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urio vespro per la beata vergineFRANCESCO ANTONIO URIO (1650 after 1719) VESPERS FOR THE BLESSED VIRGIN Symphony in D Major (FA Arconati) Domine ad adiuvandum & Dixit Dominus Alma redemptoris Mater (FM Zuccari) Praise the Children Very prudent Virgo Laetatus sum Haec Virgo (FM Ferril) In odorem unguentorum Nisi Dominus Symphony in A Major (FA Calegari) I flos campi Lauda Jerusalem Hodie Maria Virgo Magnificat Hail Holy Queen (G. Ferrari) TEXT https: uraniarecords. com wp content
FRANCESCO ANTONIO URIO (1650 – after 1719)
VESPERS FOR THE BLESSED VIRGIN
Symphony in D Major (FA Arconati)
Domine ad adiuvandum & Dixit Dominus
Alma redemptoris Mater (FM Zuccari)
Praise the Children
Very prudent Virgo
Laetatus sum
Haec Virgo (FM Ferril)
In odorem unguentorum
Nisi Dominus
Symphony in A Major (FA Calegari)
I flos campi
Lauda Jerusalem
Hodie Maria Virgo
Magnificat
Hail Holy Queen (G. Ferrari)
TEXT https://uraniarecords.com/wp-content/uploads/2021/10/Text.indd_-1.pdf
2 CD
CREMONA BAROQUE ORCHESTRA on original instruments
Soloists
Sofia Pezzi, soprano*
Marcella di Garbo, soprano**
Camilla Biraga, tall
Davide Rocca, bass
Stuffing Choir***
Giovanna Aita, Daniela Aita, Alexandra Borisova
Paola Silva, Stefano Passalacqua, and Sandro Gattorno
Male Voices of Cremona (Gregorian Chant)
Father Graziano Ghisolfi, Michele Bolzoni
Alessandro Ciapessoni, Federico Bergamaschi
Continuous
Lorenzo Fantinuoli, cello
Sofia Ferri, theorbo
Valentino Ermacora, organ
Violins
Lorenza Vaccaro, Fabio Francia, Federica Calcagno, Francesca Del Grosso, Annalisa Del Grosso
Daria Anufrieva
Fabio Francia, viola – Fabio Longo, violone
In 17th-century church music, aspects of Renaissance tradition and Baroque innovation merged in the concertato style. Father Francesco Antonio Urio's Concertati Psalms, Op. II, included in this Vespers dedicated to the Virgin, fit squarely into this tradition. This Vespers, which we present here in its first modern performance, features three-part vocal pieces of uncommon melodic quality, where the imitative style, counterpoint, modal harmony, numerous tempo changes, various melismas, and a wealth of diminutions demonstrate remarkable compositional skill.
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