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Description
Errorsmith: Superlative Fatigue - VINYL LPTitle: Superlative Fatigue Artist: Errorsmith Label: Pan Product Type: VINYL LP UPC: 5060165483242 Genre: Rock Release Date: 2017 12 15 Number of Discs: 2 Additional Details: 2 PACK Returning with his first album in 13 years, Errorsmith's Superlative Fatigue long awaited release on PAN arrives as his perhaps most optimistic record yet. Placing a strong emphasis on spectral exploration, the tracks tell an inherent story and span a musical arc with his
Title: Superlative FatigueArtist: Errorsmith
Label: Pan
Product Type: VINYL LP
UPC: 5060165483242
Genre: Rock
Release Date: 2017-12-15
Number of Discs: 2
Additional Details: 2 PACK
Returning with his first album in 13 years, Errorsmith's Superlative Fatigue long-awaited release on PAN arrives as his perhaps most optimistic record yet. Placing a strong emphasis on spectral exploration, the tracks tell an inherent story and span a musical arc with his recognizable synthesized tones, computerized vocal effects, and timbral changes in motion. In comparison to his previous productions, Errorsmith (Erik Wiegand) sees the release as less abstract, harsh or aggressive: "I would say it is rather accessible and cheerful; at times ridiculously cheerful but still very sincere and emotional." He suggests. "I find it touching when this little android raises it's pitch at the end of 'Lightspeed' or the android catching it's breath in 'My Party' for instance." The album title, Superlative Fatigue, reflects this tension between an over-the-top, hysterical emotion, against more deeply felt expressions or realness. Besides collaborating with the likes of Mark Fell, to Berghain resident Fiedel as MMM, and Sound Stream as Smith N Hack, Wiegand has released a string of seminal dancefloor tracks. Building his own instruments using modular software synthesizers is a large part of his work. Almost all the sounds in the LP were created with his synth, "Razor", (a synthesizer plug-in he developed for Native instruments, released in 2011) or slightly modified versions of it. Premiered at Unsound Festival last year, this new material he has developed since has finally taken form in this epic full-length. Artwork by James Hoff; Layout by Bill Kouligas. Mastered by Rashad Becker.
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★★★★★ 5
My Go-To Sublimation Paper — Flawless Results Every Time
Size: 8.5"x11", Size: 8.5"x11"
This is hands down the best sublimation paper I’ve used and the only one I continue to buy. I get a perfect transfer every single time—no fracturing, no fading, and no uneven results. The paper dries fast, which makes my workflow so much smoother, especially when I’m producing items in batches.
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Reviewed in the United States on January 24, 2026
★★★★★ 5
Best Sublimation Paper
Size: 8.5"x11"
I’ve been using A-Sub paper for my sublimation projects, and it is easily one of the best. The ink dries almost instantly once printed, so I don’t have to worry about smudging the design or getting those annoying "pizza wheel" marks from the printer rollers. The paper itself feels substantial and doesn't tear or curl easily. One of the biggest wins for me is that it never jams; it feeds through perfectly every time, saving me the frustration of wasting expensive ink and paper.
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Reviewed in the United States on February 25, 2026
★★★★★ 5
Ideal for sublimation beginners.
Size: 8.5"x11"
Asub sublimation paper has been excellent for my projects. The ink transfer is very good, the colors are vibrant and defined, and it dries quickly. It has helped me achieve clean and professional results, even as a beginner. Without a doubt, it's a reliable, high-quality paper for sublimation.
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Reviewed in the United States on February 15, 2026
★★★★★ 5
Excellent works great and I’m bang for your buck
Size: 8.5"x14"
I love this paper. It prints, nice and clear I will be buying more.
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Reviewed in the United States on April 30, 2026
★★★★★ 5
Very good for sublimation
Size: 8.5"x11"
Intact and very good for my sublimation
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Reviewed in the United States on May 25, 2026