SKU: 87419598140

Beneath the Stands (Sugarlake, 2)

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Beneath the Stands (Sugarlake, 2)From #1 New York Times bestselling author Emily McIntire comes an angsty, best friend's brother, second chance romance and the second interconnected standalone in the Sugarlake series. Elliot Carson left Sugarlake and has never looked back. Revered as the next big thing in basketball, Eli's a star until an injury ends his career, sending him spiraling with no direction. But he won't go home. He can't. Instead, he accepts a coaching gig at Florida

From #1 New York Times bestselling author Emily McIntire comes an angsty, best friend's brother, second chance romance and the second interconnected standalone in the Sugarlake series.

Elliot Carson left Sugarlake and has never looked back. Revered as the next big thing in basketball, Eli's a star until an injury ends his career, sending him spiraling with no direction.

But he won't go home.

He can't.

Instead, he accepts a coaching gig at Florida Coast University, determined to leave his past behind. But fate has other plans when Becca, his sister's best friend, shows up as a student and, even worse, becomes the new team manager.

Rebecca Sanger is the preacher's daughter and the town's disappointment. When she ignores her family's demands to come home, she's cut off and needs a job so she can stay enrolled at FCU. She thought she had everything figured out, until Eli Carson―the person she hates more than anything in the world―ends up being her new boss.

Forced together, Becca and Eli's hatred turns to heat, and they start an affair. But disaster quickly strikes, ripping them apart.

Years pass, and Becca's back home, under her parent's thumb, and living a mundane life. When Eli shows up out of the blue with a fiancée in tow, Becca is tasked with planning their wedding.

There's only one problem.

Becca still loves Eli.

And he hates her.

For the second time in their lives, they're forced together, and they'll find out just how thin the line is between hate... and a love that lasts a lifetime.

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SKU: 87419598140

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4.7 ★★★★★
Based on 15 reviews
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M
Max
Alexandria, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
M
M. J. Smith
New York, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
I
I X Key
Pawtucket, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
H
"hirofantv"
Battle Creek, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
P
Pete Dempsey
Los Angeles, US
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked. I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001

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