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Cinema In The Guts: Marine Hugonnier - SoftcoverFrench artist Marine Hugonnier (born 1969) makes experimental films that investigate the politics of the gaze and exist at the border of documentary and fiction. Equipped with her 16mm camera, Hugonnier mixes the roles of reporter and ethnographer For 20 years, Marine Hugonniers work has acted as a critical analysis of the way in which the conventions of representation collude with political ideologies. The French British artist sees her practice as
- French artist Marine Hugonnier (born 1969) makes experimental films that investigate the politics of the gaze and exist at the border of documentary and fiction. Equipped with her 16mm camera, Hugonnier mixes the roles of reporter and ethnographer
- For 20 years, Marine Hugonnier’s work has acted as a critical analysis of the way in which the conventions of representation collude with political ideologies. The French-British artist sees her practice as an investigation into the politics of the gaze, and seeks to uncover the underlying mechanisms of power in these times of pervasive spectacularisation
- Hugonnier is committed to giving an account of what it is that shapes images and, in so doing, to question the effect of colonialism, capitalism and patriarchy on any mechanism used for recording and reproducing images in Western societies. Having always felt like a foreigner because of the different countries in which she has lived, Hugonnier is driven by an urge to deconstruct the cultural framework that shapes our gaze and to replace it with one that is liberating and non-alienating
- A filmmaker first and foremost, Hugonnier has frequently travelled with her Aaton camera, filming as she walked and vice versa, taking the standpoint of a reporter or ethnographer in a conscious effort to blur her status as an artist
- TEXTS:
- Foreword - Marta Ponsa
- Touching Worlds: Limits, Passages and Folds in the Work of Marine Hugonnier - Michael Newman
- Elemental Complicity - Rosi Braidotti
- A Conversation between Eyal Weizman and Marine Hugonnier
- Cameraland - Emmanuel Burdeau
- The Twilight of the Multitude - Carles Guerra
- WORKS:
- La Vijanera
- Desire Is Not Much, but Nonetheless…
- Portrait of a Reporter as a Fellow Artist
- Art for Modern Architecture
- Cinetracts (Spring, Winter, Summer)
- Antonio Negri
- Crystal Palace
- Portfolios
- Meadow Report
- Apicula Enigma
- Forest
- Travel Posters
- La Liberté guidant le peuple
- Ariana
- Territory I, II, III
- Towards Tomorrow (International Date Line, Alaska)
- Flower
- Candle
- Travelling Amazonia
- Monument for a Radical Instant (Cinéma, Cinéma, Mon Amour)
- May 13, 1968
- Death of an Icon
- Programme météo
- Dispatch from Przemysęl (Notes for a Democratic Europe)
- Assembly of Animals / Union pour la Cinégénie
- Un coup de dés jamais n’abolira le hasard (l’espace social)
- The Last Tour
- The Secretary of the Invisible
- Letter to My Friend CM (Tribune for an Apocalypse)
Pages: 288
Published: 2022
Size (cm): 24 x 30
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