I see the invisible

I see the invisibleThe collection has a dose of meditative poems and others that reflect on the colonial and neoliberal foundations that permit willful disconnect from nature and allow rapacious extractivism. They also speak to the criminalization of environmental defenders and burdening of victims with survival struggles with no life boughs. These are poems that call for action. Truth be told, I never thought I would write another volume of poetry after the last, I

The collection has a dose of meditative poems and others that reflect on the colonial and neoliberal foundations that permit willful disconnect from nature and allow rapacious extractivism. They also speak to the criminalization of environmental defenders and burdening of victims with survival struggles with no life boughs. These are poems that call for action.

Truth be told, I never thought I would write another volume of poetry after the last, I will not Dance to Your Beat (2011). The reason was that my previous volumes were reactive to circumstances of the times. Patriots and Cockroaches (1992) was a reaction to the socio-political corruption that had engulfed Africa and dimmed the enthusiasm that had been built by the years of struggle for independence. Whereas we thought we were stepping into a post colonial era, what we stepped into was a vicious neo colonial times. The next collection, Poems on the Run (1995) was a reaction to military autocracy and the repression that followed. The volume was literally written underground. This was followed by Intercepted (1998) all written while detained at Kalakuta Republic of Alagbon Close. We Thought it was Oil But it was Blood (2002) responded to two things primarily - extractivism and the accompanying human and environmental rights abuses in the Niger Delta and elsewhere. The massive erosion of biodiversity and attacks on food sovereignty through the introduction of genetically modified organisms (GMOs) into our agricultural system inspired I Will not Dance to your Beat.Ê

What you have in your hands, or on your screens, is a compilation that is largely more meditative than the previous collections. There are moments of reflection on the colonial and neoliberal foundations that permit a willful disconnection from nature and the resultant destructive extractivism.Ê

Some of the poems came through conversations and poetry writing sessions with Peter Molnar,Ê Maryam al-Khawaja Ñ Rafto Human Rights laureates and Salil Tripathi, a member of the board of PEN International, in August 2017. The sessions held at a beautifully rusticÊ location in Celleno, Italy, were documented on celluloid by the duo of Maria Galliana Dyrvik and Anita Jonsterhaug VedŒ of SMAU, a multimedia firm in Norway. Poetic relationship with Maria and Anita has continued over the years and their work continues to inspire more and more poems.Ê

We have also had time to ponder on the criminalization of environmental defenders and burdening of vic