINYL LP
UPC: 4015698009033
Genre: Rock
Release Date: 2017-01-27
Number of Discs: 2
Additional Details: WITH CD

LP version. Includes CD. German record label Clouds Hill present James Johnston's debut solo album The Starless Room. The Starless Room is vast in it's scope - visceral, intimate and instinctive. The Starless Room represents a remarkable distillation of both Johnston's lyrical obsessions and prodigious, arguably under-acknowledged talent. Suitably, it's the title track that encapsulates the romantic sweep of the record best, with it's star at his most intense and Sebastian Hoffman's string arrangements at their most ambitious. For James Johnston, however, the greatest pleasure of all is a simple one: the slow tempo of the songs, "Something I adore, like a lot of the Isaac Hayes or Ray Charles albums that I love. It almost feels like I'm listening to someone else's record." Like he said, it feels just right. As well as playing with Gallon Drunk, James Johnston has spent considerable time working with others: A mid '90s spell as a touring guitarist in The Bad Seeds led to a full role in Nick Cave's band between 2003 and 2008, and he's performed regularly with other iconic acts, including Lydia Lunch, Faust, and PJ Harvey, on whose The Hope Six Demolition Project (2016) Johnston appears. But if it sounds like he's softened on this album, he argues powerfully otherwise: "The band's records have quite an earthy feel, but in a way this is rawer, more focused and direct, musically and emotionally. The last Gallon Drunk record is my favorite, and it was certain elements of that which I really wanted to take further, to strip away the dissonance and anger, to reject the more familiar sounds in order to free it all up again. So the instrumentation is very different, led by piano and voice, and the overall sound is lush, yet intimate. Overall it's far more reflective of me, both as a person and the sort of music I actually listen to."

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